Curve is a software synthesizer with an irresistible waveform editor, huge sound library and slick interface.
New 2.6 updates and of course, they are free for owners of Curve 2, FilterShaper 3 or VolumeShaper 4.
It's all about UI and workflow:
Feed Curve's oscillators, LFOs and envelopes with custom waveforms. For anything rhythmic from wobbles to FX loops and evolving pads. For broad oscillator timbres from deep basses to shrill, aggressive snarls.
A huge library will get you started, with quality presets by renowned sound designers such as Michael Kastrup, Pluginguru, Myagi, Xenos Soundworks, Soundsdivine, and hidden pearls from the Curve community. The presets are free to use even if you are using the free trial version. No limits!
Curve provides completely new possibilities for experimentation and detailed tweaking, with a simple to use, immediate, slick interface.
Curve features aliasing-free oscillators with custom waveforms, noise generation and broad FM options. Waveform crossfades provide for changing timbres; a comprehensive unison mode delivers fat lead sounds, wide pads and massive sound. Drawable LFOs deliver everything from melodic and rhythmic patterns to dubstep wobbles and punishing bit-crushing effects. Flexible filter routing, a feature-rich mono mode plus legato and glide, are all designed for great depth of control.
Curve's preset library is a shared online database, providing a constant source of inspirational sound. Public preset sharing allows an ever-increasing number of great presets, public preset voting will help you manage the vast number of sounds, all from within the plugin. Curve ships with an excerpt of this ever-growing sound library. Macro knobs let you explore vast sound variations quickly, for quick access to those parameters that define the core of a sound.
Curve shows you everything important at a glance, featuring high contrasts and a fresh color scheme. Inbuilt MIDI assignment allows you to set up external MIDI controllers quickly.
FilterShaper 3 takes a giant leap into unconventional sound design with two powerful filters, freely editable modulation curves, and an immensely flexible modulation framework.
The new Sallen-Key type filters deliver a rich, warm, intricate sound. Create complex, shifting, interweaving effects. Apply subtle nuances or giant wobbles. From filtersweeps and stereo tremolo to surgically-precise filter control and dualband sidechain effects.
Powered by Curve's unique modulations engine, MidiShaper brings Curve's flexible yet powerful LFOs and envelopes to all your favorite synthesizers and effects.
Four LFOs and four envelope generators work together in a sophisticated modulations matrix that can be set up to output modulated pitch, modwheel, channel aftertouch or any MIDI control messages.
MidiShaper's LFOs can run infinitely or be retriggered, synced to your DAW from a buzzy 1/128 to an expansive 32 bars, set to the played note, or run from 0.02 Hz up to the audible range and brain frequency. Like Curve, MidiShaper features completely editable waveforms for its LFOs.
If your plugin or DAW allows for MIDI control, you have a great tool at hand to create vivid, inspiring sounds and bring the flexibility of Curve to your favorite software plugins, hardware synthesizers, MIDI VJ tools, lighting consoles and 1980's MIDI keyboards.
MidiShaper outputs MIDI data. Routing MidiShaper to external outboard equipment is simple to do via external MIDI ports.
Using MidiShaper to control software instruments and effects can be relatively simple as in Reaper and Ableton Live, can be complex with pitfalls as in Apple Logic, or might require some special tricks as in Sonar. It all depends on how well the DAW of your choice handles internal MIDI routings and automation.
If you succeed, you'll get super-flexible LFOs and envelopes added to your favorite hardware devices, to your sequencer's controls and to your software synthesizers and effects.
VolumeShaper lets you shape the levels of any audio signal in pinpoint detail.
From multiband sidechain compression effects to extreme gating, from tempo-synced stutter to precise sample-shaping — VolumeShaper provides a wealth of creative musical effects with a visual approach to volume.
VolumeShaper features multiband waveform-based editing, a comprehensive selection of preset curves, a precise oscilloscope, a big spectrum view and an updated preset library. It runs sample-accurate in sync with your DAW, in Hz mode up to the audible range or retriggered via MIDI.
Curve is a software synthesizer with an irresistible waveform editor, huge sound library and slick interface.
New 2.6 updates and of course, they are free for owners of Curve 2, FilterShaper 3 or VolumeShaper 4.
It's all about UI and workflow:
Feed Curve's oscillators, LFOs and envelopes with custom waveforms. For anything rhythmic from wobbles to FX loops and evolving pads. For broad oscillator timbres from deep basses to shrill, aggressive snarls.
A huge library will get you started, with quality presets by renowned sound designers such as Michael Kastrup, Pluginguru, Myagi, Xenos Soundworks, Soundsdivine, and hidden pearls from the Curve community. The presets are free to use even if you are using the free trial version. No limits!
Curve provides completely new possibilities for experimentation and detailed tweaking, with a simple to use, immediate, slick interface.
Curve features aliasing-free oscillators with custom waveforms, noise generation and broad FM options. Waveform crossfades provide for changing timbres; a comprehensive unison mode delivers fat lead sounds, wide pads and massive sound. Drawable LFOs deliver everything from melodic and rhythmic patterns to dubstep wobbles and punishing bit-crushing effects. Flexible filter routing, a feature-rich mono mode plus legato and glide, are all designed for great depth of control.
Curve's preset library is a shared online database, providing a constant source of inspirational sound. Public preset sharing allows an ever-increasing number of great presets, public preset voting will help you manage the vast number of sounds, all from within the plugin. Curve ships with an excerpt of this ever-growing sound library. Macro knobs let you explore vast sound variations quickly, for quick access to those parameters that define the core of a sound.
Curve shows you everything important at a glance, featuring high contrasts and a fresh color scheme. Inbuilt MIDI assignment allows you to set up external MIDI controllers quickly.
Curve 2 is also included in the Cableguys Bundle, along with FilterShaper 3, VolumeShaper 4, and MidiShaper. Saves almost 40% off the combined prices of the individual products!
This product is delivered by download. We have an excellent relationship with Cherry Audio and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day.
A year and a half in the making! The long-awaited and often requested Cherry Audio Chroma synthesizer is a virtual instrument that brings back the spirit and sounds of the iconic Rhodes Chroma polyphonic analog synthesizer from 1982 with the utmost accuracy. Due to its highly complex nature and sheer number of parameters, this has been among the most challenging virtual instruments Cherry Audio has ever created. We’ve painstakingly emulated every aspect with exacting precision while making the sound programming experience more intuitive with easy-to-use pop-up menus and informative real-time display directly built into the parameter buttons.
Topping it off, switching the standard single instrument mode to double mode adds a Chroma Expander - an entire additional Chroma Synthesizer that can run in layer or split modes!
Cherry Audio’s Chroma synthesizer is a stunning virtual instrument that meticulously revives the essence and sonic capabilities of the legendary original. This endeavor has been one of Cherry Audio’s most ambitious projects, presenting a formidable challenge due to the original’s complexity and the vast array of parameters it comprises. The result is an instrument that not only matches but elevates the original’s experience, offering an unmatched level of innovation and authenticity worthy of the original.
Chroma faithfully reproduces every nuance of the Rhodes Chroma with astonishing accuracy. Remarkably, it allows direct import of SysEx patch data from the original instrument and even WAV-format cassette tape data, bridging four decades of sound design into a modern workflow. Cherry Audio has painstakingly recreated each component of the original Chroma hardware, from its 16 oscillators, filters, VCAs, and LFOs to its 32 envelope generators. These highly modular elements can be selected from 16 distinct preconfigured signal paths, ranging from straightforward VCO-VCF-VCA setups to intricate configurations involving oscillator sync, filter FM, ring modulation, and variable or serially connected filters.
Exactingly faithful virtual analog emulation of the analog polyphonic synthesizer released by Rhodes in 1982, from its 16 polyphonic voices to its expressive velocity and polyphonic aftertouch capabilities
16 Oscillators, Filters, VCAs, and LFOs, and 32 Envelope Generators
16 distinct preconfigured signal paths, ranging from straightforward VCO-VCF-VCA setups to intricate configurations featuring oscillator sync, filter FM, ring modulation, and variable or serial filter paths
Intuitive menus and real-time displays simplify the programming process, making it accessible to novices and seasoned professionals alike
All of the original Chroma’s unprecedented modulation capabilities have been precisely replicated to create a powerfully flexible modular synthesizer-like programming experience. Modulation paths are configured quickly and easily using Cherry Audio Chroma’s comprehensive modulation pop-up menus
Includes the Chroma Expander module, which adds an entire second Chroma synthesizer to the mix, running in layer or split modes for expanded creative possibilities
SysEx Import: Owners of MIDI-retrofitted Chroma or Expander hardware can directly transfer banks and individual patches to Cherry Audio Chroma via SysEx dump. Additionally, users can easily import Chroma SysEx files through drag-and-drop
Tape Data Import: Cherry Audio Chroma can import 50-program cassette tape data backups made with the original Rhodes Chroma (uncompressed .wav files, mono/stereo, any sample rate or bit depth)
Seven studio-quality onboard effects, including distortion, phaser, flange/chorus, delay, and reverb, as well as a global EQ and limiter
700 extraordinary presets in over a dozen categories: includes the original 250 Chroma factory presets and an additional 450 custom presets crafted by a stellar team of sound designers
Standalone virtual instrument and plug-in versions
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI Learn and mapping
Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
User-adjustable oversampling control
Also available: Chroma Classics Preset Pack (sold separately), featuring 100 more phenomenal presets that blend vintage tones with a contemporary feel.
Chroma is available in AU, VST, VST3, AAX, and standalone formats.
A free 30-day demo is available. This demo will play white noise periodically, but is otherwise unlimited.
macOS Requirements: macOS 10.13 or above. 64-bit required. Intel or Apple Silicon processor. 3.4 GHz Quad-Core or Apple Silicon CPU with 8GB of RAM recommended.
Windows Requirements: Windows 7 or above. 64-bit required. 3.4 GHz Quad-Core computer with 8GB of RAM recommended.
Hard disk space: 74 MB
NOTE: Internet connection required for product activation
Rhodes® is a registered trademark of Rhodes Music Ltd. There is no association, affiliation or endorsement of Cherry Audio or its products by Rhodes Music.
This product is delivered by download. We have an excellent relationship with Cherry Audio and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day.
Mercury-6 is a meticulous recreation of the Jupiter-6 analog synthesizer, just in time for its 40th anniversary! Sandwiched between the earlier Jupiter-4 and Jupiter-8 models in name only, the sophisticated Jupiter-6 has sometimes been considered a sleeper release. These days, it has persevered to become one of Roland's most notable and coveted classic synthesizers due to its distinctive dark and complex character. Mercury-6 captures all that is exceptional in this treasured polyphonic classic, boosts its extraordinary feature set for today's DAW production and workflow, and celebrates the ground-breaking innovation from the era that changed music forever.
If you've long yearned to explore the Jupiter-6, you'll love Mercury-6!
Released in 1983 as a more affordable alternative to the flagship eight-voice Jupiter-8, the six-voice Jupiter-6 nevertheless staked out an essential position in the history of analog polysynths. Though similar in appearance and feature set, the Jupiter-6 stood apart from the Jupiter-8 in its sound and capabilities. Unlike earlier Roland polysynths with lowpass filters plus a rudimentary non-resonant highpass filter, the Jupiter-6 featured a true multimode filter with 24 dB/oct lowpass, 24 dB/oct highpass, or 12 dB/oct bandpass modes. This versatile filter design lent a more aggressive sound than previous Jupiters, making the Jupiter-6 a natural for cutting-edge techno and electro styles.
Though something of a "hidden feature," the Jupiter-6 VCOs supported multiple simultaneous waveforms, and its two LFOs and oscillator cross mod capabilities provided extensive modulation possibilities. Its earthshaking solo and poly unison modes enabled massive lead and bass sounds, and it was notably one of the first synthesizers to include the then-new MIDI protocol.
Although often praised for its harmonic complexity and ability to cut through a mix, the cost-cutting in the Jupiter-6 design resulted in some disadvantages. Output was mono only and it was limited to six-voice polyphony. The Jupiter-6 had an impressive (for the time) split keyboard and patch preset storage functionality, but this six-voice maximum hampered its potential. And though it was considerably less expensive than the Jupiter-8, its timing was ill-fated when the digital revolution was ignited by the release of Yamaha's revolutionary DX-7 FM digital synth the same year.
Despite its noteworthy character, the Jupiter-6 is not one of those synths immediately identified with recognizable sounds from hit songs. Nevertheless, it was the Jupiter-6 behind the bass line of Ray Parker Jr.'s classic "Ghostbusters," and it found purchase in the work of Human League, Tangerine Dream, Thomas Dolby, Trans-X, Vangelis, and Devo. In a testament to its staying power over the decades, its popularity grew in genres such as big beat, house, and techno through The Chemical Brothers, Moby, and The Crystal Method. Electronic music duo Orbital has been a vocal proponent of the Jupiter-6 and, more recently, it has been a significant part of the sound of Daft Punk and Junkie XL.
Cherry Audio's Mercury-6 brings the Jupiter-6 experience into the future and celebrates the invaluable contribution that MIDI itself has made to the music community over the past 40 years. Mercury-6 captures all that is exceptional in this classic and boosts the extraordinary feature set and functionality for today's DAW production and workflow. We've added velocity sensitivity, improved the split mode, and added a layer mode capable of stacking two different sounds simultaneously with per-layer stereo panning, detuning, and sustain. A panel control lets users easily select and navigate between these layers and includes a utility function for exchanging settings between the lower and upper layers, or even between presets. And with polyphony extended to 16 notes, Mercury-6 won't easily run out of voices.
They've reproduced the arpeggiator, including the hidden Down/Up mode of the original, and augmented it by adding a Random mode and MIDI tempo sync. A chord memory mode enables multiple notes to be stored and played back with a single key. We've improved the functionality of the LFOs with a retrigger for LFO-1 and an always-on option for LFO-2, both syncable to MIDI tempo.
They've also introduced an integrated studio-quality effects panel with brilliant-sounding distortion, phaser, flanger/chorus, delay, and reverb. With additional touches such as per-layer drift control, over 500 expertly designed presets, and flexible MIDI mapping, Mercury-6 will satisfy both vintage synth aficionados and today's music producer.
Highly optimized, massive dual-layer voicing architecture with 16 polyphonic voices per layer. Keyboard split or stacked layer modes allow two simultaneously playable layers, with separate per-layer controls for all parameters, including effects
Two VCOs per voice with combined waveform capabilities: triangle, ramp sawtooth, noise, and square or variable pulse
Multimode filter with a 24 dB/oct lowpass, 24 dB/oct highpass, or 12 dB/oct bandpass modes
Accurate reproduction of the original's advanced VCO-2 to VCO-1 FM cross-modulation for searing tones
Precisely implemented portamento and glissando modes
Exactingly replicated arpeggio section with MIDI tempo sync, the hidden Down/Up mode of the original, and the addition of a Random mode
Powerful solo and polyphonic unison modes for fat, stacked sounds
Two tempo-syncable LFOs with extended retrigger functionality
Per-layer drift control for oscillators and filter frequencies for authentic analog character
Single-key chord memory mode
Over 500 presets, created by a talented team of sound design veterans, easily accessible in a convenient preset browser
Panel Control for selecting layer controls, including extensive utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets.
Studio-quality integrated effects: distortion, 4/8/12 stage phaser, flanger/chorus, three types of delay with sync, and four types of reverb, with easy-to-access global or layer settings
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)
Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
Highly optimized coding for optimal performance with ultra-low CPU load, and multithreaded processing for presets using Split and Layer modes
User-adjustable oversampling control
Mercury-6 is available in AU, VST, VST3, AAX, and standalone formats, and a free 30-day demo is available.
macOS Requirements: 10.13 or above. macOS 13 Ventura supported. 64-bit required. Native Apple M1 or greater processor support, including Ultra. 3.4 GHz Quad-Core or M1 CPU with 8GB of RAM is recommended.
Windows Requirements: Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM is recommended.
Internet connection required for product activation.
This product is delivered by download. We have an excellent relationship with Cherry Audio and should receive the license code to complete your order within 24 hours. However, if you're ordering after 6:00PM PT weekdays or on weekends, we'll process your order the next business day.
Pro Soloist is the latest in Cherry Audio's roster of ultimate "what if?" virtual instruments. Featuring the precision-crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes far beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more.
At the beginning of the 70s, analog synthesizers were just making their way into the hands of working musicians, and their operation was still a mystery to most folks outside of a college music lab. To avert potential user intimidation and bring synthesis to the masses, manufacturers introduced simple monophonic preset synths that were intended to sit atop an organ. ARP led the charge in 1970 with the Soloist, the first commercial preset synthesizer, featuring 18 presets and basic controls.
In 1972, ARP followed it up with the Pro Soloist, updating the analog preset control with revolutionary digital read-only memory chips (which improved tuning stability) and expanding the preset selection to 30. Most impressive was the introduction of an innovative “touch sensor” keyboard (now commonly known as aftertouch), where pressing harder after playing a note introduces changes to the sound, allowing highly expressive playing. Specifically, the Pro Soloist’s touch sensor controls enabled pitch bend, wow, growl, brilliance, volume, and vibrato. This was heady stuff in the early 70s, and the Pro Soloist proved popular with musicians for its ability to rapidly emulate lead instrument sounds such as horns, strings, woodwinds, and more.
Despite its association with progressive rock, the Pro Soloist was popular with acts as varied as Tangerine Dream, Gary Numan, Kansas, Herbie Hancock, Patrick Moraz, Styx, John Entwistle, Parliament, Billy Preston, Vangelis, David Bowie, Brian Wilson, the Ohio Players, Chick Corea, Prince, and Josef Zawinul. Most notable was Tony Banks of Genesis, for whom the Pro Soloist was his first synthesizer. The track “The Cinema Show” on the 1973 album Selling England by the Pound showcases many of the Pro Soloist’s presets building up to his epic solo featuring the “Fuzz Guitar 1” preset.
Cherry Audio has received frequent requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). He has programmed an incredibly authentic reproduction of the analog signal path and original presets, and together we have substantially expanded the Pro Soloist’s capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex, layered sounds. Pro Soloist also supports a split keyboard mode and an option to simulate polyphonic aftertouch with a monophonic aftertouch controller for more expressive performance possibilities beyond the standard touch sensor effects.
With its distinctive three-panel interface, this Pro Soloist is far more than a preset synth. In Performance mode, each original paddle preset has been precisely recreated with MIDI-mappable switches. In Edit mode, we’ve exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter “Resonator Bank” - the key to the Pro Soloist’s realistic acoustic orchestra timbres. Additionally, we’ve revealed the LFO and ADSR/AR envelopes used to create the presets, and elevated the sound design and performance possibilities with a "Super Wave" oscillator and a powerful six-slot modulation matrix. The Arp/FX mode rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.
In summary, Cherry Audio has elevated this bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago, and ideal for today's music production environments.
To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge have again teamed up to create introductory tutorial videos walking users through the history and features of this iconic virtual synthesizer.
A best-in-class virtual instrument based on ARP's 1972 preset-based monophonic analog synth
Exactingly reproduces the expressive controls and 30 presets, and surfaces the unique underlying analog synthesis architecture to make it fully programmable
Massive dual-layer voicing architecture with 16 polyphonic voices per layer: two different Pro Soloist style sounds simultaneously playable, in either a keyboard split or stacked layer mode, with discrete controls for layer volume and panning
Three-panel interface: Performance mode, with the original paddle presets; Edit mode, revealing all of the original's unique analog synthesis architecture parameters; and Arp/FX mode
All Pro Soloist voicing parameters reproduced and exposed, including the five parallel 2-pole bandpass filters of the Resonator Bank, expanded with individual frequency curves
Touch Sensor Effects controls to apply aftertouch to volume, brilliance (filter), and portamento, with adjustable touch sensitivity
Mono (retrigger or legato, with low, last, or high-note priority) and polyphonic modes, with a "last" note option to simulate polyphonic aftertouch with a monophonic aftertouch controller for more expressive performance possibilities
Voltage-controlled oscillator with sawtooth and pulse waves, plus a "Super Wave" option for fatter tones
VCO modulation with ADSR PWM, AR PWM, LFO PWM, and LFO FM
24dB/oct Voltage-controlled filer (VCF) with filter invert and modulation with ADSR, AR, LFO, Growl (a specialized low-frequency oscillator), velocity, and keyboard tracking
Voltage-controlled amplifier (VCA) with modulation by ADSR, AR, LFO, and velocity, and independent per-layer control over volume and panning for expansive and breathtaking stereo tones
Tempo-syncable LFO with sine, ramp, sawtooth, and square waveforms
Resonant highpass filter with cutoff frequency from 20 Hz to 1300 Hz
Resonator Bank with five parallel bandpass filters with continuously variable frequency and resonance controls, all individually modulatable via the Mod Matrix. The frequency curves of the originals are provided and any of the resonators can be set to individually to any of the curves, in any combination.
ADSR (attack/decay/sustain/release) and AR (attack/release) envelope generators
Powerful but easy-to-use Modulation Matrix with six slots and simple click-to-assign functionality: 22 sources and 58 destinations, including Pro Soloist's integrated effects
Arpeggiator with MIDI tempo sync with Down, Up, Up/Down, and Random
Panel Control for selecting layer controls, including utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets
Preset Paddles includes each of the 30 original Pro Soloist factory presets
450 presets created by a talented team of sound design veterans, easily accessible in a convenient preset browser
12 studio-quality integrated effects: distortion, 2/4/6/8 stage phaser with sync, flanger/chorus with sync, three types of stereo echo/delay with sync, and five types of reverb, with easy-to-access global or layer settings
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)
Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
Highly optimized DSP for optimal performance
User-adjustable oversampling control
Also available: Vintage Vibes for Pro Soloist, with an additional 100 presets by sound designer James Dyson showcasing more of Pro Soloist’s use of touch sensors and aftertouch, modulation, splits and layers, outstanding arps, atmospheric pads, stunning sound effects, basses, keys, and leads, and brass.
Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats.
A free 30-day demo of Pro Soloist is available. This demo will play white noise periodically, but is otherwise unlimited.
macOS Requirements: macOS 10.13 or above. macOS 13 Ventura supported. 64-bit required. Native Apple M1 or greater processor support, including Ultra. 3.4 GHz Quad-Core or M1 CPU with 8GB of RAM recommended.
Windows Requirements: Windows 7 or above (including Windows 11), 64-bit required. 3.4 GHz Quad-Core computer with 8GB of RAM recommended.
Hard disk space: 105 MB
NOTE: Internet connection required for product activation.
ARP is a registered trademark of KORG Inc. There is no association, affiliation or endorsement of Cherry Audio or its products by KORG.
Important Note: Cherry Audio Voltage Modular is required in order to use this software.
PSPaudioware's 30 modules fall into two categories: classic effects modules based on our extensive experience in developing high quality bread and butter effects and processor plug-ins and exciting, creative modules that use algorithms from our flagship multi-effect plug-in PSP N2O (formerly PSP Nitro) as a starting point and take those effects to the next level. Every algorithm has been adapted, tailored, and expanded to take full advantage of the extraordinary possibilities offered by the modular format and flexibility of the Voltage system.
Modules included:
and
Voltage Modular is cross-platform for Windows and OSX in AU, VST, VST3, and Pro Tools AAX formats, and also runs standalone on both platforms. User patches and cabinets are freely exchangeable across platforms.
Mac: OS X 10.9 or above, 64-bit required. Quad-core computer with 8GB of RAM recommended.
Windows: Windows 7 or above, 64-bit required. Quad-core computer with 8GB of RAM recommended.
$149.00Includes 84 Core modules + 15 Misfit Audio Electro Drum modules + 11 new Polyphonic modules
A brand-new virtual modular platform, designed from the outset to be the best sounding, most powerful, flexible, and easy-to-use virtual modular instrument available.
Be the first to experience this wildly powerful synthesis and audio processing platform! For a limited time, the Voltage Modular Core Package (85 modules) plus the Misfit Audio Electro Drums Package (15 modules) That's a total of 100 modules!
Combo package including Voltage Modular plug-in and standalone versions, the Misfit Audio Electro Drums package, and over 300 professionally programmed sound presets.
Designed from the ground up to address the shortcomings of other virtual modular synth instruments. Featuring six-way pop-up mults on all inputs and outputs, super easy repositioning of modules or groups of modules, cables that can be moved and rerouted at all times, and control panels designed to be easy-to-read and operate with extensive visual feedback, including cable signal flow indicators, Voltage Modular offers a clean, polished, virtual modular interface like no other.
All audio processing in Voltage Modular uses high-quality 64-bit double precision math, and all module processes are zero- latency and operate on individual samples for true modular performance. This translates to fantastic sounding audio-rate frequency and amplitude modulation, oscillator sync, insane delay feedback, and more.
The innovative module browser allows users to purchase and automatically install modules and sound presets directly from within Voltage Modular for immediate expandability.
Voltage Modular is cross-platform for Windows and OSX in AU, VST, VST3, and Pro Tools AAX formats, and also runs standalone on both platforms. User patches and cabinets are freely exchangeable across platforms.
Mac: OS X 10.9 or above, 64-bit required. Quad-core computer with 8GB of RAM recommended.
Windows: Windows 7 or above, 64-bit required. Quad-core computer with 8GB of RAM recommended.
$99.00The Year One Collection includes all 19 commercial modules that Cherry Audio released in Voltage Modular's first year. These stellar and innovative modules let you warp and shape your modular sound in crazy new ways.
The Year One Collection includes Additive Oscillator, ESP-20 Processor, Hex Phaser, Lyrinx Filter, Mega Saw, MPE Interface, Octagon Sequencer, Random Task, Remote Control, Sampler II, Sixteen-Step Sequencer, Stereo Delay, TB Filter, TB Oscillator, VCF-20 Filter, VCO-20 Dual Oscillator, Vintage Resonator, Vocoder, and Voltage-Controlled Mixer.
Voltage Modular is a virtual modular platform, designed from the outset to be the best sounding, most powerful, flexible, and easy-to-use virtual modular instrument available. The innovative module browser allows users to purchase and automatically install modules and sound presets directly from within Voltage Modular for immediate expandability.
Designed from the ground up to address the shortcomings of other virtual modular synth instruments. Featuring six-way pop-up mults on all inputs and outputs, super easy repositioning of modules or groups of modules, cables that can be moved and rerouted at all times, and control panels designed to be easy-to-read and operate with extensive visual feedback, including cable signal flow indicators, Voltage Modular offers a clean, polished, virtual modular interface like no other.
All audio processing in Voltage Modular uses high-quality 64-bit double precision math, and all module processes are zero- latency and operate on individual samples for true modular performance. This translates to fantastic sounding audio-rate frequency and amplitude modulation, oscillator sync, insane delay feedback, and more.
Included Products
Voltage Modular is cross-platform for Windows and OSX in AU, VST, VST3, and Pro Tools AAX formats, and also runs standalone on both platforms. User patches and cabinets are freely exchangeable across platforms.
Mac: OS X 10.9 or above, 64-bit required. Quad-core computer with 8GB of RAM recommended.
Windows: Windows 7 or above, 64-bit required. Quad-core computer with 8GB of RAM recommended.
$199.00Lush 101 demo
This bundle contains 4 Synth plug-ins D 16 Group has made: