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This product is delivered by download. We have an excellent relationship with 2nd Sense Audio and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Once the licensed is emailed there is no refund or return. This is due to copyright laws. 2nd Sense Audio Wiggle Mac Pc Dynamic Waveshaping Synthesizer 2nd Sense Audio WIGGLE, is a synth plug-in or stand alone synth aimed to assist electronic musician in creating expressive sounds with its distinctive dynamic waveshaping engine and intuitive user interface. Wiggle offers expressive sound through 4 powerful sound generators allowing users to directly manipulate and automate the wavetable, to be used with waveshaping, phase distortion and randomization tools. It also delivers flexible modulations (with 8 free drawing LFO/Envelope and 4 specialized modulators), a powerful morphing feature, intuitive FM mode and a versatile step sequencer, as well as convenient sampling with an internal recording function. Features Control points – Wiggle has 4 operators, and each operator’s wavetable can be dynamically customized by its 4 control points. Each control point has its independent built-in LFO. All these build the basic character of a sound. Other synthesis possibilities with free-drawing Phase Distortion curve, FM (Frequency Modulation) and Morphing. Color coded FM Matrix – The FM Matrix indicates the modulator/carrier relationship between the operators using color-coded knobs. Modulations – 8 free drawing LFO/Envelope, 8 step-based and 4 specialized modulators can be drag-and-dropped onto most of the synth parameters. Morph pad – Morphing between 4 variations of a preset captured on the Morph Pad multiplies the degree of sonic expressiveness. You can also draw an arbitrary path to automate the morph process. Built-in effects – 7 built-in effects can also be modulated and make a Wiggle sound more interesting. 4 Operators could go through duo multi-mode filter parallel. Step sequencer – The sequencer offers you precise control over each step for creating musical pattern with human feel. The resulting sequence can be dragged out as a MIDI file. Built-in recorder – A simple built-in recorder allows to quickly sample a soundtweaking process. The resulting audio can be dragged out as a wave file. Retina ready – High resolution images of the user interface are prepared for better viewing experience on Retina displays. Interactive guide – A short interactive tutorial walks you through the basic functions of Wiggle upon its first launch. Compatibility – VST, AU, AAX, Standalone, Windows / Mac OS X, 32 bit / 64 bit supported System Requirements Windows 7, 8, & 10 Mac OS X 10.6. 10.7, 10.8, 10.9, 10.10 & 10.11   DAW Plugin Requirements VST 2.4 (32/64 bit) AU (32/64 bit) AAX (32/64 bit) compatible with Pro Tools 10, 11 & 12

This product is delivered by download. We have an excellent relationship with 2nd Sense Audio and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Once the licensed is emailed there is no refund or return. This is due to copyright laws. 2nd Sense Audio Wiggle Mac Pc Dynamic Waveshaping Synthesizer 2nd Sense Audio WIGGLE, is a synth plug-in or stand alone synth aimed to assist electronic musician in creating expressive sounds with its distinctive dynamic waveshaping engine and intuitive user interface. Wiggle offers expressive sound through 4 powerful sound generators allowing users to directly manipulate and automate the wavetable, to be used with waveshaping, phase distortion and randomization tools. It also delivers flexible modulations (with 8 free drawing LFO/Envelope and 4 specialized modulators), a powerful morphing feature, intuitive FM mode and a versatile step sequencer, as well as convenient sampling with an internal recording function. Features Control points – Wiggle has 4 operators, and each operator’s wavetable can be dynamically customized by its 4 control points. Each control point has its independent built-in LFO. All these build the basic character of a sound. Other synthesis possibilities with free-drawing Phase Distortion curve, FM (Frequency Modulation) and Morphing. Color coded FM Matrix – The FM Matrix indicates the modulator/carrier relationship between the operators using color-coded knobs. Modulations – 8 free drawing LFO/Envelope, 8 step-based and 4 specialized modulators can be drag-and-dropped onto most of the synth parameters. Morph pad – Morphing between 4 variations of a preset captured on the Morph Pad multiplies the degree of sonic expressiveness. You can also draw an arbitrary path to automate the morph process. Built-in effects – 7 built-in effects can also be modulated and make a Wiggle sound more interesting. 4 Operators could go through duo multi-mode filter parallel. Step sequencer – The sequencer offers you precise control over each step for creating musical pattern with human feel. The resulting sequence can be dragged out as a MIDI file. Built-in recorder – A simple built-in recorder allows to quickly sample a soundtweaking process. The resulting audio can be dragged out as a wave file. Retina ready – High resolution images of the user interface are prepared for better viewing experience on Retina displays. Interactive guide – A short interactive tutorial walks you through the basic functions of Wiggle upon its first launch. Compatibility – VST, AU, AAX, Standalone, Windows / Mac OS X, 32 bit / 64 bit supported System Requirements Windows 7, 8, & 10 Mac OS X 10.6. 10.7, 10.8, 10.9, 10.10 & 10.11   DAW Plugin Requirements VST 2.4 (32/64 bit) AU (32/64 bit) AAX (32/64 bit) compatible with Pro Tools 10, 11 & 12

This product is delivered by download. We have an excellent relationship with 2nd Sense Audio and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Once the licensed is emailed there is no refund or return. This is due to copyright laws. 2nd Sense Audio Wiggle Mac Pc Dynamic Waveshaping Synthesizer 2nd Sense Audio WIGGLE, is a synth plug-in or stand alone synth aimed to assist electronic musician in creating expressive sounds with its distinctive dynamic waveshaping engine and intuitive user interface. Wiggle offers expressive sound through 4 powerful sound generators allowing users to directly manipulate and automate the wavetable, to be used with waveshaping, phase distortion and randomization tools. It also delivers flexible modulations (with 8 free drawing LFO/Envelope and 4 specialized modulators), a powerful morphing feature, intuitive FM mode and a versatile step sequencer, as well as convenient sampling with an internal recording function. Features Control points – Wiggle has 4 operators, and each operator’s wavetable can be dynamically customized by its 4 control points. Each control point has its independent built-in LFO. All these build the basic character of a sound. Other synthesis possibilities with free-drawing Phase Distortion curve, FM (Frequency Modulation) and Morphing. Color coded FM Matrix – The FM Matrix indicates the modulator/carrier relationship between the operators using color-coded knobs. Modulations – 8 free drawing LFO/Envelope, 8 step-based and 4 specialized modulators can be drag-and-dropped onto most of the synth parameters. Morph pad – Morphing between 4 variations of a preset captured on the Morph Pad multiplies the degree of sonic expressiveness. You can also draw an arbitrary path to automate the morph process. Built-in effects – 7 built-in effects can also be modulated and make a Wiggle sound more interesting. 4 Operators could go through duo multi-mode filter parallel. Step sequencer – The sequencer offers you precise control over each step for creating musical pattern with human feel. The resulting sequence can be dragged out as a MIDI file. Built-in recorder – A simple built-in recorder allows to quickly sample a soundtweaking process. The resulting audio can be dragged out as a wave file. Retina ready – High resolution images of the user interface are prepared for better viewing experience on Retina displays. Interactive guide – A short interactive tutorial walks you through the basic functions of Wiggle upon its first launch. Compatibility – VST, AU, AAX, Standalone, Windows / Mac OS X, 32 bit / 64 bit supported System Requirements Windows 7, 8, & 10 Mac OS X 10.6. 10.7, 10.8, 10.9, 10.10 & 10.11   DAW Plugin Requirements VST 2.4 (32/64 bit) AU (32/64 bit) AAX (32/64 bit) compatible with Pro Tools 10, 11 & 12

Each ADAT is in good working condition recently checkout by service tech.. Selling them as a set of 32 Tracks. Also have the BRC avail for sale as well but not included in this price. Includes the rack. ADAT XT SPECIFICATIONS Transport Recording Format: ADAT Rotary head digital recording Tape Format: S-VHS cartridge Heads: 4 (2 Read, 2 Write); Read before Write Approximate Recording Times: ST-60: 22 minutes ST-120/SE-180: 40 minutes ST-160/SE-240: 54 minutes ST-180/SE-260: 62 minutes Fast Wind Rate: 40 x play speed (Threaded) Audio Number of Audio Channels: Eight Audio Conversion: Record (A/D): 18 bit linear audio, 128 times oversampling, single converter per chan. Playback (D/A): 20 bit linear, 8 times oversampling, single converter per chan. Sample Rate: 44.1 /48kHz, Selectable Vari Speed Range: +100/-300 cents (48kHz), ±200 cents (44.1kHz) Frequency Response: 20Hz-- 20 kHz, ± 0.5dB Dynamic Range: 92 dB, A weighted Distortion: .009% THD Channel Crosstalk: Better than -90 dB @ 1kHz Wow and Flutter: Unmeasurable Reference Level: -15dB Analog Inputs/Outputs Connectors: Balanced: One ELCO® connector (in/out) Unbalanced: Sixteen RCA jacks (8 input, 8 output) Input Impedance: Balanced: 10kW Unbalanced: 10kW Output Impedance: Balanced: 150W into 600W Nominal Unbalanced: 150W into 10k W Nominal Nominal Input levels: Balanced: +4 dBu (1.23V) Unbalanced: -10 dBV (3.17V) Maximum Input levels: Balanced: +19 dBu (6.90V) Unbalanced: +5 dBV (1.78V) Digital Inputs/Outputs Connectors: Two EIAJ fiber optical jacks (1 in, 1 out) Communications Protocol: 8-Channel Serial Communication General Power Requirements: 90V--250V AC, 50/60 Hz Power Consumption: 80W Operating Temperature: 10--40° C for specified performance Operating Humidity: 80% maximum with no dew condensation for specified performance Dimensions (H x W x D): 5.25" x 19" x 11" (133.3 x 482 x 279.5mm) Weight: 20 lbs. (9 kg)

Each ADAT is in good working condition recently checkout by service tech.. Selling them as a set of 32 Tracks. Also have the BRC avail for sale as well but not included in this price. Includes the rack. ADAT XT SPECIFICATIONS Transport Recording Format: ADAT Rotary head digital recording Tape Format: S-VHS cartridge Heads: 4 (2 Read, 2 Write); Read before Write Approximate Recording Times: ST-60: 22 minutes ST-120/SE-180: 40 minutes ST-160/SE-240: 54 minutes ST-180/SE-260: 62 minutes Fast Wind Rate: 40 x play speed (Threaded) Audio Number of Audio Channels: Eight Audio Conversion: Record (A/D): 18 bit linear audio, 128 times oversampling, single converter per chan. Playback (D/A): 20 bit linear, 8 times oversampling, single converter per chan. Sample Rate: 44.1 /48kHz, Selectable Vari Speed Range: +100/-300 cents (48kHz), ±200 cents (44.1kHz) Frequency Response: 20Hz-- 20 kHz, ± 0.5dB Dynamic Range: 92 dB, A weighted Distortion: .009% THD Channel Crosstalk: Better than -90 dB @ 1kHz Wow and Flutter: Unmeasurable Reference Level: -15dB Analog Inputs/Outputs Connectors: Balanced: One ELCO® connector (in/out) Unbalanced: Sixteen RCA jacks (8 input, 8 output) Input Impedance: Balanced: 10kW Unbalanced: 10kW Output Impedance: Balanced: 150W into 600W Nominal Unbalanced: 150W into 10k W Nominal Nominal Input levels: Balanced: +4 dBu (1.23V) Unbalanced: -10 dBV (3.17V) Maximum Input levels: Balanced: +19 dBu (6.90V) Unbalanced: +5 dBV (1.78V) Digital Inputs/Outputs Connectors: Two EIAJ fiber optical jacks (1 in, 1 out) Communications Protocol: 8-Channel Serial Communication General Power Requirements: 90V--250V AC, 50/60 Hz Power Consumption: 80W Operating Temperature: 10--40° C for specified performance Operating Humidity: 80% maximum with no dew condensation for specified performance Dimensions (H x W x D): 5.25" x 19" x 11" (133.3 x 482 x 279.5mm) Weight: 20 lbs. (9 kg)

Each ADAT is in good working condition recently checkout by service tech.. Selling them as a set of 32 Tracks. Also have the BRC avail for sale as well but not included in this price. Includes the rack. ADAT XT SPECIFICATIONS Transport Recording Format: ADAT Rotary head digital recording Tape Format: S-VHS cartridge Heads: 4 (2 Read, 2 Write); Read before Write Approximate Recording Times: ST-60: 22 minutes ST-120/SE-180: 40 minutes ST-160/SE-240: 54 minutes ST-180/SE-260: 62 minutes Fast Wind Rate: 40 x play speed (Threaded) Audio Number of Audio Channels: Eight Audio Conversion: Record (A/D): 18 bit linear audio, 128 times oversampling, single converter per chan. Playback (D/A): 20 bit linear, 8 times oversampling, single converter per chan. Sample Rate: 44.1 /48kHz, Selectable Vari Speed Range: +100/-300 cents (48kHz), ±200 cents (44.1kHz) Frequency Response: 20Hz-- 20 kHz, ± 0.5dB Dynamic Range: 92 dB, A weighted Distortion: .009% THD Channel Crosstalk: Better than -90 dB @ 1kHz Wow and Flutter: Unmeasurable Reference Level: -15dB Analog Inputs/Outputs Connectors: Balanced: One ELCO® connector (in/out) Unbalanced: Sixteen RCA jacks (8 input, 8 output) Input Impedance: Balanced: 10kW Unbalanced: 10kW Output Impedance: Balanced: 150W into 600W Nominal Unbalanced: 150W into 10k W Nominal Nominal Input levels: Balanced: +4 dBu (1.23V) Unbalanced: -10 dBV (3.17V) Maximum Input levels: Balanced: +19 dBu (6.90V) Unbalanced: +5 dBV (1.78V) Digital Inputs/Outputs Connectors: Two EIAJ fiber optical jacks (1 in, 1 out) Communications Protocol: 8-Channel Serial Communication General Power Requirements: 90V--250V AC, 50/60 Hz Power Consumption: 80W Operating Temperature: 10--40° C for specified performance Operating Humidity: 80% maximum with no dew condensation for specified performance Dimensions (H x W x D): 5.25" x 19" x 11" (133.3 x 482 x 279.5mm) Weight: 20 lbs. (9 kg)

Up for sale is an amazing 3m M79 1" 8 track reel to reel. The heads are in good shape and everything works. There is no remote. The 3m M79 was used to record many of the classic albums from the 60's and 70's including, Abbey Road, Rumors, Stones, Thriller (two 24 track machines synced), Neil Young, Bowie, etc. It was available in 1 to 24 track configurations. From the History of Recording website: "The patented Isoloop tape drive system incorporated in the tape transport provides flexibility of tape handling and ease of tape threading. A new standard of timing accuracy has been attained in the tape transport as a result of an entirely new capstan dc motor drive coupled with the Isoloop Drive. Variable internal speed control, and synchronization to external speed signal sources are incorporated. The packaging concepts provide greatly improved accessibility of components for alignment and maintenance purposes. The use of silicon solid-state devices in the electronic circuits provide greater stability and long-term reliability. The tape recorder can be configured to contain 24, 16, or 8, and 4, 2 or 1 track. Physically, each configuration consists of a tape transport pivot mounted in the top of rectangular plastic-laminated wood console. Below the transport is a signal electronics module assembly containing the record/reproduce electronics and operating mode switching circuits, Input and output transformers and connectors are accessible from the rear. A meter display panel mounted above the transport provides selective input/output signal monitoring of each channel. A self-contained solid-state power supply is fastened to the floor of the console, and a remote control assembly which is detachable from the front of the console allows the recorder to be operated up to 30 feet from the console (for 8, 16, and 24 tracks only). When the remote control assembly is detached, a panel fits into the front of the console. "

Up for sale is an amazing 3m M79 1" 8 track reel to reel. The heads are in good shape and everything works. There is no remote. The 3m M79 was used to record many of the classic albums from the 60's and 70's including, Abbey Road, Rumors, Stones, Thriller (two 24 track machines synced), Neil Young, Bowie, etc. It was available in 1 to 24 track configurations. From the History of Recording website: "The patented Isoloop tape drive system incorporated in the tape transport provides flexibility of tape handling and ease of tape threading. A new standard of timing accuracy has been attained in the tape transport as a result of an entirely new capstan dc motor drive coupled with the Isoloop Drive. Variable internal speed control, and synchronization to external speed signal sources are incorporated. The packaging concepts provide greatly improved accessibility of components for alignment and maintenance purposes. The use of silicon solid-state devices in the electronic circuits provide greater stability and long-term reliability. The tape recorder can be configured to contain 24, 16, or 8, and 4, 2 or 1 track. Physically, each configuration consists of a tape transport pivot mounted in the top of rectangular plastic-laminated wood console. Below the transport is a signal electronics module assembly containing the record/reproduce electronics and operating mode switching circuits, Input and output transformers and connectors are accessible from the rear. A meter display panel mounted above the transport provides selective input/output signal monitoring of each channel. A self-contained solid-state power supply is fastened to the floor of the console, and a remote control assembly which is detachable from the front of the console allows the recorder to be operated up to 30 feet from the console (for 8, 16, and 24 tracks only). When the remote control assembly is detached, a panel fits into the front of the console. "

Up for sale is an amazing 3m M79 1" 8 track reel to reel. The heads are in good shape and everything works. There is no remote. The 3m M79 was used to record many of the classic albums from the 60's and 70's including, Abbey Road, Rumors, Stones, Thriller (two 24 track machines synced), Neil Young, Bowie, etc. It was available in 1 to 24 track configurations. From the History of Recording website: "The patented Isoloop tape drive system incorporated in the tape transport provides flexibility of tape handling and ease of tape threading. A new standard of timing accuracy has been attained in the tape transport as a result of an entirely new capstan dc motor drive coupled with the Isoloop Drive. Variable internal speed control, and synchronization to external speed signal sources are incorporated. The packaging concepts provide greatly improved accessibility of components for alignment and maintenance purposes. The use of silicon solid-state devices in the electronic circuits provide greater stability and long-term reliability. The tape recorder can be configured to contain 24, 16, or 8, and 4, 2 or 1 track. Physically, each configuration consists of a tape transport pivot mounted in the top of rectangular plastic-laminated wood console. Below the transport is a signal electronics module assembly containing the record/reproduce electronics and operating mode switching circuits, Input and output transformers and connectors are accessible from the rear. A meter display panel mounted above the transport provides selective input/output signal monitoring of each channel. A self-contained solid-state power supply is fastened to the floor of the console, and a remote control assembly which is detachable from the front of the console allows the recorder to be operated up to 30 feet from the console (for 8, 16, and 24 tracks only). When the remote control assembly is detached, a panel fits into the front of the console. "

This is a New Sealed in Plastic BookPublisher's NoteBeloved by concert performers and amateur enthusiasts alike, the Steinway piano is the most complicated piece of machinery made by hand in the world today. Remarkably, it is still being manufactured at the Long Island City, New York, factory that has been its home for more than 125 years. Now Miles Chapin, great-great-grandson of founder Henry Engelhard Steinway, takes you on a journey through the making of the world's greatest musical instrument, from the selection and aging of wood to the delicate voicing of the finished instrument. Along the way, we meet the strong men who bend grand piano rims to their trademark curve, the "belly men" who fit the metal harp to the wooden frame, the carvers who shape the piano's legs and pedal lyre, and the many other craftsmen who have perfected their specialized contributions to the finished product. In this lively history, complete with musical time line, Chapin explains how the grand piano got that way, and how Steinway & Sons achieved greatness by combining innovation and a love of quality with a philosophy of service and dedication to individual musicians that makes each piano a unique work of art. A glossary gives all the necessary definitions for technical terms, and for those who long for a piano of their own, Chapin provides addresses and information on how to buy a piano. Examines the construction of the Steinway piano which is still completely made by hand in its Long Island City, New York, factory

This is a New Sealed in Plastic BookPublisher's NoteBeloved by concert performers and amateur enthusiasts alike, the Steinway piano is the most complicated piece of machinery made by hand in the world today. Remarkably, it is still being manufactured at the Long Island City, New York, factory that has been its home for more than 125 years. Now Miles Chapin, great-great-grandson of founder Henry Engelhard Steinway, takes you on a journey through the making of the world's greatest musical instrument, from the selection and aging of wood to the delicate voicing of the finished instrument. Along the way, we meet the strong men who bend grand piano rims to their trademark curve, the "belly men" who fit the metal harp to the wooden frame, the carvers who shape the piano's legs and pedal lyre, and the many other craftsmen who have perfected their specialized contributions to the finished product. In this lively history, complete with musical time line, Chapin explains how the grand piano got that way, and how Steinway & Sons achieved greatness by combining innovation and a love of quality with a philosophy of service and dedication to individual musicians that makes each piano a unique work of art. A glossary gives all the necessary definitions for technical terms, and for those who long for a piano of their own, Chapin provides addresses and information on how to buy a piano. Examines the construction of the Steinway piano which is still completely made by hand in its Long Island City, New York, factory

This is a New Sealed in Plastic BookPublisher's NoteBeloved by concert performers and amateur enthusiasts alike, the Steinway piano is the most complicated piece of machinery made by hand in the world today. Remarkably, it is still being manufactured at the Long Island City, New York, factory that has been its home for more than 125 years. Now Miles Chapin, great-great-grandson of founder Henry Engelhard Steinway, takes you on a journey through the making of the world's greatest musical instrument, from the selection and aging of wood to the delicate voicing of the finished instrument. Along the way, we meet the strong men who bend grand piano rims to their trademark curve, the "belly men" who fit the metal harp to the wooden frame, the carvers who shape the piano's legs and pedal lyre, and the many other craftsmen who have perfected their specialized contributions to the finished product. In this lively history, complete with musical time line, Chapin explains how the grand piano got that way, and how Steinway & Sons achieved greatness by combining innovation and a love of quality with a philosophy of service and dedication to individual musicians that makes each piano a unique work of art. A glossary gives all the necessary definitions for technical terms, and for those who long for a piano of their own, Chapin provides addresses and information on how to buy a piano. Examines the construction of the Steinway piano which is still completely made by hand in its Long Island City, New York, factory

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Acoustca  6 Premium Acoustica is a comprehensive audio editor for recording, editing, mixing and mastering. The intuitive user interface was designed with speed, accuracy and ease-of-use in mind and offers a large set of high quality processing tools to make your recordings sound the best. The consistent workflow simplifies your audio production work and batch processing, powerful audio restoration tools as well as Red Book compatible CD burning is also included. Acoustica 6 is available in three editions – the free Basic Edition, the Standard Edition and the Premium Edition which supports 5.1 and 7.1 channel surround and includes extended processing tools and the same audio restoration algorithms as found in our Restoration Suite. The software supports up to 32-bit audio resolution and sampling rates up to 384 kHz. New in Acoustica 6 is the ability to edit multi-track audio, allowing for mixing audio from different tracks in real-time, adding audio effects to tracks, or easily creating cross-fades. Clips can be looped or time stretched directly from the multi-track timeline. Processing tools, effect chains and plug-in support, along with analysis tools complete the feature rich editor. What's New in Version 6 Multi-Track Editing  Create as many audio tracks as wanted  Apply effect chains to tracks or master track  Easily loop and stretch clips  Add transitions between clips by simply overlapping them in the time line with several transition curves available  Double click a clip to open and modify the content in an audio editor window  Mix-down to 5.1 and 7.1 surround formats Phase Linear Equalizer Phase linear six band parametric equalizer Six different filter types No frequency warping when close to the Nyquist frequency Variable bandwidths and filter slopes (from -3 to -120 dB/octave) Audio Restoration Tools DeNoise reduces stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise DeClick removes impulsive noise such as clicks and crackle DeClip restores audio recordings distorted by analog or digital clipping Other Improvements Improved VST preset handling which is more consistent with how presets are managed for the internal processing tools Automatic recovery of recordings if suffering from unexpected computer shut-downs WAVE64 support for files bigger than 4 GB General Features Windows MME and ASIO driver models for audio recording and playback Eight audio channels (including 7.1 and 5.1 surround) 384 kHz maximum sample rate Up to 32-bit PCM or floating point bit resolutions Timer and input level triggered recording Software emulation of phono preamplifier Customizable toolbars and menus Unlimited number of undo and redo levels Ultra fast non-destructive editing engine Standard cut, copy, paste and mix editing Drag and drop editing Support for labels and region markers Cleaning Wizard that simplifies LP or tape to CD transfers Different time formats such as sample index, SMPTE and bars and beats Regions can be saved as separate files Tabbed MDI user interface Multi-Track Editing Multi-track editor Eight rendered audio channels (including 7.1 and 5.1 surround) Unlimited number of tracks Tracks and master track effect chains Loop or time stretch clips Cross fade between clips Non destructive clip editing Real-Time Analyzers Level meter with peak, peak hold and RMS indicators K-20, K-14, K12 and digital full scale level meter modes Customizable level meter ballistic settings FFT Analyzer Phase correlation meter Big time-display Offline Analysis Tools Fourier spectrum with adjustable frequency and amplitude ranges and optional logarithmic frequency scale Fourier spectrogram with adjustable frequency and amplitude ranges Wavelet (based on the Morlet wavelet) with adjustable frequency and amplitude ranges Statistics Automatic track splitting Integrated Plug-In Suites Restoration Suite for audio restoration Tools and Plug-Ins Effect chain editor VST Plug-in support DirectX Plug-in support Real-time preview of the effects Preset manager that allows you to store user presets for all effect Freehand volume curves Fade ins and outs with four different curves High quality sample format conversion Dithering and noise shaping Channel mixer for stereo image adjustments Batch processing (files and complete folder structures) Add sampler loops Loop fader (cross-faded loops) Test signal generator Multi-band compressor (4 bands) Audio Restoration Click and crackle filters (Restoration Suite) Noise reduction (Restoration Suite) Adaptive denoising Hum and buzz reduction (Restoration Suite) Six band full parametric equalizer with graphical display of the frequency response Phase linear equalizer Six EQ filter types Resynthesis of lost high frequency components (extended version) Automatically remove DC offsets Stereo enhancer Declipper (Restoration Suite) Visual monitoring of declipping process Effects Reverb Convolution reverb Echo and delay (enhanced) Multi-tap delay width feedback filtering and optional Flanger Phaser Chorus Guitar distortion Dynamic processing with arbitrary mapping of the signal level Adjustable soft-knee for each point in the level mapping curve of the dynamic processor Limiter (enhanced) Transpose (pitch change) Time Stretching Harmonizer with up to four voices File Formats     Supported Audio Formats: WAV WAV64 AIFF (only loading) MP4 (AAC - Windows 7 or higher required) MP3 OGG FLAC WMA AU     Supported Video Formats For Audio Import: MPEG, WMV, AVI or any other supported by DirectShow Tag Information Formats (Title, Artist, etc.): ID3Tag, RIFF, Vorbis (OGG and FLAC)     Edit ACID information in wave files Audio playback button in file open dialog Integrated file browser pane in the workspace CD Projects Integrated audio burning PQ editing (indices and pause lengths) Disc At Once burning (DAO) for gapless recording Import audio tracks from CDs FreeDB support Supports buffer under run protection schemes CD-TEXT Cover Editor application for automatic CD cover and booklet printing Save and load CD projects Erase CD-RWs System Requirements: Pentium 4 processor or higher Windows XP, Vista, Windows 7, Windows 8 256 MB RAM minimum (1 GB recommended) Windows MME or ASIO compatible sound card

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Acoustca  6 Premium Acoustica is a comprehensive audio editor for recording, editing, mixing and mastering. The intuitive user interface was designed with speed, accuracy and ease-of-use in mind and offers a large set of high quality processing tools to make your recordings sound the best. The consistent workflow simplifies your audio production work and batch processing, powerful audio restoration tools as well as Red Book compatible CD burning is also included. Acoustica 6 is available in three editions – the free Basic Edition, the Standard Edition and the Premium Edition which supports 5.1 and 7.1 channel surround and includes extended processing tools and the same audio restoration algorithms as found in our Restoration Suite. The software supports up to 32-bit audio resolution and sampling rates up to 384 kHz. New in Acoustica 6 is the ability to edit multi-track audio, allowing for mixing audio from different tracks in real-time, adding audio effects to tracks, or easily creating cross-fades. Clips can be looped or time stretched directly from the multi-track timeline. Processing tools, effect chains and plug-in support, along with analysis tools complete the feature rich editor. What's New in Version 6 Multi-Track Editing  Create as many audio tracks as wanted  Apply effect chains to tracks or master track  Easily loop and stretch clips  Add transitions between clips by simply overlapping them in the time line with several transition curves available  Double click a clip to open and modify the content in an audio editor window  Mix-down to 5.1 and 7.1 surround formats Phase Linear Equalizer Phase linear six band parametric equalizer Six different filter types No frequency warping when close to the Nyquist frequency Variable bandwidths and filter slopes (from -3 to -120 dB/octave) Audio Restoration Tools DeNoise reduces stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise DeClick removes impulsive noise such as clicks and crackle DeClip restores audio recordings distorted by analog or digital clipping Other Improvements Improved VST preset handling which is more consistent with how presets are managed for the internal processing tools Automatic recovery of recordings if suffering from unexpected computer shut-downs WAVE64 support for files bigger than 4 GB General Features Windows MME and ASIO driver models for audio recording and playback Eight audio channels (including 7.1 and 5.1 surround) 384 kHz maximum sample rate Up to 32-bit PCM or floating point bit resolutions Timer and input level triggered recording Software emulation of phono preamplifier Customizable toolbars and menus Unlimited number of undo and redo levels Ultra fast non-destructive editing engine Standard cut, copy, paste and mix editing Drag and drop editing Support for labels and region markers Cleaning Wizard that simplifies LP or tape to CD transfers Different time formats such as sample index, SMPTE and bars and beats Regions can be saved as separate files Tabbed MDI user interface Multi-Track Editing Multi-track editor Eight rendered audio channels (including 7.1 and 5.1 surround) Unlimited number of tracks Tracks and master track effect chains Loop or time stretch clips Cross fade between clips Non destructive clip editing Real-Time Analyzers Level meter with peak, peak hold and RMS indicators K-20, K-14, K12 and digital full scale level meter modes Customizable level meter ballistic settings FFT Analyzer Phase correlation meter Big time-display Offline Analysis Tools Fourier spectrum with adjustable frequency and amplitude ranges and optional logarithmic frequency scale Fourier spectrogram with adjustable frequency and amplitude ranges Wavelet (based on the Morlet wavelet) with adjustable frequency and amplitude ranges Statistics Automatic track splitting Integrated Plug-In Suites Restoration Suite for audio restoration Tools and Plug-Ins Effect chain editor VST Plug-in support DirectX Plug-in support Real-time preview of the effects Preset manager that allows you to store user presets for all effect Freehand volume curves Fade ins and outs with four different curves High quality sample format conversion Dithering and noise shaping Channel mixer for stereo image adjustments Batch processing (files and complete folder structures) Add sampler loops Loop fader (cross-faded loops) Test signal generator Multi-band compressor (4 bands) Audio Restoration Click and crackle filters (Restoration Suite) Noise reduction (Restoration Suite) Adaptive denoising Hum and buzz reduction (Restoration Suite) Six band full parametric equalizer with graphical display of the frequency response Phase linear equalizer Six EQ filter types Resynthesis of lost high frequency components (extended version) Automatically remove DC offsets Stereo enhancer Declipper (Restoration Suite) Visual monitoring of declipping process Effects Reverb Convolution reverb Echo and delay (enhanced) Multi-tap delay width feedback filtering and optional Flanger Phaser Chorus Guitar distortion Dynamic processing with arbitrary mapping of the signal level Adjustable soft-knee for each point in the level mapping curve of the dynamic processor Limiter (enhanced) Transpose (pitch change) Time Stretching Harmonizer with up to four voices File Formats     Supported Audio Formats: WAV WAV64 AIFF (only loading) MP4 (AAC - Windows 7 or higher required) MP3 OGG FLAC WMA AU     Supported Video Formats For Audio Import: MPEG, WMV, AVI or any other supported by DirectShow Tag Information Formats (Title, Artist, etc.): ID3Tag, RIFF, Vorbis (OGG and FLAC)     Edit ACID information in wave files Audio playback button in file open dialog Integrated file browser pane in the workspace CD Projects Integrated audio burning PQ editing (indices and pause lengths) Disc At Once burning (DAO) for gapless recording Import audio tracks from CDs FreeDB support Supports buffer under run protection schemes CD-TEXT Cover Editor application for automatic CD cover and booklet printing Save and load CD projects Erase CD-RWs System Requirements: Pentium 4 processor or higher Windows XP, Vista, Windows 7, Windows 8 256 MB RAM minimum (1 GB recommended) Windows MME or ASIO compatible sound card

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Acoustca  6 Premium Acoustica is a comprehensive audio editor for recording, editing, mixing and mastering. The intuitive user interface was designed with speed, accuracy and ease-of-use in mind and offers a large set of high quality processing tools to make your recordings sound the best. The consistent workflow simplifies your audio production work and batch processing, powerful audio restoration tools as well as Red Book compatible CD burning is also included. Acoustica 6 is available in three editions – the free Basic Edition, the Standard Edition and the Premium Edition which supports 5.1 and 7.1 channel surround and includes extended processing tools and the same audio restoration algorithms as found in our Restoration Suite. The software supports up to 32-bit audio resolution and sampling rates up to 384 kHz. New in Acoustica 6 is the ability to edit multi-track audio, allowing for mixing audio from different tracks in real-time, adding audio effects to tracks, or easily creating cross-fades. Clips can be looped or time stretched directly from the multi-track timeline. Processing tools, effect chains and plug-in support, along with analysis tools complete the feature rich editor. What's New in Version 6 Multi-Track Editing  Create as many audio tracks as wanted  Apply effect chains to tracks or master track  Easily loop and stretch clips  Add transitions between clips by simply overlapping them in the time line with several transition curves available  Double click a clip to open and modify the content in an audio editor window  Mix-down to 5.1 and 7.1 surround formats Phase Linear Equalizer Phase linear six band parametric equalizer Six different filter types No frequency warping when close to the Nyquist frequency Variable bandwidths and filter slopes (from -3 to -120 dB/octave) Audio Restoration Tools DeNoise reduces stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise DeClick removes impulsive noise such as clicks and crackle DeClip restores audio recordings distorted by analog or digital clipping Other Improvements Improved VST preset handling which is more consistent with how presets are managed for the internal processing tools Automatic recovery of recordings if suffering from unexpected computer shut-downs WAVE64 support for files bigger than 4 GB General Features Windows MME and ASIO driver models for audio recording and playback Eight audio channels (including 7.1 and 5.1 surround) 384 kHz maximum sample rate Up to 32-bit PCM or floating point bit resolutions Timer and input level triggered recording Software emulation of phono preamplifier Customizable toolbars and menus Unlimited number of undo and redo levels Ultra fast non-destructive editing engine Standard cut, copy, paste and mix editing Drag and drop editing Support for labels and region markers Cleaning Wizard that simplifies LP or tape to CD transfers Different time formats such as sample index, SMPTE and bars and beats Regions can be saved as separate files Tabbed MDI user interface Multi-Track Editing Multi-track editor Eight rendered audio channels (including 7.1 and 5.1 surround) Unlimited number of tracks Tracks and master track effect chains Loop or time stretch clips Cross fade between clips Non destructive clip editing Real-Time Analyzers Level meter with peak, peak hold and RMS indicators K-20, K-14, K12 and digital full scale level meter modes Customizable level meter ballistic settings FFT Analyzer Phase correlation meter Big time-display Offline Analysis Tools Fourier spectrum with adjustable frequency and amplitude ranges and optional logarithmic frequency scale Fourier spectrogram with adjustable frequency and amplitude ranges Wavelet (based on the Morlet wavelet) with adjustable frequency and amplitude ranges Statistics Automatic track splitting Integrated Plug-In Suites Restoration Suite for audio restoration Tools and Plug-Ins Effect chain editor VST Plug-in support DirectX Plug-in support Real-time preview of the effects Preset manager that allows you to store user presets for all effect Freehand volume curves Fade ins and outs with four different curves High quality sample format conversion Dithering and noise shaping Channel mixer for stereo image adjustments Batch processing (files and complete folder structures) Add sampler loops Loop fader (cross-faded loops) Test signal generator Multi-band compressor (4 bands) Audio Restoration Click and crackle filters (Restoration Suite) Noise reduction (Restoration Suite) Adaptive denoising Hum and buzz reduction (Restoration Suite) Six band full parametric equalizer with graphical display of the frequency response Phase linear equalizer Six EQ filter types Resynthesis of lost high frequency components (extended version) Automatically remove DC offsets Stereo enhancer Declipper (Restoration Suite) Visual monitoring of declipping process Effects Reverb Convolution reverb Echo and delay (enhanced) Multi-tap delay width feedback filtering and optional Flanger Phaser Chorus Guitar distortion Dynamic processing with arbitrary mapping of the signal level Adjustable soft-knee for each point in the level mapping curve of the dynamic processor Limiter (enhanced) Transpose (pitch change) Time Stretching Harmonizer with up to four voices File Formats     Supported Audio Formats: WAV WAV64 AIFF (only loading) MP4 (AAC - Windows 7 or higher required) MP3 OGG FLAC WMA AU     Supported Video Formats For Audio Import: MPEG, WMV, AVI or any other supported by DirectShow Tag Information Formats (Title, Artist, etc.): ID3Tag, RIFF, Vorbis (OGG and FLAC)     Edit ACID information in wave files Audio playback button in file open dialog Integrated file browser pane in the workspace CD Projects Integrated audio burning PQ editing (indices and pause lengths) Disc At Once burning (DAO) for gapless recording Import audio tracks from CDs FreeDB support Supports buffer under run protection schemes CD-TEXT Cover Editor application for automatic CD cover and booklet printing Save and load CD projects Erase CD-RWs System Requirements: Pentium 4 processor or higher Windows XP, Vista, Windows 7, Windows 8 256 MB RAM minimum (1 GB recommended) Windows MME or ASIO compatible sound card

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Acoustca  6 Standard Acoustica is a comprehensive audio editor for recording, editing, mixing and mastering. The intuitive user interface was designed with speed, accuracy and ease-of-use in mind and offers a large set of high quality processing tools to make your recordings sound the best. The consistent workflow simplifies your audio production work and batch processing, powerful audio restoration tools as well as Red Book compatible CD burning is also included. Acoustica 6 is available in three editions – the free Basic Edition, the Standard Edition and the Premium Edition which supports 5.1 and 7.1 channel surround and includes extended processing tools and the same audio restoration algorithms as found in our Restoration Suite. The software supports up to 32-bit audio resolution and sampling rates up to 384 kHz. New in Acoustica 6 is the ability to edit multi-track audio, allowing for mixing audio from different tracks in real-time, adding audio effects to tracks, or easily creating cross-fades. Clips can be looped or time stretched directly from the multi-track timeline. Processing tools, effect chains and plug-in support, along with analysis tools complete the feature rich editor. Acoustica Standard Edition 6 includes several of the high quality processing tools that were earlier only available in the Premium Edition: Superb quality time stretching Transpose tool (pitch shift) based on the new time stretching engine New reverb with improved control over the room and filter parameters The parametric equalizer now offers six different filter types – low shelf, peak, high shelf, high pass, notch and low pass What's New in Version 6 Multi-Track Editing  Create as many audio tracks as wanted  Apply effect chains to tracks or master track  Easily loop and stretch clips  Add transitions between clips by simply overlapping them in the time line with several transition curves available  Double click a clip to open and modify the content in an audio editor window Other Improvements Improved VST preset handling which is more consistent with how presets are managed for the internal processing tools Automatic recovery of recordings if suffering from unexpected computer shut-downs WAVE64 support for files bigger than 4 GB General Features Windows MME and ASIO driver models for audio recording and playback Mono or Stereo audio channels 384 kHz maximum sample rate Up to 32-bit PCM or floating point bit resolutions Timer and input level triggered recording Software emulation of phono preamplifier Customizable toolbars and menus Unlimited number of undo and redo levels Ultra fast non-destructive editing engine Standard cut, copy, paste and mix editing Drag and drop editing Support for labels and region markers Cleaning Wizard that simplifies LP or tape to CD transfers Different time formats such as sample index, SMPTE and bars and beats Regions can be saved as separate files Tabbed MDI user interface Multi-Track Editing Multi-track editor (Mono or Stereo) Unlimited number of tracks Tracks and master track effect chains Loop or time stretch clips Cross fade between clips Non destructive clip editing Real-Time Analyzers Level meter with peak, peak hold and RMS indicators K-20, K-14, K12 and digital full scale level meter modes Customizable level meter ballistic settings FFT Analyzer Phase correlation meter Big time-display Offline Analysis Tools Fourier spectrum with adjustable frequency and amplitude ranges and optional logarithmic frequency scale Fourier spectrogram with adjustable frequency and amplitude ranges Wavelet (based on the Morlet wavelet) with adjustable frequency and amplitude ranges Statistics Automatic track splitting Tools and Plug-Ins Effect chain editor VST Plug-in support DirectX Plug-in support Real-time preview of the effects Preset manager that allows you to store user presets for all effect Freehand volume curves Fade ins and outs with four different curves High quality sample format conversion Dithering and noise shaping Channel mixer for stereo image adjustments Batch processing (files and complete folder structures) Add sampler loops Loop fader (cross-faded loops) Test signal generator Multi-band compressor (4 bands) Noise reduction (Restoration Suite) Six band full parametric equalizer with graphical display of the frequency response Phase linear equalizer Six EQ filter types Resynthesis of lost high frequency components (extended version) Automatically remove DC offsets Stereo enhancer Declipper (standard quality) Effects Reverb Convolution reverb Echo and delay (enhanced) Flanger Chorus Guitar distortion Dynamic processing with arbitrary mapping of the signal level Limiter Transpose (pitch change) Time Stretching Harmonizer with up to four voices File Formats     Supported Audio Formats: WAV WAV64 AIFF (only loading) MP4 (AAC - Windows 7 or higher required) MP3 OGG FLAC WMA AU     Supported Video Formats For Audio Import: MPEG, WMV, AVI or any other supported by DirectShow Tag Information Formats (Title, Artist, etc.): ID3Tag, RIFF, Vorbis (OGG and FLAC)     Edit ACID information in wave files Audio playback button in file open dialog Integrated file browser pane in the workspace CD Projects Integrated audio burning Disc At Once burning (DAO) for gapless recording Import audio tracks from CDs FreeDB support Supports buffer under run protection scheme Cover Editor application for automatic CD cover and booklet printing Save and load CD projects Erase CD-RWs System Requirements: Pentium 4 processor or higher Windows XP, Vista, Windows 7, Windows 8 256 MB RAM minimum (1 GB recommended) Windows MME or ASIO compatible sound card

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Acoustca  6 Standard Acoustica is a comprehensive audio editor for recording, editing, mixing and mastering. The intuitive user interface was designed with speed, accuracy and ease-of-use in mind and offers a large set of high quality processing tools to make your recordings sound the best. The consistent workflow simplifies your audio production work and batch processing, powerful audio restoration tools as well as Red Book compatible CD burning is also included. Acoustica 6 is available in three editions – the free Basic Edition, the Standard Edition and the Premium Edition which supports 5.1 and 7.1 channel surround and includes extended processing tools and the same audio restoration algorithms as found in our Restoration Suite. The software supports up to 32-bit audio resolution and sampling rates up to 384 kHz. New in Acoustica 6 is the ability to edit multi-track audio, allowing for mixing audio from different tracks in real-time, adding audio effects to tracks, or easily creating cross-fades. Clips can be looped or time stretched directly from the multi-track timeline. Processing tools, effect chains and plug-in support, along with analysis tools complete the feature rich editor. Acoustica Standard Edition 6 includes several of the high quality processing tools that were earlier only available in the Premium Edition: Superb quality time stretching Transpose tool (pitch shift) based on the new time stretching engine New reverb with improved control over the room and filter parameters The parametric equalizer now offers six different filter types – low shelf, peak, high shelf, high pass, notch and low pass What's New in Version 6 Multi-Track Editing  Create as many audio tracks as wanted  Apply effect chains to tracks or master track  Easily loop and stretch clips  Add transitions between clips by simply overlapping them in the time line with several transition curves available  Double click a clip to open and modify the content in an audio editor window Other Improvements Improved VST preset handling which is more consistent with how presets are managed for the internal processing tools Automatic recovery of recordings if suffering from unexpected computer shut-downs WAVE64 support for files bigger than 4 GB General Features Windows MME and ASIO driver models for audio recording and playback Mono or Stereo audio channels 384 kHz maximum sample rate Up to 32-bit PCM or floating point bit resolutions Timer and input level triggered recording Software emulation of phono preamplifier Customizable toolbars and menus Unlimited number of undo and redo levels Ultra fast non-destructive editing engine Standard cut, copy, paste and mix editing Drag and drop editing Support for labels and region markers Cleaning Wizard that simplifies LP or tape to CD transfers Different time formats such as sample index, SMPTE and bars and beats Regions can be saved as separate files Tabbed MDI user interface Multi-Track Editing Multi-track editor (Mono or Stereo) Unlimited number of tracks Tracks and master track effect chains Loop or time stretch clips Cross fade between clips Non destructive clip editing Real-Time Analyzers Level meter with peak, peak hold and RMS indicators K-20, K-14, K12 and digital full scale level meter modes Customizable level meter ballistic settings FFT Analyzer Phase correlation meter Big time-display Offline Analysis Tools Fourier spectrum with adjustable frequency and amplitude ranges and optional logarithmic frequency scale Fourier spectrogram with adjustable frequency and amplitude ranges Wavelet (based on the Morlet wavelet) with adjustable frequency and amplitude ranges Statistics Automatic track splitting Tools and Plug-Ins Effect chain editor VST Plug-in support DirectX Plug-in support Real-time preview of the effects Preset manager that allows you to store user presets for all effect Freehand volume curves Fade ins and outs with four different curves High quality sample format conversion Dithering and noise shaping Channel mixer for stereo image adjustments Batch processing (files and complete folder structures) Add sampler loops Loop fader (cross-faded loops) Test signal generator Multi-band compressor (4 bands) Noise reduction (Restoration Suite) Six band full parametric equalizer with graphical display of the frequency response Phase linear equalizer Six EQ filter types Resynthesis of lost high frequency components (extended version) Automatically remove DC offsets Stereo enhancer Declipper (standard quality) Effects Reverb Convolution reverb Echo and delay (enhanced) Flanger Chorus Guitar distortion Dynamic processing with arbitrary mapping of the signal level Limiter Transpose (pitch change) Time Stretching Harmonizer with up to four voices File Formats     Supported Audio Formats: WAV WAV64 AIFF (only loading) MP4 (AAC - Windows 7 or higher required) MP3 OGG FLAC WMA AU     Supported Video Formats For Audio Import: MPEG, WMV, AVI or any other supported by DirectShow Tag Information Formats (Title, Artist, etc.): ID3Tag, RIFF, Vorbis (OGG and FLAC)     Edit ACID information in wave files Audio playback button in file open dialog Integrated file browser pane in the workspace CD Projects Integrated audio burning Disc At Once burning (DAO) for gapless recording Import audio tracks from CDs FreeDB support Supports buffer under run protection scheme Cover Editor application for automatic CD cover and booklet printing Save and load CD projects Erase CD-RWs System Requirements: Pentium 4 processor or higher Windows XP, Vista, Windows 7, Windows 8 256 MB RAM minimum (1 GB recommended) Windows MME or ASIO compatible sound card

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Acoustca  6 Standard Acoustica is a comprehensive audio editor for recording, editing, mixing and mastering. The intuitive user interface was designed with speed, accuracy and ease-of-use in mind and offers a large set of high quality processing tools to make your recordings sound the best. The consistent workflow simplifies your audio production work and batch processing, powerful audio restoration tools as well as Red Book compatible CD burning is also included. Acoustica 6 is available in three editions – the free Basic Edition, the Standard Edition and the Premium Edition which supports 5.1 and 7.1 channel surround and includes extended processing tools and the same audio restoration algorithms as found in our Restoration Suite. The software supports up to 32-bit audio resolution and sampling rates up to 384 kHz. New in Acoustica 6 is the ability to edit multi-track audio, allowing for mixing audio from different tracks in real-time, adding audio effects to tracks, or easily creating cross-fades. Clips can be looped or time stretched directly from the multi-track timeline. Processing tools, effect chains and plug-in support, along with analysis tools complete the feature rich editor. Acoustica Standard Edition 6 includes several of the high quality processing tools that were earlier only available in the Premium Edition: Superb quality time stretching Transpose tool (pitch shift) based on the new time stretching engine New reverb with improved control over the room and filter parameters The parametric equalizer now offers six different filter types – low shelf, peak, high shelf, high pass, notch and low pass What's New in Version 6 Multi-Track Editing  Create as many audio tracks as wanted  Apply effect chains to tracks or master track  Easily loop and stretch clips  Add transitions between clips by simply overlapping them in the time line with several transition curves available  Double click a clip to open and modify the content in an audio editor window Other Improvements Improved VST preset handling which is more consistent with how presets are managed for the internal processing tools Automatic recovery of recordings if suffering from unexpected computer shut-downs WAVE64 support for files bigger than 4 GB General Features Windows MME and ASIO driver models for audio recording and playback Mono or Stereo audio channels 384 kHz maximum sample rate Up to 32-bit PCM or floating point bit resolutions Timer and input level triggered recording Software emulation of phono preamplifier Customizable toolbars and menus Unlimited number of undo and redo levels Ultra fast non-destructive editing engine Standard cut, copy, paste and mix editing Drag and drop editing Support for labels and region markers Cleaning Wizard that simplifies LP or tape to CD transfers Different time formats such as sample index, SMPTE and bars and beats Regions can be saved as separate files Tabbed MDI user interface Multi-Track Editing Multi-track editor (Mono or Stereo) Unlimited number of tracks Tracks and master track effect chains Loop or time stretch clips Cross fade between clips Non destructive clip editing Real-Time Analyzers Level meter with peak, peak hold and RMS indicators K-20, K-14, K12 and digital full scale level meter modes Customizable level meter ballistic settings FFT Analyzer Phase correlation meter Big time-display Offline Analysis Tools Fourier spectrum with adjustable frequency and amplitude ranges and optional logarithmic frequency scale Fourier spectrogram with adjustable frequency and amplitude ranges Wavelet (based on the Morlet wavelet) with adjustable frequency and amplitude ranges Statistics Automatic track splitting Tools and Plug-Ins Effect chain editor VST Plug-in support DirectX Plug-in support Real-time preview of the effects Preset manager that allows you to store user presets for all effect Freehand volume curves Fade ins and outs with four different curves High quality sample format conversion Dithering and noise shaping Channel mixer for stereo image adjustments Batch processing (files and complete folder structures) Add sampler loops Loop fader (cross-faded loops) Test signal generator Multi-band compressor (4 bands) Noise reduction (Restoration Suite) Six band full parametric equalizer with graphical display of the frequency response Phase linear equalizer Six EQ filter types Resynthesis of lost high frequency components (extended version) Automatically remove DC offsets Stereo enhancer Declipper (standard quality) Effects Reverb Convolution reverb Echo and delay (enhanced) Flanger Chorus Guitar distortion Dynamic processing with arbitrary mapping of the signal level Limiter Transpose (pitch change) Time Stretching Harmonizer with up to four voices File Formats     Supported Audio Formats: WAV WAV64 AIFF (only loading) MP4 (AAC - Windows 7 or higher required) MP3 OGG FLAC WMA AU     Supported Video Formats For Audio Import: MPEG, WMV, AVI or any other supported by DirectShow Tag Information Formats (Title, Artist, etc.): ID3Tag, RIFF, Vorbis (OGG and FLAC)     Edit ACID information in wave files Audio playback button in file open dialog Integrated file browser pane in the workspace CD Projects Integrated audio burning Disc At Once burning (DAO) for gapless recording Import audio tracks from CDs FreeDB support Supports buffer under run protection scheme Cover Editor application for automatic CD cover and booklet printing Save and load CD projects Erase CD-RWs System Requirements: Pentium 4 processor or higher Windows XP, Vista, Windows 7, Windows 8 256 MB RAM minimum (1 GB recommended) Windows MME or ASIO compatible sound card

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital DeFilter Mac PC Plug-In Elicence DeFilter is an efficient tool to even out tonal imbalances in a recording or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording. Great care has been taken to provide a user interface that is straightforward to use. Frequency dependent correction levels can be defined using custom curves, so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum. Use Cases Fix issues in a mix prior to mastering Reduce resonances caused by untreated room acoustics Matched equalization (automatic equalization based on a reference signal) Improve clarity and intelligibility of speech Instant fix for nasty comb filter effects Acon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features: Automatically estimates correction filter that evens out the frequency spectrum Removes resonances and comb filter effects Predefined target profiles include music, speech and an automatic mode that extracts timbre from the input signal Correction filters can be saved and used as a reference for matched equalization Adjustable length of the correction filter from 1 to 20 milliseconds Frequency spectrum representation of the of the following signals: Correction filter Input signal Output signal Frequency emphasis filter for the the level of correction Available as VST or AAX plug-in on PC (Windows) Available as VST, AAX or AU plug-in on Apple Macintosh (OSX) Native 32 bit and 64 bit versions are available Supports sampling rates up to 96 kHz System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital DeFilter Mac PC Plug-In Elicence DeFilter is an efficient tool to even out tonal imbalances in a recording or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording. Great care has been taken to provide a user interface that is straightforward to use. Frequency dependent correction levels can be defined using custom curves, so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum. Use Cases Fix issues in a mix prior to mastering Reduce resonances caused by untreated room acoustics Matched equalization (automatic equalization based on a reference signal) Improve clarity and intelligibility of speech Instant fix for nasty comb filter effects Acon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features: Automatically estimates correction filter that evens out the frequency spectrum Removes resonances and comb filter effects Predefined target profiles include music, speech and an automatic mode that extracts timbre from the input signal Correction filters can be saved and used as a reference for matched equalization Adjustable length of the correction filter from 1 to 20 milliseconds Frequency spectrum representation of the of the following signals: Correction filter Input signal Output signal Frequency emphasis filter for the the level of correction Available as VST or AAX plug-in on PC (Windows) Available as VST, AAX or AU plug-in on Apple Macintosh (OSX) Native 32 bit and 64 bit versions are available Supports sampling rates up to 96 kHz System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital DeFilter Mac PC Plug-In Elicence DeFilter is an efficient tool to even out tonal imbalances in a recording or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording. Great care has been taken to provide a user interface that is straightforward to use. Frequency dependent correction levels can be defined using custom curves, so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum. Use Cases Fix issues in a mix prior to mastering Reduce resonances caused by untreated room acoustics Matched equalization (automatic equalization based on a reference signal) Improve clarity and intelligibility of speech Instant fix for nasty comb filter effects Acon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features: Automatically estimates correction filter that evens out the frequency spectrum Removes resonances and comb filter effects Predefined target profiles include music, speech and an automatic mode that extracts timbre from the input signal Correction filters can be saved and used as a reference for matched equalization Adjustable length of the correction filter from 1 to 20 milliseconds Frequency spectrum representation of the of the following signals: Correction filter Input signal Output signal Frequency emphasis filter for the the level of correction Available as VST or AAX plug-in on PC (Windows) Available as VST, AAX or AU plug-in on Apple Macintosh (OSX) Native 32 bit and 64 bit versions are available Supports sampling rates up to 96 kHz System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital DeVerberate Reverb Reduction Plugin Mac PC Plug-In Elicence The balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation. Use Cases Attenuate reverberation in existing recordings Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation Improve dialog and location sound Forensic specialists can improve speech intelligibility Boost the natural reverberation in existing recordings Acon Digital DeVerberate is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features: Acon Digital DeVerberate Separate adjustments of the direct sound and the reverberation levels Manual adjustment of the decay time of the original reverberation Frequency spectrum representation of the of the following signals: Input signal Output signal Estimated reverberation Frequency emphasis filter for the the reduction level High and low shelving filters with variable slopes (-3 to -96 dB / octave) High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves) Graphical representation of frequency response Editing of filter settings through handles in the frequency response curve Use Cases Attenuate reverberation in existing recordings Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation Improve dialog and location sound Forensic specialists can improve speech intelligibility Boost the natural reverberation in existing recordings Acon Digital DeVerberate is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital DeVerberate Reverb Reduction Plugin Mac PC Plug-In Elicence The balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation. Use Cases Attenuate reverberation in existing recordings Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation Improve dialog and location sound Forensic specialists can improve speech intelligibility Boost the natural reverberation in existing recordings Acon Digital DeVerberate is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features: Acon Digital DeVerberate Separate adjustments of the direct sound and the reverberation levels Manual adjustment of the decay time of the original reverberation Frequency spectrum representation of the of the following signals: Input signal Output signal Estimated reverberation Frequency emphasis filter for the the reduction level High and low shelving filters with variable slopes (-3 to -96 dB / octave) High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves) Graphical representation of frequency response Editing of filter settings through handles in the frequency response curve Use Cases Attenuate reverberation in existing recordings Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation Improve dialog and location sound Forensic specialists can improve speech intelligibility Boost the natural reverberation in existing recordings Acon Digital DeVerberate is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital DeVerberate Reverb Reduction Plugin Mac PC Plug-In Elicence The balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation. Use Cases Attenuate reverberation in existing recordings Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation Improve dialog and location sound Forensic specialists can improve speech intelligibility Boost the natural reverberation in existing recordings Acon Digital DeVerberate is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features: Acon Digital DeVerberate Separate adjustments of the direct sound and the reverberation levels Manual adjustment of the decay time of the original reverberation Frequency spectrum representation of the of the following signals: Input signal Output signal Estimated reverberation Frequency emphasis filter for the the reduction level High and low shelving filters with variable slopes (-3 to -96 dB / octave) High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves) Graphical representation of frequency response Editing of filter settings through handles in the frequency response curve Use Cases Attenuate reverberation in existing recordings Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation Improve dialog and location sound Forensic specialists can improve speech intelligibility Boost the natural reverberation in existing recordings Acon Digital DeVerberate is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Equalize Mac PC EQ Plug In eLicense Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range. Great care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency. Highlights Up to twelve independent bands Freely adjustable gain, frequency, bandwidth, resonance and filter slope Three different phase modes, including the novel mixed phase mode Choose channel mode for each band independently (mid, side, left, right or full processing) Acon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features : Up to twelve equalizer bands Six different filter types (low cut, low shelf, peak, notch, high shelf and high cut) Band frequency, gain, bandwidth, resonance and filter slope is freely adjustable for each band Three different filter modes, minimum phase, linear phase or the novel mixed phase Adjustable latency and pre-ringing time in mixed phase mode Zero latency in minimum phase mode Channel mode (mid, side, left, right or full processing) can be set independently for each band Multiple selection of bands Resizable graphical user interface Solo and bypass modes Optional automatic make-up gain Optional gain to bandwidth linking Two spectrum analyzers that can analyze the input or output signal from the mid, side, left or right channel Graphical visualization of the equalizer frequency response Preset manager and a large number of factory presets Save, load and categorize user presets Available as VST or AAX plug-ins on PC (Windows) Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X) Native 32 bit or 64 bit versions of all plug-ins are available Supports sampling rates up to 96 kHz Mono and stereo System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Equalize Mac PC EQ Plug In eLicense Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range. Great care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency. Highlights Up to twelve independent bands Freely adjustable gain, frequency, bandwidth, resonance and filter slope Three different phase modes, including the novel mixed phase mode Choose channel mode for each band independently (mid, side, left, right or full processing) Acon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features : Up to twelve equalizer bands Six different filter types (low cut, low shelf, peak, notch, high shelf and high cut) Band frequency, gain, bandwidth, resonance and filter slope is freely adjustable for each band Three different filter modes, minimum phase, linear phase or the novel mixed phase Adjustable latency and pre-ringing time in mixed phase mode Zero latency in minimum phase mode Channel mode (mid, side, left, right or full processing) can be set independently for each band Multiple selection of bands Resizable graphical user interface Solo and bypass modes Optional automatic make-up gain Optional gain to bandwidth linking Two spectrum analyzers that can analyze the input or output signal from the mid, side, left or right channel Graphical visualization of the equalizer frequency response Preset manager and a large number of factory presets Save, load and categorize user presets Available as VST or AAX plug-ins on PC (Windows) Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X) Native 32 bit or 64 bit versions of all plug-ins are available Supports sampling rates up to 96 kHz Mono and stereo System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digial and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PDT weekdays or on weekends, we'll process your order the next business day.  Acon Digital Equalize Mac PC EQ Plug In eLicense Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range. Great care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency. Highlights Up to twelve independent bands Freely adjustable gain, frequency, bandwidth, resonance and filter slope Three different phase modes, including the novel mixed phase mode Choose channel mode for each band independently (mid, side, left, right or full processing) Acon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported. Features : Up to twelve equalizer bands Six different filter types (low cut, low shelf, peak, notch, high shelf and high cut) Band frequency, gain, bandwidth, resonance and filter slope is freely adjustable for each band Three different filter modes, minimum phase, linear phase or the novel mixed phase Adjustable latency and pre-ringing time in mixed phase mode Zero latency in minimum phase mode Channel mode (mid, side, left, right or full processing) can be set independently for each band Multiple selection of bands Resizable graphical user interface Solo and bypass modes Optional automatic make-up gain Optional gain to bandwidth linking Two spectrum analyzers that can analyze the input or output signal from the mid, side, left or right channel Graphical visualization of the equalizer frequency response Preset manager and a large number of factory presets Save, load and categorize user presets Available as VST or AAX plug-ins on PC (Windows) Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X) Native 32 bit or 64 bit versions of all plug-ins are available Supports sampling rates up to 96 kHz Mono and stereo System Requirements PC Version (Windows) A Pentium IV or higher Minimum 256 MB RAM (1 GB recommended) Windows 10, 8, 7, Vista or XP A host application that is compatible with VST (32 bit or 64 bit) or AAX (Pro Tools 10.3.5 or higher) Macintosh Version (OS X) 64 bit Intel CPU OS X 10.6 or later A host application that is compatible with AU, VST or AAX (Pro Tools 10.3.5 or higher)

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital Restoration Suite  Mac PC Plug-In Elicence Acon Digital Restoration Suite consists of four audio restoration and noise reduction plug-ins that are the result of several years of research within the field of noise reduction and audio restoration algorithms: DeNoise is a plug-in designed to reduce stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise. Great efforts have been put into preserving as much of the original signal as possible during the noise reduction process. As a result, DeNoise can reduce or in many cases completely remove the noise in a very transparent manner without loss of transients, attacks or “air” in the recording. DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise. DeClick is designed to remove impulsive noise such as clicks and crackle. These distortions are frequently encountered on LP and 78 RPM records, but also occur in digital recordings due to drop-outs or distorted data packets. DeClip restores audio recordings distorted by analog or digital clipping. Acon Digital Restoration Suite is available in 32 and 64 bit versions, as VST or AAX for both Windows and OS X or as AU plug-ins for OS X. Features: Acon Digital DeNoise Advanced algorithms reduce stationary noise efficiently with minimal impact on the wanted material Transient detection ensures that transients remain untouched throughout the noise reduction process Effective temporal smoothing reduces “musical noise” artifacts Adaptive estimation of noise profile or estimation based on noise only Target broadband and tonal noise or optionally broadband only Graphical representation of input frequency spectrum and the noise profile Frequency emphasis filter High and low shelving filters with variable slopes (-3 to -96 dB / octave) High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves) Graphical representation of frequency response Editing of filter settings through handles in the frequency response curve Residual signal mode allows you to listen to the removed signal Acon Digital DeHum Remove hum and buzz with minimal loss of the wanted signal Novel sinusoidal re-synthesis algorithm (preserves wanted signal to a much larger extent) or conventional notch filter mode Adaptive mode allows removal of hum signals with a fluctuating fundamental frequency Automatically removes up to 16 harmonics Optionally to targets only odd harmonics High resolution spectrum analysis of the input signal Visual indication of the estimated fundamental frequency as well as the harmonics Residual signal mode allows you to listen to the removed signal Acon Digital DeClick Seperate detection and restoration of clicks and crackle Very accurate detection of click start time and duration ensures minimal impact on the wanted material Digital drop-outs detection mode for detection of asymmetrical clicks (typical result of discontinuities after loss of short fragments of digital data) 64 bit precision in the internal processing Two-pass high resolution interpolation algorithm ensures very transparent estimation of the original signal during clicks Visual curve meters show the clicks and crackle removal rates Residual signal mode allows you to listen to the removed signal Acon Digital DeClip Reconstructs peaks distorted by analog or digital clipping Separately adjustable upper and lower threshold values Optional upper and lower threshold lock simplifies the workflow in the case of symmetrical clipping Graphical representation of the input and output level histograms makes it easy to set the threshold values and monitor the restoration process visually Threshold values can be adjusted directly from the level histograms by dragging upper and lower threshold handles Mac 64-bit Intel CPU OS X 10.6 or later Host application that supports the Audio Units, AAX, or VST plug-in formats PC Pentium 4 or higher processor Windows XP, Vista, Windows 7, Windows 8, Windsows 10 256 MB RAM minimum (1 GB recommended) Host application that supports the AAX or VST (32- and 64-bit) plug-in formats

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital Restoration Suite  Mac PC Plug-In Elicence Acon Digital Restoration Suite consists of four audio restoration and noise reduction plug-ins that are the result of several years of research within the field of noise reduction and audio restoration algorithms: DeNoise is a plug-in designed to reduce stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise. Great efforts have been put into preserving as much of the original signal as possible during the noise reduction process. As a result, DeNoise can reduce or in many cases completely remove the noise in a very transparent manner without loss of transients, attacks or “air” in the recording. DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise. DeClick is designed to remove impulsive noise such as clicks and crackle. These distortions are frequently encountered on LP and 78 RPM records, but also occur in digital recordings due to drop-outs or distorted data packets. DeClip restores audio recordings distorted by analog or digital clipping. Acon Digital Restoration Suite is available in 32 and 64 bit versions, as VST or AAX for both Windows and OS X or as AU plug-ins for OS X. Features: Acon Digital DeNoise Advanced algorithms reduce stationary noise efficiently with minimal impact on the wanted material Transient detection ensures that transients remain untouched throughout the noise reduction process Effective temporal smoothing reduces “musical noise” artifacts Adaptive estimation of noise profile or estimation based on noise only Target broadband and tonal noise or optionally broadband only Graphical representation of input frequency spectrum and the noise profile Frequency emphasis filter High and low shelving filters with variable slopes (-3 to -96 dB / octave) High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves) Graphical representation of frequency response Editing of filter settings through handles in the frequency response curve Residual signal mode allows you to listen to the removed signal Acon Digital DeHum Remove hum and buzz with minimal loss of the wanted signal Novel sinusoidal re-synthesis algorithm (preserves wanted signal to a much larger extent) or conventional notch filter mode Adaptive mode allows removal of hum signals with a fluctuating fundamental frequency Automatically removes up to 16 harmonics Optionally to targets only odd harmonics High resolution spectrum analysis of the input signal Visual indication of the estimated fundamental frequency as well as the harmonics Residual signal mode allows you to listen to the removed signal Acon Digital DeClick Seperate detection and restoration of clicks and crackle Very accurate detection of click start time and duration ensures minimal impact on the wanted material Digital drop-outs detection mode for detection of asymmetrical clicks (typical result of discontinuities after loss of short fragments of digital data) 64 bit precision in the internal processing Two-pass high resolution interpolation algorithm ensures very transparent estimation of the original signal during clicks Visual curve meters show the clicks and crackle removal rates Residual signal mode allows you to listen to the removed signal Acon Digital DeClip Reconstructs peaks distorted by analog or digital clipping Separately adjustable upper and lower threshold values Optional upper and lower threshold lock simplifies the workflow in the case of symmetrical clipping Graphical representation of the input and output level histograms makes it easy to set the threshold values and monitor the restoration process visually Threshold values can be adjusted directly from the level histograms by dragging upper and lower threshold handles Mac 64-bit Intel CPU OS X 10.6 or later Host application that supports the Audio Units, AAX, or VST plug-in formats PC Pentium 4 or higher processor Windows XP, Vista, Windows 7, Windows 8, Windsows 10 256 MB RAM minimum (1 GB recommended) Host application that supports the AAX or VST (32- and 64-bit) plug-in formats

This product is delivered by download. We have an excellent relationship with Acon Digital and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day. Acon Digital Restoration Suite  Mac PC Plug-In Elicence Acon Digital Restoration Suite consists of four audio restoration and noise reduction plug-ins that are the result of several years of research within the field of noise reduction and audio restoration algorithms: DeNoise is a plug-in designed to reduce stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise. Great efforts have been put into preserving as much of the original signal as possible during the noise reduction process. As a result, DeNoise can reduce or in many cases completely remove the noise in a very transparent manner without loss of transients, attacks or “air” in the recording. DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise. DeClick is designed to remove impulsive noise such as clicks and crackle. These distortions are frequently encountered on LP and 78 RPM records, but also occur in digital recordings due to drop-outs or distorted data packets. DeClip restores audio recordings distorted by analog or digital clipping. Acon Digital Restoration Suite is available in 32 and 64 bit versions, as VST or AAX for both Windows and OS X or as AU plug-ins for OS X. Features: Acon Digital DeNoise Advanced algorithms reduce stationary noise efficiently with minimal impact on the wanted material Transient detection ensures that transients remain untouched throughout the noise reduction process Effective temporal smoothing reduces “musical noise” artifacts Adaptive estimation of noise profile or estimation based on noise only Target broadband and tonal noise or optionally broadband only Graphical representation of input frequency spectrum and the noise profile Frequency emphasis filter High and low shelving filters with variable slopes (-3 to -96 dB / octave) High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves) Graphical representation of frequency response Editing of filter settings through handles in the frequency response curve Residual signal mode allows you to listen to the removed signal Acon Digital DeHum Remove hum and buzz with minimal loss of the wanted signal Novel sinusoidal re-synthesis algorithm (preserves wanted signal to a much larger extent) or conventional notch filter mode Adaptive mode allows removal of hum signals with a fluctuating fundamental frequency Automatically removes up to 16 harmonics Optionally to targets only odd harmonics High resolution spectrum analysis of the input signal Visual indication of the estimated fundamental frequency as well as the harmonics Residual signal mode allows you to listen to the removed signal Acon Digital DeClick Seperate detection and restoration of clicks and crackle Very accurate detection of click start time and duration ensures minimal impact on the wanted material Digital drop-outs detection mode for detection of asymmetrical clicks (typical result of discontinuities after loss of short fragments of digital data) 64 bit precision in the internal processing Two-pass high resolution interpolation algorithm ensures very transparent estimation of the original signal during clicks Visual curve meters show the clicks and crackle removal rates Residual signal mode allows you to listen to the removed signal Acon Digital DeClip Reconstructs peaks distorted by analog or digital clipping Separately adjustable upper and lower threshold values Optional upper and lower threshold lock simplifies the workflow in the case of symmetrical clipping Graphical representation of the input and output level histograms makes it easy to set the threshold values and monitor the restoration process visually Threshold values can be adjusted directly from the level histograms by dragging upper and lower threshold handles Mac 64-bit Intel CPU OS X 10.6 or later Host application that supports the Audio Units, AAX, or VST plug-in formats PC Pentium 4 or higher processor Windows XP, Vista, Windows 7, Windows 8, Windsows 10 256 MB RAM minimum (1 GB recommended) Host application that supports the AAX or VST (32- and 64-bit) plug-in formats