Total Studio 4 MAX features 66 total plug-ins with 499 realistic FX and includes over 18,000 authentic-sounding instruments for you to play with. You get thousands of quality presets, many created by VIP artists and professional engineers, so the perfect sound for your composition can often be little more than a click away. TS4 MAX comes with the new IK Product Manager, which makes installation and updates of the many software products in this suite a smooth and hassle-free experience.
Total Studio 4 MAX | Total Studio 3.5 MAX | |
---|---|---|
Number of Products Included | 170 | 143 |
Number of Instruments | 27,168 | 15,569 |
---|---|---|
Number of FX | 507 | 497 |
Samples Size | Over 600 GB | Over 470 GB |
Installed Size | Over 640 GB | Over 480 GB |
Included Products | Applications | |
AmpliTube 5 MAX ARC System 3 Hammond B-3X Lurssen Mastering Console Miroslav Philharmonik 2 MixBox MODO DRUM 1.5 MODO BASS 2 SampleTank 4 MAX SampleTron 2 Syntronik 2 T-RackS 5 MAX TONEX MAX |
AmpliTube 5 MAX ARC System 3 Hammond B-3X Lurssen Mastering Console Miroslav Philharmonik 2 MixBox MODO DRUM 1.0* (*Includes all 10 original kits) MODO BASS 1.5 SampleTank 4 MAX SampleTron 2 Syntronik 2 T-RackS 5 MAX |
|
AmpliTube Collections | ||
AmpliTube SVX 1 AmpliTube SVX 2 AmpliTube Metal AmpliTube Brian May AmpliTube MESA/Boogie 1 AmpliTube MESA/Boogie 2 AmpliTube Orange AmpliTube Jimi Hendrix AmpliTube Slash AmpliTube Joe Satriani AmpliTube Leslie Dimebag Darrell CFH Fender Collection 1 Fender Collection 2 Fulltone Collection X-GEAR Pedals Series |
AmpliTube SVX 1 AmpliTube SVX 2 AmpliTube Metal AmpliTube Brian May AmpliTube MESA/Boogie AmpliTube Orange AmpliTube Jimi Hendrix AmpliTube Slash AmpliTube Joe Satriani AmpliTube Leslie Dimebag Darrell CFH Fender Collection 1 Fender Collection 2 Fulltone Collection X-GEAR Pedals Series |
|
Instrument Libraries | ||
American Acoustic Alan Parsons Imperial Grand Brandenburg Piano Art Deco Piano Billy Cobham Drums Hugh Padgham Drums Neil Peart Drums Terry Bozzio Drums Cinematic Percussion Cinekinetik - Malletension Cinekinetik - Fractured Piano Cinekinetik - Shipwreck Piano Cinekinetik - Malletopia Future Synths Electromagnetik - Electric Piano Bass Electromagnetik - Electric Grand C70P Electromagnetik - Stage 73 Mark V Electromagnetik - Wurly Model 120 Elektronika - Chillout Elektronika - Deep House Elektronika - Drum'n'Bass Elektronika - Hardcore Elektronika - Indie Dance Elektronika - Minimal Elektronika - Techno Elektronika - Trance Nanotube NRG Power Up The Grid London Grooves Orchestral Percussion Alternate Keys Clavitube L.A. Confidential Hitmaker: EDM Hitmaker: Reggaeton Hitmaker: Synthwave Hitmaker: Trap Spaceport '77 Mojo Synthesis: Alien Harbours Mojo Synthesis: Circuit Damage Mojo Synthesis: Ring of Doom Mojo Synthesis: Swarm Mojo Synthesis: Vector Vision Salsa Percussion Loops Bionic Drums Extraterrestrial Saxophone The Code Volume 1: Urban DNA Kits The Code Volume 2: Urban R&B Edition Beat Machines The Resonator |
American Acoustic Alan Parsons Imperial Grand Brandenburg Piano Art Deco Piano Billy Cobham Drums Hugh Padgham Drums Neil Peart Drums Terry Bozzio Drums Cinematic Percussion Cinekinetik - Malletension Cinekinetik - Fractured Piano Cinekinetik - Shipwreck Piano Cinekinetik - Malletopia Future Synths Electromagnetik - Electric Piano Bass Electromagnetik - Electric Grand C70P Electromagnetik - Stage 73 Mark V Electromagnetik - Wurly Model 120 Elektronika - Chillout Elektronika - Deep House Elektronika - Drum'n'Bass Elektronika - Hardcore Elektronika - Indie Dance Elektronika - Minimal Elektronika - Techno Elektronika - Trance Nanotube NRG Power Up The Grid London Grooves Orchestral Percussion Alternate Keys Clavitube L.A. Confidential Hitmaker: EDM Hitmaker: Reggaeton Hitmaker: Synthwave Hitmaker: Trap Spaceport '77 |
|
Synthesizers | ||
Syntronik 99 Syntronik Blau Syntronik Bully Syntronik CATO Syntronik DCO-X Syntronik Galaxy Syntronik GS-V Syntronik Harpy 260 Syntronik J-60 Syntronik J-8 Syntronik KW-8000 Syntronik M-12 Syntronik M-Poly Syntronik Megawave Syntronik Memory-V Syntronik Minimod Syntronik Modulum Syntronik Noir Syntronik Obie One Syntronik OSC-V Syntronik OXa Syntronik Polymorph Syntronik Pro-V Syntronik Pro-VS Syntronik SAM Syntronik SH-V Syntronik Sorcerer Syntronik String Box Syntronik Syner-V Syntronik Synth-X Syntronik T-03 Syntronik Triptych Syntronik V-80 Syntronik VCF3 |
Syntronik 99 Syntronik Blau Syntronik Bully Syntronik DCO-X Syntronik Galaxy Syntronik Harpy 260 Syntronik J-60 Syntronik J-8 Syntronik M-Poly Syntronik Memory-V Syntronik Minimod Syntronik Modulum Syntronik Noir Syntronik OXa Syntronik Polymorph Syntronik Pro-V Syntronik SAM Syntronik SH-V Syntronik String Box Syntronik T-03 Syntronik V-80 Syntronik VCF3 |
|
Mix & Mastering Effects | ||
Lurssen Mastering Console Dyna-Mu Master Match EQual ONE Metering Saturator X Mic Room Stealth Limiter EQ PA EQ PB EQ PG EQ 73 EQ 81 Master EQ 432 Precision Comp/Limiter Bus Compressor White Channel Tape Echo British Channel Black 76 Limiting Amplifier White 2A Leveling Amplifier Vintage Compressor Model 670 Quad Comp Quad Lim Quad Image De-esser EQP-1A Tube Program Equalizer Opto Compressor Brickwall Limiter Linear Phase Equalizer CSR Hall Reverb CSR Plate Reverb CSR Room Reverb CSR Inverse Reverb Classic T-RackS Compressor Classic T-RackS Clipper Classic T-RackS Multi-band Limiter Classic T-RackS Equalizer Sunset Sound Studio Reverb T-RackS Leslie T-RackS Space Delay Tape Machine 24 Tape Machine 80 Tape Machine 99 Tape Machine 440 Comprexxor FAME Studio Reverb TEAC A-6100 MKII TEAC A-3340S TASCAM 388 TASCAM PORTA ONE Joe Chiccarelli Vocal Strip The Farm Stone Room |
Lurssen Mastering Console Dyna-Mu Master Match EQual ONE Metering Saturator X Mic Room Stealth Limiter EQ PA EQ PB EQ PG EQ 73 EQ 81 Master EQ 432 Precision Comp/Limiter Bus Compressor White Channel Tape Echo British Channel Black 76 Limiting Amplifier White 2A Leveling Amplifier Vintage Compressor Model 670 Quad Comp Quad Lim Quad Image De-esser EQP-1A Tube Program Equalizer Opto Compressor Brickwall Limiter Linear Phase Equalizer CSR Hall Reverb CSR Plate Reverb CSR Room Reverb CSR Inverse Reverb Classic T-RackS Compressor Classic T-RackS Clipper Classic T-RackS Multi-band Limiter Classic T-RackS Equalizer Sunset Sound Studio Reverb T-RackS Leslie T-RackS Space Delay Tape Machine 24 Tape Machine 80 Tape Machine 99 Tape Machine 440 Comprexxor FAME Studio Reverb TEAC A-6100 MKII TEAC A-3340S TASCAM 388 TASCAM PORTA ONE |
|
MODO DRUM Kits | ||
Black Oyster Bubinga Djentleman Extreme Grungy Jazzy Plexi Reference Rock Custom Studio Brit Custom Metal Silver |
Black Oyster Bubinga Djentleman Extreme Grungy Jazzy Plexi Reference Rock Custom Studio |
|
MODO BASS Instruments | ||
’60s P-Bass ’70s J-Bass ’70s P-Bass Bass Man 5 Devil Bass Flame Bass Imperial Bass Japan Bass Metal Bass Modern J-Bass Rick n’ Bass Studio Bass Thunder Bass Violin Bass Aluminum Fretless Bass Man Fretless Jazz Fusion J-Bass Horn Bass Punk Bass Rockabilly Studio Upright |
’60s P-Bass ’70s J-Bass ’70s P-Bass Bass Man 5 Devil Bass Flame Bass Imperial Bass Japan Bass Metal Bass Modern J-Bass Rick n’ Bass Studio Bass Thunder Bass Violin Bass |
Some included applications require an OpenGL 2 compatible graphics adapter.
Internet connection is required to authorise the application and access ToneNET.
*Note: On Windows and MacOS Intel MODO Drum and ARC 3 require a CPU with support for AVX instructions.
Hard disk space requirements depend on how many products or libraries you wish to install. You may install sound content on separate internal or external drive. The installation process will require additional drive space for downloads. We recommend a large drive with empty space or external drives.
If you are an owner of Logic EXS 24, GigaStudio, Kontakt, Structure, HALion, SampleTank or other eligible virtual sampler product, you can upgrade to MachFive 3 for only $295 (a savings of $200 off list price).
To qualify for this MachFive competitive upgrade offer, you must confirm ownership of a competing product listed below. This is done after purchase, when you register your new MachFive 3 software. To register your MachFive competitive upgrade, email MOTU customer service department (customerservice@motu.com) with a copy of your MachFive 3 purchase receipt AND a screenshot of your competing product sales receipt or registration.
If you qualify for this offer as explained above, click the "Add to Cart" link and then follow the on-screen instructions. You do not need any specific information about your competing product during the on-line upgrade process. Proof of ownership is required after purchase, during the registration and authorization process.
32-bit and 64-bit AAX plug-ins are now available
MachFive 3.2 is now fully compatible with Avid's new AAX plug-in format for Pro Tools 11 and above. MachFive 3.2 includes legacy RTAS support for earlier versions of Pro Tools.
Emulate the sound of the classic wah wah pedal
The new WahWah Filter emulates the sound of a classic wah wah pedal. Right-click any of the parameters, including amount (Wah), Drive, Model and Master to modulate them or assign remote control (via MIDI or OSC).
Work faster and more efficiently
MachFive 3.2 provides improved memory efficiency, using much less RAM, and improved CPU performance.
Numerous enhancements with a smaller disk footprint
MachFive 3’s included soundbank libraries have been updated to provide better scripting and smaller, more efficient file sizes. They are backward compatible with your existing projects. In addition, these updated UFS files are now available for download:
MachFive 3 delivers cutting-edge sound synthesis technology combined with inspired software design to spur your sonic creativity. Quickly realize your aural inspirations as you effortlessly span the four worlds of advanced sound design: samples, loops, synthesis and effects.
From modular analog pioneered in the 1950's to milestone breakthroughs like FM and wavetable synthesis in the decades that followed, MachFive 3 delivers twelve synth engines that make it a powerful multi-synthesizer in its own right. When combined with MachFive's multi-sample instrument capabilities and extensive effects, the possibilities for hybrid synthesis and sound design are limitless.
A classic analog effect reborn
MachFive engineers poured over old schematics and painstakingly measured actual circuits to meticulously model the beloved ensemble effect from the venerable Roland Paraphonic RS-505 synthesizer
Instead of guitar presets, you get a guitar player…
Compared to a typical software instrument, MachFive's scripted virtual instruments are like the difference between a simple guitar preset and a real guitar player. MachFive's sophisticated instruments are truly technological marvels: they model not only the sounds of an instrument, in minute detail, but also the playing characteristics. For example, MachFive's included Telematic electric guitar instrument models strumming and picking techniques, which you can dial up as desired. Imagine strumming chords with proper fingerings, up/down-strokes, and other utterly authentic playing techniques. It's like having a real guitar player in your studio, who never spills beer or leaves practice early.
Craft your own unique sounds with intuitive, full-screen sample mapping/editing, LoopLab(TM) beat-slicing, modular synthesis architecture, eleven different sound engines, unlimited multi-point envelopes, tempo sync, and very high-quality "extreme" time-stretching and pitch-shifting licensed from the IRCAM research institute.
Apply 47 real-time effects, including convolution reverb. Running stand-alone or as a plug-in, MachFive delivers the perfect combination of superb audio quality, powerful programming, intuitive operation, and across-the-board compatibility with all major plug-in hosts, sound libraries, and third-party sample library formats.
Stratospheric choruses, resonant unisons, and lush ambiances. This exciting new synthetic reverb will spark your sonic creativity with dozens of presets and ample, intuitive control over all the essential parameters.
It's the real thing.
MachFive's enhanced IR Verb™ is so CPU efficient, you can apply it freely throughout MachFive. Enjoy dozens of new impulse responses, including classic high-end studio reverbs from the last 30 years.
Twist, morph, and pulsate.
MachFive's extensive automation and modulation architecture is perhaps the most extensive and flexible ever devised in a virtual instrument. You'll never run out of modulation sources, destination, or ideas.
An event you won't want to miss.
Event processors add a new and exciting element to your performances and sound design. Included processors such as MachFive's extensive arpeggiator and Micro Tuner are only the beginning.
It's the state of the art.
The IRCAM institute in Paris is renowned worldwide as a leading research institute in music and audio technology. MachFive holds licensed, cutting-edge IRCAM technology that you can unleash on your sound design
Twist, morph, and pulsate.
MachFive's extensive automation and modulation architecture is perhaps the most extensive and flexible ever devised in a virtual instrument. You'll never run out of modulation sources, destination, or ideas.
With FX this flexible, who needs pilates?
MachFive's effects architecture has been completely re-architected and now allows you to apply effects at any level, from individual oscillators to MachFive's master output.
With these new filters, dirty is a good thing.
MachFive's new Xpander filter is based on the venerable Oberheim Xpander filters, and provides no less than 37 modes, each a separate filter effect in its own right. MachFive now includes 47 different effects.
Surgically enhance your loops.
MachFive was the first sampler to introduce the concept of in-line slice loop editing, and the Version 3 LoopLab has been updated and expanded to offer the most complete environment for loop editing and beat-slicing.
Go full-screen or go home.
The MachFive window expands to fill your entire computer monitor. This immediately injects surgical precision into your edits, from editing a loop point to sculpting the perfect filter envelope curve.
Find the needle in the haystack…in seconds.
Type a word into the search field and up pops a list of all related presets. MachFive's multi-column browser lets you load sounds into multiple parts without having to close and reopen it.
Load anything. Directly, with no conversion.
MachFive directly reads all major
3rd-party hardware/software sampler formats, including Kontakt, Giga, EXS24 and HALion, plus legacy formats from Kurzweil, Akai, Roland, Ensoniq, Sample Cell, and many others
Channel formats:
- stereo
- quad
- 5.1
- 7.1
Plug-in formats:
- Audio Units (Mac only)
- RTAS
- VST
- Stand-alone
For native 64-bit operation, MachFive has the following additional requirements:
Due to the large size of MachFive’s factory soundbank UFS files, the disk containing the soundbank files must be able to support individual files larger than 4 GB. This is determined by the disk’s file system format.
The default file system format for disk drives on Mac OS X and Windows are compatible with MachFive’s soundbank files:
The FAT32 format is not compatible with MachFive’s soundbank files, as it does not allow file sizes greater than 4 GB.
NOTE: iLok key required, not included.
The Electronic Music Box s is an authorized dealer of Mark of the Unicorn (MOTU) products.
$279.0032-bit and 64-bit AAX plug-ins are now available
MachFive 3.2 is now fully compatible with Avid's new AAX plug-in format for Pro Tools 11 and above. MachFive 3.2 includes legacy RTAS support for earlier versions of Pro Tools.
Emulate the sound of the classic wah wah pedal
The new WahWah Filter emulates the sound of a classic wah wah pedal. Right-click any of the parameters, including amount (Wah), Drive, Model and Master to modulate them or assign remote control (via MIDI or OSC).
Work faster and more efficiently
MachFive 3.2 provides improved memory efficiency, using much less RAM, and improved CPU performance.
Numerous enhancements with a smaller disk footprint
MachFive 3’s included soundbank libraries have been updated to provide better scripting and smaller, more efficient file sizes. They are backward compatible with your existing projects. In addition, these updated UFS files are now available for download:
MachFive 3 delivers cutting-edge sound synthesis technology combined with inspired software design to spur your sonic creativity. Quickly realize your aural inspirations as you effortlessly span the four worlds of advanced sound design: samples, loops, synthesis and effects.
From modular analog pioneered in the 1950's to milestone breakthroughs like FM and wavetable synthesis in the decades that followed, MachFive 3 delivers twelve synth engines that make it a powerful multi-synthesizer in its own right. When combined with MachFive's multi-sample instrument capabilities and extensive effects, the possibilities for hybrid synthesis and sound design are limitless.
A classic analog effect reborn
MachFive engineers poured over old schematics and painstakingly measured actual circuits to meticulously model the beloved ensemble effect from the venerable Roland Paraphonic RS-505 synthesizer
Instead of guitar presets, you get a guitar player…
Compared to a typical software instrument, MachFive's scripted virtual instruments are like the difference between a simple guitar preset and a real guitar player. MachFive's sophisticated instruments are truly technological marvels: they model not only the sounds of an instrument, in minute detail, but also the playing characteristics. For example, MachFive's included Telematic electric guitar instrument models strumming and picking techniques, which you can dial up as desired. Imagine strumming chords with proper fingerings, up/down-strokes, and other utterly authentic playing techniques. It's like having a real guitar player in your studio, who never spills beer or leaves practice early.
Craft your own unique sounds with intuitive, full-screen sample mapping/editing, LoopLab(TM) beat-slicing, modular synthesis architecture, eleven different sound engines, unlimited multi-point envelopes, tempo sync, and very high-quality "extreme" time-stretching and pitch-shifting licensed from the IRCAM research institute.
Apply 47 real-time effects, including convolution reverb. Running stand-alone or as a plug-in, MachFive delivers the perfect combination of superb audio quality, powerful programming, intuitive operation, and across-the-board compatibility with all major plug-in hosts, sound libraries, and third-party sample library formats.
Stratospheric choruses, resonant unisons, and lush ambiances. This exciting new synthetic reverb will spark your sonic creativity with dozens of presets and ample, intuitive control over all the essential parameters.
It's the real thing.
MachFive's enhanced IR Verb™ is so CPU efficient, you can apply it freely throughout MachFive. Enjoy dozens of new impulse responses, including classic high-end studio reverbs from the last 30 years.
Twist, morph, and pulsate.
MachFive's extensive automation and modulation architecture is perhaps the most extensive and flexible ever devised in a virtual instrument. You'll never run out of modulation sources, destination, or ideas.
An event you won't want to miss.
Event processors add a new and exciting element to your performances and sound design. Included processors such as MachFive's extensive arpeggiator and Micro Tuner are only the beginning.
It's the state of the art.
The IRCAM institute in Paris is renowned worldwide as a leading research institute in music and audio technology. MachFive holds licensed, cutting-edge IRCAM technology that you can unleash on your sound design
Twist, morph, and pulsate.
MachFive's extensive automation and modulation architecture is perhaps the most extensive and flexible ever devised in a virtual instrument. You'll never run out of modulation sources, destination, or ideas.
With FX this flexible, who needs pilates?
MachFive's effects architecture has been completely re-architected and now allows you to apply effects at any level, from individual oscillators to MachFive's master output.
With these new filters, dirty is a good thing.
MachFive's new Xpander filter is based on the venerable Oberheim Xpander filters, and provides no less than 37 modes, each a separate filter effect in its own right. MachFive now includes 47 different effects.
Surgically enhance your loops.
MachFive was the first sampler to introduce the concept of in-line slice loop editing, and the Version 3 LoopLab has been updated and expanded to offer the most complete environment for loop editing and beat-slicing.
Go full-screen or go home.
The MachFive window expands to fill your entire computer monitor. This immediately injects surgical precision into your edits, from editing a loop point to sculpting the perfect filter envelope curve.
Find the needle in the haystack…in seconds.
Type a word into the search field and up pops a list of all related presets. MachFive's multi-column browser lets you load sounds into multiple parts without having to close and reopen it.
Load anything. Directly, with no conversion.
MachFive directly reads all major
3rd-party hardware/software sampler formats, including Kontakt, Giga, EXS24 and HALion, plus legacy formats from Kurzweil, Akai, Roland, Ensoniq, Sample Cell, and many others
Channel formats:
- stereo
- quad
- 5.1
- 7.1
Plug-in formats:
- Audio Units (Mac only)
- RTAS
- VST
- Stand-alone
For native 64-bit operation, MachFive has the following additional requirements:
Due to the large size of MachFive’s factory soundbank UFS files, the disk containing the soundbank files must be able to support individual files larger than 4 GB. This is determined by the disk’s file system format.
The default file system format for disk drives on Mac OS X and Windows are compatible with MachFive’s soundbank files:
The FAT32 format is not compatible with MachFive’s soundbank files, as it does not allow file sizes greater than 4 GB.
NOTE: iLok key required, not included.
The Electronic Music Box s is an authorized dealer of Mark of the Unicorn (MOTU) products.
$459.00Symphonic Instruments from MOTU is a single, simple-to-use virtual plug-in instrument that contains everything needed to create complete orchestral recordings. From solo instruments and small ensembles, to full orchestral masterpieces, the massive 8GB library contains brand new sounds from world class orchestras and musicians, recorded with pristine audio fidelity and careful attention to detail.
Presented
in a single-window interface, the stunning realism of the instruments
can be further enhanced with the included, built-in convolution reverb
processor, allowing the user to produce the most realistic room
ambiences available. These include authentic acoustic spaces, from
orchestra sound stages to renowned concert halls, to majestic
cathedrals.
Version 1.1.3 offers significant new features and enhancements available in both the new stand-alone version and the plug-in:
The Symphonic Instrument is a CPU-efficient plug-in that saves with the host application document for instant recall and is compatible with all major plug in formats for Mac OS X and Windows.
System Requirements for MOTU Symphonic Instrument
MOTU Symphonic Instrument (MSI) has the following system requirements:
For Macintosh:
For Windows:
The Electronic Music Box is an authorized MOTU Dealer.
UPC: 858823002028
$49.00Whether you are searching for that extra bit of rhythmic flavor, or striving to create the most epic of battle cues, Big Bang Cinematic Percussion 2 packs the punch you need to get the job done in minutes. At its core, Big Bang Cinematic Percussion serves up a powerful selection of cinematic drum and percussion instruments, all painstakingly created by top SONiVOX sound designers and ready to spark some serious fire under your musical scores. Each instrument has been lavishly captured, and was played with the proper professional technique. The multi-velocity, multi-take round robin format provides the pinnacle of realism.
The percussion world is constantly evolving. Big Bang Cinematic Percussion 2 offers exacting control over a host of sound parameters, allowing you to reveal new facets of an existing instrument, or to create something totally unique to suit the task at hand. The Amp page provides detailed pitch, dynamic, pan, and volume control, where as the Filter page offers a choice of filters with excellent tonal control. Both the Amp and Filter include five-stage envelope for shaping each sound. Big Bang Cinematic Percussion 2 allows you to maximize the sound potential of each kit. Eight stereo outputs and eight stereo effect busses allow you custom-configure the output, EQ, and Delay routing exactly how you need it.
The handy Note Repeat function will continue to retrigger the active drum at some pre-selected beat/tempo value for as long as you hold down the pad, key, or trigger, making it easy to build up complex parts quickly. And speaking of tempo, Big Bang Cinematic Percussion 2 uses the SONiVOX Intelligent Rhythm Control (IRC) to keep your playing in the pocket. Combining the IRC Resolution and IRC Gate adjusts incoming MIDI note data so your playing is accurately in-time, in real-time. In addition, the stereo delay allows either the Left or Right channel—or both—to be synchronized to beat values of the current tempo, tying your sound, song, and effects together.
In addition to the onscreen controls, Big Bang Cinematic Percussion features a brilliant MIDI Learn Mode. Simply adjusting a parameter and then touching an external MIDI control creates a link between the two. This intuitive MIDI mapping system allows Big Bang Cinematic Percussion to quickly integrate with your favorite MIDI keyboard, electronic drumset, MPC, or pad controller. In fact, Big Bang Cinematic Percussion can save and recall your MIDI Learn presets and use them with any patch, so you only need to create them once.
Big Bang Cinematic Percussion features an integrated browser that makes it easy to store, sort, and find exactly the sound you are looking for. Instrument attributes such as Genre, Scene, Class—and of course, Name—allow your sounds to be stored in a musically meaningful way, as opposed to just indexed as numbers. Any and all attributes can be removed or re-assigned as your sound collection grows. Best of all, Big Bang Cinematic Percussion comes with hundreds of professionally programmed sounds to get you started. Each one can be endlessly tweaked and modified to rapidly build your customized Big Bang Cinematic Percussion sound collection. So get started now!
Each suite runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Windows System Requirements:
Apple System Requirements:
f
$69.00Their flagship piano instrument is not just any piano. Eighty Eight Ensemble 2 is an exceptional recreation of the Steinway 9-foot CD 327 grand piano. Meticulously sampled and expertly voiced, Eighty Eight Ensemble 2 provides every composer, pianist, and musician the opportunity to infuse their compositions, recordings, and performances with the breathtaking realism of this truly world-class grand piano. The recording philosophy employed in creating Eighty Eight Ensemble 2 was based on using a simple signal chain, the finest A/D converters, and exceptional microphone preamps. The result is some 1500 sample recordings, with 16 dynamic levels captured and preserved for every key.
Even with all this painstaking attention to accuracy, Eighty Eight Ensemble 2 provides plenty of opportunities to customize the sound to match the project—or your taste. The four-band EQ allows the timbre of the sound to be easily refined. An improved limiter offers enhanced dynamic control. Even the level of the sustain pedal and hammer release elements that help define the character of the piano can be individually controlled. Eighty Eight Ensemble 2 also adds a new robust reverb section. The high-frequency damping and room size parameters can add just the right ambience to your performance.
As the name implies, there is more to Eighty Eight Ensemble 2 than piano. Combination patches come in two flavors. Layered combinations, or Pads, add a second instrument that sounds along with the piano. These layered sounds include strings, synth pads, and choral pads. Split Combinations, or Combis, introduce a second sound—or even a third—played in a specified range of keys. Setting a lower split adds a bass sound—such as bass guitar—playing below the piano. Setting an upper split adds a solo accompaniment instrument playing above the piano. Solo sounds include flute, clarinet, acoustic guitar, etc. Combis can have both an upper and lower split. The zones, or range of keys where each instrument will play, can abut or overlap as you desire. The velocity response can be set to make the most of your keyboard and playing style.
In addition to the onscreen controls, Eighty Eight Ensemble features a brilliant MIDI Learn Mode. Simply adjusting a parameter and then touching an external MIDI control creates a link between the two. This intuitive MIDI mapping system allows Eighty Eight Ensemble to quickly integrate with your favorite MIDI hardware controller. In fact, Eighty Eight Ensemble can save and recall your MIDI Learn presets and use them with any patch, so you only need to create them once.
Eighty Eight Ensemble features an integrated patch browser that makes it easy to store, sort, and find exactly the sound you are looking for. Patch attributes such as Class, Genre, Character—and of course, Name—allow your sounds to be stored in a musically meaningful way, as opposed to just indexed as numbers. Any and all attributes can be removed or re-assigned as your sound collection grows. Best of all, Eighty Eight Ensemble comes with over 100 professionally programmed sounds to get you started. Each one can be endlessly tweaked and modified to rapidly build your customized Eighty Eight Ensemble sound collection. So get started now!
Each suite runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Windows System Requirements:
Apple System Requirements:
f
$69.00Music can make or break any film or game. Dialog, scenery and great effects are simply not enough to convey the full feeling and emotion of what the filmmaker or gamemaker is trying to express. It takes more than a clever or humorous script. It takes more than great special effects and CGI.
It takes music. Thoughtful, correctly-timed, appropriately-themed music. From sci-fi thriller and heart-wrenching drama movies to grand-scale end-of-the-universe games and everything in between, music is an indispensible pillar upon which a production’s success is built.
What would Jaws have been without the menacing drun-da, drun-da, drun-da in the background, announcing the imminent arrival of one of filmdom's most infamous villains? Does anyone not know that music?
Whether you're the next Hans Zimmer, John Williams, Quincy Jones, or just looking to add some great sounds to your video from last summer's trip to Aruba, you need a complete film score sound production package. You need the best.
This is an amazingly capable suite comprised of 5 distinct collections:
Each of the 5 collections above is also available and sold separately, but you get all 5 together when you buy Film Score Companion, giving you an unbeatable arsenal of total musical firepower. The music you create is limited only by your imagination—not by your software.
Sonivox spared no effort or expense in seeking out the best musicians playing the best-sounding instruments, and took the necessary steps to record them correctly in the most lifelike manner possible. They paid attention to every last acoustic detail—because you’ll be doing the same.
Sonivox recorded everything in Film Score Companion in the legendary Futura Productions studios in Massachusetts. Members of the Boston Pops and/or Boston Ballet Orchestras played all performances, with the same premium instruments they use for their actual concert galas and events. A combination of spot and ambient mic'ing capture every instrumental nuance, while preserving the refined acoustics and intimacy of the performance space itself.
Under the expert guidance of SONiVOX musical sound connoisseur Jennifer Hruska, each sample session was faithfully recorded by Emmy award-winning engineers Antonio Oliart and RIAA award-winning engineer John Bono. The players were positioned using orchestrally-correct seating, and measures were even taken to compensate for the sound-absorption of any players absent on that particular day. In order to retain a realistic "organic" feel, they used absolutely minimal post-recording electronic processing. They used two B&K 4011 microphones to preserve the highly-desired front-of-hall sound (you know, the "good seats"), while superior-grade spot mics accurately captured each instrument's individual detail. Benchmark-caliber preamps fed Troisi Octal A/D convertors to complete an uncorrupted signal chain.
Sonivox endeavored to make Film Score Companion the most complete, most accurate and lifelike, easiest-to-use music creation tool for films that has ever been done.
Each patch and preset is easily playable by virtually every level of performer. All instruments are presented in multi-velocity layers, with natural swells available via the modulation wheel. MIDI key switching provides on-the-fly articulation for select patches. The internal sound engine provides additional modulation (LFO) sources, dynamic envelope control, and studio-grade reverb/effects to allow creative customization of the onboard sounds.
Each suite runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Windows System Requirements:
Apple System Requirements:
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$199.00Sonivox recorded everything in Orchestral Companion Brass in the legendary Futura Productions studios in Massachusetts. Members of the Boston Pops and/or Boston Ballet Orchestras played all performances, with the same premium instruments they use for their actual concert galas and events. A combination of spot and ambient mic'ing capture every instrumental nuance, while preserving the refined acoustics and intimacy of the performance space itself.
Under the expert guidance of SONiVOX musical sound connoisseur Jennifer Hruska, each sample session was faithfully recorded by Emmy award-winning engineers Antonio Oliart and RIAA award-winning engineer John Bono. The players were positioned using orchestrally-correct seating, and measures were even taken to compensate for the sound-absorption of any players absent on that particular day. In order to retain a realistic "organic" feel, they used absolutely minimal post-recording electronic processing. They used two B&K 4011 microphones to preserve the highly-desired front-of-hall sound (you know, the "good seats"), while superior-grade spot mics accurately captured each instrument's individual detail. Benchmark-caliber preamps fed Troisi Octal A/D convertors to complete an uncorrupted signal chain.
They expended more effort and care on this system than most crazed get-a-life audiophiles do on their own systems, but that’s how important it was to them...because that's how important it is to you.
Each patch and preset is easily playable by virtually every level of performer. All instruments are presented in multi-velocity layers, with natural swells available via the modulation wheel. MIDI key switching provides on-the-fly articulation for select patches. The internal sound engine provides additional modulation (LFO) sources, dynamic envelope control, and studio-grade reverb/effects to allow creative customization of the onboard sounds.
Each suite runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Windows System Requirements:
Apple System Requirements:
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$69.00The SONiVOX design team has produced over 90 outstanding string programs, each one meticulously crafted to deliver as accurate and convincing an experience as possible. Your productions deserve nothing less.
There is a comprehensive collection of full orchestral string ensembles, which are fantastic for background string parts or quickly sketching out an orchestral score. But they also offer you also a full array of individual string sections so you can really customize and polish your final creation by building things up section by section. The key is flexibility—you can compose and create on as detailed a level as you'd like. All sections are fully represented, including 1st violins, 2nd violins, violas, cellos and contra basses. Up and down bow bowing, sustain, staccato, and spiccato notes, plus instrument pizzicato and tremolo articulations provide the depth of content needed for convincing ensemble string parts and tracks.World-Class Musicians; Top-Tier instruments
Sonivox recorded everything in Orchestral Companion Strings in the legendary Futura Productions studios in Massachusetts. Members of the Boston Pops and/or Boston Ballet Orchestras played all performances, with the same premium instruments they use for their actual concert galas and events. A combination of spot and ambient mic'ing capture every instrumental nuance, while preserving the refined acoustics and intimacy of the performance space itself.
Under the expert guidance of SONiVOX musical sound connoisseur Jennifer Hruska, each sample session was faithfully recorded by Emmy award-winning engineers Antonio Oliart and RIAA award-winning engineer John Bono. The players were positioned using orchestrally-correct seating, and measures were even taken to compensate for the sound-absorption of any players absent on that particular day. In order to retain a realistic "organic" feel, they used absolutely minimal post-recording electronic processing. They used two B&K 4011 microphones to preserve the highly-desired front-of-hall sound (you know, the "good seats"), while superior-grade spot mics accurately captured each instrument's individual detail. Benchmark-caliber preamps fed Troisi Octal A/D convertors to complete an uncorrupted signal chain.
They expended more effort and care on this system than most crazed get-a-life audiophiles do on their own systems, but that’s how important it was to them...because that's how important it is to you.
Each patch and preset is easily playable by virtually every level of performer. All instruments are presented in multi-velocity layers, with natural swells available via the modulation wheel. MIDI key switching provides on-the-fly articulation for select patches. The internal sound engine provides additional modulation (LFO) sources, dynamic envelope control, and studio-grade reverb/effects to allow creative customization of the onboard sounds.
Each suite runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Windows System Requirements:
Apple System Requirements:
f
$69.00This comprehensive woodwind collection provides over 115 outstanding programs, each carefully crafted by the SONiVOX sound design team to be as accurate and convincing as possible. In addition to full orchestral woodwind ensembles, the Orchestral Companion Woodwinds also gives you a full palette of smaller wind sections, plus an amazing collection of solo instruments that are highlighted by dazzling articulation for breathtaking realism.
All major instruments are fully represented, including section and solo piccolo, flute, English horn, oboe, clarinet, bassoon, and contra bassoon. Double and flutter tonguing, sustained and staccato notes, plus instrument vibrato and glissando voicing provide the depth of content needed for convincing woodwind parts and tracks.
Under the expert guidance of SONiVOX musical sound connoisseur Jennifer Hruska, each sample session was faithfully recorded by Emmy award-winning engineers Antonio Oliart and RIAA award-winning engineer John Bono. The players were positioned using orchestrally-correct seating, and measures were even taken to compensate for the sound-absorption of any players absent on that particular day. In order to retain a realistic "organic" feel, they used absolutely minimal post-recording electronic processing. They used two B&K 4011 microphones to preserve the highly-desired front-of-hall sound (you know, the "good seats"), while superior-grade spot mics accurately captured each instrument's individual detail. Benchmark-caliber preamps fed Troisi Octal A/D convertors to complete an uncorrupted signal chain.
They expended more effort and care on this system than most crazed get-a-life audiophiles do on their own systems, but that’s how important it was to them...because that's how important it is to you.
Each patch and preset is easily playable by virtually every level of performer. All instruments are presented in multi-velocity layers, with natural swells available via the modulation wheel. MIDI key switching provides on-the-fly articulation for select patches. The internal sound engine provides additional modulation (LFO) sources, dynamic envelope control, and studio-grade reverb/effects to allow creative customization of the onboard sounds.
Each suite runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Windows System Requirements:
Apple System Requirements:
f
$69.00
Windows System Requirements:
Apple System Requirements:
f
$319.00