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Alesis MultiMix 8 USB FX Analog Mixer and USB Interface
Record, mix and add effects all in one place.
This compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection.
Features
- Eight-channel mixer with mic, line, and guitar-level inputs
- 16-bit, 44.1/48 kHz stereo USB output for easy recording and playback with your Mac or PC
- XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power
- Works with iPad via Apple™ USB Adaptor (sold seperately)
- 1/4'' line-level inputs for instruments and high-impedance guitar input for direct-connecting guitars
- Powerful EQ: three-band with sweepable parametric mids on channels 1 and 2, three-band on 3 and 4, two-band on 5 to 8
- Built-in DSP effects with footswitch bypass control and Aux buss for external processing
- Multicolour LED metering for visual level feedback
- Main and headphone outputs with independent level controls
- Class-compliant, plug-and-play USB for Mac and PC interface without installing drivers
MultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer/songwriters looking to get a clean, "hot" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.
MultiMix 8 USB FX includes an internal effects processor to quickly and easily add new colors to your mix. Reverb, Delay or Phaser can be dialed up simply by adjusting the pre or post fader knobs located within each channel strip. MultiMix 8 USB FX also contains Aux Out and stereo Returns, as well as, Insert jacks on channels one and two to allow for audio to be processed by external effects engines. MultiMix 8 USB FX gives you an impressive amount of routing options in such a compact size.
Like the other mixers in Alesis’ MultiMix USB series, including the MultiMix 4 USB and MultiMix 6 USB, the MultiMix 8 USB FX contains a complete USB recording interface. Musicians and engineers can plug the MultiMix 8 USB FX’s class-compliant USB connection into their Mac or PC without installing any software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 8 USB FX enables bidirectional stereo signal, so musicians can record the stereo Main output into their computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. A number of key design improvements are included on the MultiMix 8 USB FX. Enlarged knob-to-knob spacing improves ergonomics and in-use efficiency. The newly designed mixer introduces a sleek new appearance for the MultiMix series and incorporates new, removable end caps, which can be helpful for squeezing the MultiMix 8 USB FX into smaller spaces in tightly packed setups. In addition to its improved signal-to-noise ratio specifications, the new mixer consumes 36% less power than its predecessor for reliability and energy efficiency.
Physical
-
Dimensions: (WxDxH) 10.25" x 10.75" x 3.25"
-
Weight: 4.9 lbs
Includes:
- Cubase LE Software
- MultiMix 8 USB FX mixer
- USB Power Cable
- Software CD
- Quickstart Guide
- Power Supply
System Requirements
Computer not required for mixer operation
Mac: OS X 10.7 and up*
PC: Windows 7 and up*
USB Port
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Mackie 1202VLZ4 12-Channel Compact Mixer
Mackie 1202VLZ4 12-Channel Compact Mixer
The Mackie 1202VLZ4 12-Channel Compact Mixer features high-quality Onyx preamps in a compact mixer design with the high-headroom / low-noise performance.The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like a dedicated control room section, it offers a step up in flexibility and performance that is suitable for your professional applications.
Features:
- 12-Channel mixer with signature high-headroom, low-noise design
- 4 Boutique-Quality Onyx Microphone Preamps:
- Wide 60 dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20 Hz to 50 kHz)
- Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 12 High-headroom line inputs
- 3-Band EQ (80 Hz, 2.5 kHz, 12 kHz)
- 18 dB/octave, 75 Hz low-cut filter on microphone input channels
- AUX send, level, pan, and PFL solo on each channel
- Stereo return for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Rack-mountable design using a rack ear kit (sold separately)
- Multi-voltage power supply for worldwide use
- Applications:
- Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applicatiions and more.
Specs:
| Noise | Main Mix Noise: Main Mix Knob Down, Channel Gain Knobs Down: -100 dBu Main Mix Knob @ Unity, Channel Gain Knobs Down: -86.5 dBu (90 dB signal to noise ratio, ref +4 dBu) Main Mix Knob @ Unity, Channel Gain Knobs @ Unity: -84.5 dBu (20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1 to 4, gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1 and 3 panned left, 2 and 4 panned right) |
| Total Harmonic Distortion (THD) | Microphone Pre @ Insert: <0.0007% (1 kHz @ 30 dB gain, 20 Hz to 20 kHz bandwidth) |
| Crosstalk / Attenuation | Main Mix Knob Down: -75 dBu Channel Alt / Mute Switch Engaged: -85 dBu Channel Gain Knob Down: -87 dBu (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity) |
| Frequency Response | Microphone Input to Main Output (Gain @ Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
| Equivalent Input Noise | 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain |
| Common Mode Rejection Ratio | Better than -70 dB @ 1 kHz |
| Maximum Level | Microphone In: +22 dBu Tape In: +16 dBu All Other Inputs: +22 dBu Main Mix XLR Out: +28 dBu All Other Outputs: +22 dBu |
| Impedance | Microphone In: 2.5 kΩ Channel Insert Return: 2.5 kΩ All Other Inputs: 10 kΩ or greater Tape Out: 1.1 kΩ All Other Outputs: 120 Ω |
| Equalizer | High Shelving: ±15 dB @ 12 kHz Mid Peaking: ±15 dB @ 2.5 kHz Low Shelving: ±15 dB @ 80 Hz |
| Power Consumption | 25 W, 100 to 120 VAC, 50 to 60 Hz |
| Operating Temperature | 32 to 104°F (0 to 40°C) |
| Fuse Rating | 100 to 120 V: 500 mA slo blo, 5 x 20 mm 220 to 240 V: 250 mA slo blo, 5 x 20 mm |
| Dimensions (H x W x D) | 10.7 x 11.9 x 3.0" (273.0 x 303.0 x 75.0 mm) |
| Weight | 6.5 lb (3.0 kg) |
UPC: 663961039771
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$269.99
Mackie 1402VLZ4 14-Channel Compact Mixer
Mackie 1402VLZ4 14-Channel Compact Mixer
The Mackie 1402VLZ4 14-Channel Compact Mixer features Onyx preamps in a professional compact mixer used for applications that demand flexibility.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like a dedicated control room section and smooth, accurate fader control, the 1402VLZ4 14-Channel Compact Mixer is a good choice for anybody who demands for professional performance.
Features:
- 14-Channel mixer with signature high-headroom, low-noise design
- 6 Boutique-Quality Onyx Microphone Preamps:
- Wide 60 dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20 Hz to 50 kHz)
- Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 14 High-headroom line inputs with +4/-10 operation control
- 3-Band EQ (80 Hz, & 2.5 and 12 kHz)
- 18 dB/octave 75 Hz low-cut filter on microphone input channels
- Two AUX sends, and level, pan, and PFL solo on each channel
- 60mm long-wearing log-taper faders
- Two stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Rack-mountable design using a rack ear kit (sold separately)
- Multi-voltage power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many more
Specs:
| Noise | Main Mix Fader Down, Channel Faders Down: -101 dBu Main Mix at Unity, Channel Faders Down: -91 dBu (95 dB signal to noise ratio, ref +4 dBu) Main Mix Fader at Unity, Channel Faders at Unity: -86 dBu 1 |
| Total Harmonic Distortion (THD) | Microphone Pre @ Insert: <0.0007% 2 |
| Crosstalk / Attenuation | Main Mix Fader Down: -100 dBu Channel Alt / Mute Switch Engaged: -90 dBu Channel Fader Down: -90 dBu 3 |
| Frequency Response | Microphone Input to Main Output (Gain at Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
| Equivalent Input Noise | 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain |
| Common Mode Rejection Ratio | Better than -70 dB @ 1 kHz |
| Maximum Level | Microphone In: +22 dBu Tape In: +16 dBu All Other Inputs: +22 dBu Main Mix XLR Out: +28 dBu All Other Outputs: +22 dBu |
| Impedance | Microphone In: 2.5 kΩ Channel Insert Return: 2.5 kΩ All Other Inputs: 10 kΩ or greater Tape Out: 1.1 kΩ All Other Outputs: 120 Ω |
| Equalizer | High Shelving: ±15 dB @ 12 kHz Mid Peaking: ±15 dB @ 2.5 kHz Low Shelving: ±15 dB @ 80 Hz |
| Power Consumption | 25 W, 100 to 120 VAC, 50 to 60 Hz |
| Operating Temperature | 32 to 104°F (0 to 40°C) |
| Fuse Rating | 100 to 120 V: 500 mA slo blo, 5 x 20 mm 220 to 240 V: 250 mA slo blo, 5 x 20 mm |
| Dimensions (H x W x D) | 12.5 x 14.0 x 3.2" (317.0 x 356.0 x 81.0 mm) |
| Weight | 9.5 lb (4.5 kg) |
UPC: 663961039795
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$399.99
Mackie 1604VLZ4 16-Channel Mixer
The Mackie 1604VLZ4 16-Channel 4-Bus Compact Mixer includes a combination of Onyx preamps and a high-headroom / low-noise design. All 16 channels feature an Onyx microphone preamplifier, line input and insert in a compact 4-bus design built for application flexibility and professional performance.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. It is a band-friendly analog mixer used in professional broadcast and post facilities
16-Channel mixer featuring high-headroom, low-noise design
Features:
- 16 Boutique-Quality Onyx Microphone Preamps:
- Wide 60 dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20 Hz to 50 kHz)
- Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 16 high-headroom line inputs with +4 / -10 operation control
- 16 balanced inserts suitable for integrating outboard gear
- 3-band EQ with sweepable midrange
- 18 dB/octave 75 Hz low-cut filter on microphone input channels
- Four AUX sends, level, pan and solo and overload / mute LEDs on each channel
- Four stereo returns, eight direct outs and four group / bus outputs
- 60mm long-wearing log-taper faders
- Control room / phones multi-input source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Rack-mountable design with 3 physical configurations via Rotopod accessory (sold separately)
- Multi-voltage power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video post-production, multimedia applications, broadcast, and many more
Specs:
| Noise | Main Mix Noise: Main Mix Fader @ Unity, Channel Faders Down: -88.5 dBu (92 dB signal-to-noise ratio, ref +4 dBu) Main Mix Fader @ Unity, Channel Faders @ Unity: -82.5 dBu (20 Hz to 20 kHz bandwidth, 1/4" main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right) |
| Total Harmonic Distortion (THD) | Microphone In to Insert Send: <0.0007% Microphone In to Main Out: <0.005% (1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth) |
| Crosstalk / Attenuation | Channel Mute Switch Engaged: -84 dBu Channel Gain Knob Down: -84 dBu (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain @ unity) |
| Frequency Response | Microphone Input to Main Output (Gain @ Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
| Equivalent Input Noise | 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain |
| Common Mode Rejection Ratio | Better than -70 dB @ 1 kHz |
| Maximum Level | Microphone In: +22 dBu All Other Inputs: +22 dBu Main Mix TRS Out: +28 dBu All Other Outputs: +22 dBu |
| Impedance | Microphone In: 2.5 kΩ Channel Insert Return: 2.5 kΩ All Other Inputs: 10 kΩ or greater Tape Out: 1.1 kΩ All Other Outputs: 120 Ω |
| Equalizer | High Shelving: ±15 dB @ 12 kHz Mid Peaking: ±15 dB sweep 100 Hz to 8 kHz Low Shelving: ±15 dB @ 80 Hz Low Cut Filter: 18 dB/octave, -3 dB @ 75 Hz |
| Power Consumption | 50 W, 100 to 120 VAC, 50 to 60 Hz |
| Operating Temperature | 32 to 104°F (0 to 40°C) |
| Fuse Rating | 100 to 120V: 1 A slo blo, 5 x 20 mm 220 to 240V: 0.5 A slo blo, 5 x 20 mm |
| Dimensions (H x W x D) | 17.0 x 17.3 x 5.1" (433.0 x 440.0 x 129.0 mm) |
| Weight | 20.0 lb (9.1 kg) |
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$899.99
Mackie 402VLZ4 4-Channel Ultra-Compact Mixer
The 4-channel 402VLZ4 features Mackie's flagship Onyx mic preamps in an ultra-compact design that is an industry-leading performer ideal for professional low-input applications.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like instrument level inputs, phantom power, and level metering, the 402VLZ4 4-Channel Ultra-Compact Mixer is a good choice for anybody who is big on performance, but light on inputs. The bottom panel of the mixer features has three non-threaded holes that allow it to be fitted with an optional microphone stand adapter (sold separately). This lets you support the mixer on a standard microphone stand and adjust its height and level to whatever suits your preferences.
Features:
- 2 Boutique-Quality Onyx Microphone Preamps:
- Wide 60 dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20 Hz to 50 kHz)
- Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 4 high-headroom line inputs
- Selectable instrument inputs on first 2 channels; no DI box needed
- 2-band EQ (80 Hz and 12 kHz)
- 18 dB/octave 100 Hz low-cut filter on microphone input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Universal power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many more
Specs:
| Noise | Main Mix Noise: Main Mix Knob Down, Channel Level Knobs Down: -103 dBu Main Mix Knob at Unity, Channel Level Knobs Down: -98 dBu Main Mix Knob at Unity, Channel Level Knobs at Unity: -92 dBu Signal-to-Noise Ratio, ref. +4 dBu 102 dB (20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1-2 gain at unity, channel EQs flat, stereo-pan button in) |
| Total Harmonic Distortion (THD) | 20 Hz to 80 kHz Bandwidth: <0.005% 20 Hz to 20 kHz Bandwidth: <0.003% (1 kHz @ 35 dB gain) |
| Crosstalk / Attenuation | Main Mix Knob Down: -70 dBu Channel Level Knob Down: -94 dBu (1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity) |
| Frequency Response | Microphone Input to Main Output (Gain at Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
| Equivalent Input Noise | 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone in to main out, maximum gain |
| Common Mode Rejection Ratio | Better than -70 dB at 1 kHz |
| Maximum Level | Microphone In: +21 dBu Tape In: +24 dBu All Other Inputs: +22 dBu All Other Outputs: +22 dBu |
| Impedance | Microphone In: 2.55 kΩ Instrument Input: 1 MΩ All Other Inputs: 10 kΩ or greater Tape Out: 1 kΩ Phones Out: 60 Ω All Other Outputs: 120 Ω |
| Equalizer | High Shelving: ±15 dB at 12 kHz Low Shelving: ±15 dB at 80 Hz |
| Power Consumption | 8 W, 100 to 120 VAC, 50 to 60 Hz |
| Power Supply | External AC Connector: 2-Pin IEC 250 VAC |
| Operating Temperature | 32 to 104°F (0 to 40°C) |
| Dimensions | 7.3 x 5.8 x 1.6" (186.0 x 147.0 x 41.0 mm) |
| Weight | 3.0 lb (1.4 kg) with power supply |
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Mackie 802VLZ4 8-Channel Ultra-Compact Mixer
The Mackie 802VLZ4 8-Channel Ultra-Compact Mixer features Onyx microphone preamps in a ultra-compact design, suitable for professional applications with a lower input need. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like instrument level inputs, phantom power, and level metering, the 802VLZ4 offers a true step-up performance and durability that is suitable for your professional applications.
Features
- 8-Channel mixer featuring high-headroom, low-noise design
- 3 Boutique-Quality Onyx Microphone Preamps:
- Wide 60 dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20 Hz to 50 kHz)
- Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- Eight high-headroom line inputs
- Selectable instrument inputs on first 2 channels; no DI box needed
- 3-Band EQ (80 Hz, 2.5 and 12 kHz)
- 18 dB/octave 100 Hz low-cut filter on microphone input channels
- AUX send, level, pan, and PFL solo on each channel
- Stereo return for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Universal power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardroom
Specs:
| Noise | Main Mix Noise: Main Mix Knob Down, Channel Level Knobs Down: XLR: -95 dBu TRS: -101 dBu Main Mix Knob at Unity, Channel Level Knobs Down: XLR: -90 dBu TRS: -96 dBu Main Mix Knob at Unity, Channel Level Knobs at Unity: XLR: -84 dBu TRS: -90 dBu (20 Hz to 20 kHz bandwidth, channels 1 to 3 gain at unity, channel EQs flat, all channels assigned to main mix, channel 1 panned left, 2 panned right, 3 to 8 centered) |
| Total Harmonic Distortion (THD) | Microphone Pre at Insert: <0.001% (1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth) |
| Crosstalk / Attenuation | Main Mix Knob Down: -75 dBu Channel Alt / Mute Switch Engaged: -100 dBu Channel Level Knob Down: -100 dBu (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity) |
| Frequency Response | Microphone Input to Main Output (Gain at Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz |
| Equivalent Input Noise | 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain |
| Common Mode Rejection Ratio | Better than -70 dB at 1 kHz |
| Maximum Level | Microphone In: +21 dBu Tape In: +22 dBu All Other Inputs: +22 dBu Main Mix XLR Out: +28 dBu All Other Outputs: +22 dBu |
| Impedance | Microphone In: 2.55 kΩ Channel Insert Return: 5 kΩ All Other Inputs: 17 kΩ or greater Tape Out: 1 kΩ Phones Out: 60 Ω All Other Outputs: 120 Ω |
| Equalizer | High Shelving: ±15 dB at 12 kHz Mid Peaking ±15 dB at 2.5 kHz Low Shelving: ±15 dB at 80 Hz |
| Power Consumption | 13 W, 100 to 120 VAC, 50 to 60 Hz |
| Power Supply | External (AC Connector): 2-Pin IEC 250 VAC |
| Operating Temperature | 32 to 104°F (0 to 40°C) |
| Dimensions (H x W x D) | 10.7 x 8.9 x 1.8" (273.0 x 227.0 x 47.0 mm) |
| Weight | 5.5 lb (2.5 kg) with power supply |
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$199.99
Mackie ProFX12v3 12-Channel Professional Effects Mixer with USB
Mackie ProFX12v3 12-Channel Professional Effects Mixer with USB
RECORD. PRODUCE. PERFORM.
Legendary sound is within reach, whether you’re recording a podcast or performing at a coffee shop. The Mackie ProFX12v3 features seven award-winning Onyx preamps and a versatile GigFX effects engine, allowing you to get colorful high-resolution recordings with sample rates up to 192 kHz. To top it off, the Mackie ProFX12v3 includes Waveform™ OEM software to power your setup with the professional toolkit you deserve.
The Mackie ProFX12v3 12-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with their renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX™ effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools® First and Waveform™ OEM recording software/plugin packages are included.
Onyx Mic Preamps
Record podcasts, stream gameplay or produce the next hit—all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analog warmth so you sound great, no matter what you do.
GigFX High-Resolution Effects Engine
The Mackie ProFX12v3 has a high-resolution effects engine to give your sound the perfect touch, whether you need to add a bit of reverb to a guitar track or give your podcast a creative edge. With 24 incredible effects, you’ll have everything you need to shape your sound beyond limit.
2x4 192 kHz USB Recording
Ensuring you get great sound is our top priority, which is why the Mackie ProFX12v3 is optimized for USB recording at sample rates up to 192 kHz. Use the 2X4 I/O to send separate mixes from your computer to your headphones and the channel strip—professional workflow at its finest.
Latency-Free Direct Monitoring
Real-time monitoring is crucial for every recording application, and latency issues can make monitoring unbearable. What if you need to monitor the mix from your computer? The Mackie ProFX12v3 makes it easy with latency-free direct monitoring. You can even use the dedicated control to blend between your DAW and channel inputs.
Waveform OEM™ DAW
Waveform OEM is a multi award-winning workstation, featuring powerful and creative tools to inspire the modern musician. Unlike typical ‘Lite’ versions, it does not impose any restrictions – you get unlimited track count, powerful features, compatibility with all popular plug-ins and efficient performance on MacOS ®, Windows®, and Linux ® operating systems.
DAW Essentials Collection™
Introducing a collection of 16 contemporary FX plug-ins for use with any DAW. These plug-ins utilize the very latest algorithms and coding techniques to deliver extraordinary sound quality in an extremely efficient package, allowing the plug-ins to be used liberally across a wide range of native computer systems.
-
Equaliser, Compressor, Reverber8, Delay Studio, Stereo Delay, Tape Delay, Crossover, Limiter, Gate / Expander, Ducker, Flanger, Crusher, Chorus, Bus Compressor, Phaser, and Auto Filter
Features:
- 12-channel USB mixer with seven low-noise, high-headroom Onyx preamps that provide 60dB of gain
- 3-band EQ with On/Off hard bypass switch for dialing in the perfect tone on all channels
- Dual stereo USB return for additional routing flexibility during performances
- Latency-free direct monitoring for hassle-free overdub sessions
- High-resolution recording with sample rates up to 192kHz to Mac/PC via USB
- 24 included effects, including reverbs, delays and choruses, delivered via GigFX effects engine
- Built-in compression keeps louder audio in check while pulling up softer audio sources
- Switchable Hi-Z inputs for guitars, bass, and other instruments
- 100Hz low-cut filter and 48V phantom power on all channels
- Aux/Monitor with dedicated per-channel send control
- Stereo subgroup output bus with per-channel assignment
- Headphone output with separate level and blend control
- Footswitch input for FX mute
- Waveform OEM professional software bundle included with purchase of ProFX12v3
Mackie PROFX12V3 Specs
| Number of Analog Input Channels | 12 |
| Number of Mic Preamps | 7 |
| Analog Output Channels | 2 x Stereo Master Output 1 x Stereo Control Room/Monitor Output 1 x Stereo Bus/Subgroup Output 1 x Mono Aux Send Output 1 x Mono FX Send Output 1 x Stereo Headphone Output |
| Mix Routing | Stereo Main Mix Stereo Aux Bus/Subgroup |
| Faders | None |
| Meters | Main Meter: 2 x 12-Segment LED |
| Meter Range | Main Meter: -30 dB to +15 dB Plus Peak/Clip |
| Gain/Trim Range | -20 dB to +60 dB |
| EQ | 3-Band EQ |
| EQ Parameters | Low: ±15 dB at 80 Hz Mid: ±15 dB at 2.5 kHz High: ±15 dB at 12 kHz |
| Filters | High-Pass: 100 Hz, 18 dB/Octave |
| Built-In Effects | 24 x Effect (Type Unspecified) |
| Bit Depth | 24-Bit |
| Frequency Response | Mic Input to Output: 20 Hz to 30 kHz +0/-1 dB (Unity Gain) |
| Max Input Level | +22 dB |
| Output Level | Main Output: +28 dBu at Max Gain All Other Output: +22 dBu at Max Gain |
| I/O Impedance | Mic Input: 3.3 Kilohms Insert Return: 10 Kilohms Line Input: ≥ 20 Kilohms Headphone Output: 25 Ohms Main Output: 120 Ohms (Unbalanced) 240 Ohms (Balanced) |
| Crosstalk | Adjacent Inputs: -90 dB at 1 kHz Input to Output: -80 dB at 1 kHz Fader Off: -75 dB at 1 kHz Muted: -90 dB at 1 kHz |
| CMRR | 70 dB at Max Gain (1 kHz, Mic In to Main Out) |
| EIN | -126 dBu at Max Gain (150-Ohm Input) |
| Noise Floor | All Outputs: -95 dBu (Master Level at -∞, Channel Levels at -∞) -80 dBu (Master Level at Unity, One Channel Level at Unity) |
| THD+N | Mic Input to Main Output: < 0.03% (+4 dBu) |
| Analog Inputs | 2 x Combo XLR-1/4" 3-Pin Balanced/Unbalanced Mic/Line/Hi-Z Input 5 x XLR 3-Pin Balanced Mic Input 5 x 1/4" TRS Balanced/Unbalanced Line Input (5 Stereo Pairs) 1 x 1/8" / 3.5 mm TRS Unbalanced Stereo Line Input (1 Stereo Pair) 1 x 1/4" TRS Footswitch Input |
| Analog Outputs | 2 x XLR 3-Pin Balanced Stereo Main Output 2 x 1/4" TRS Balanced Stereo Main Output 2 x 1/4" TRS Balanced Stereo Control Room/Monitor Output (1 Stereo Pair) 2 x 1/4" TRS Balanced Stereo Subgroup Output (1 Stereo Pair) 2 x 1/4" TRS Balanced/Unbalanced Aux/Monitor Send 1 x 1/4" TRS Unbalanced Stereo Headphone Output |
| Phantom Power | +48 V, Selectable On/Off (Applied to All Inputs) |
| Digital I/O | None |
| MIDI I/O | None |
| USB | 1 x USB-B 2.0() |
| USB I/O Capacity | 2 x Input / 4 x Output |
| Bluetooth | None |
| OS Compatibility | macOS Windows *As of March, 2022: Check with manufacturer for the most up-to-date compatibility |
| AC Input Power | Universal: 100 to 240 VAC, 50 / 60 Hz |
| AC Power I/O | 1 x IEC Input |
| Power Consumption | 30 W |
| Rack Mountable | No |
| Dimensions | 3.9 x 13 x 14.8" / 8.1 x 33 x 37.5 cm |
| Weight | 7.9 lb / 3.6 kg |
| Package Weight | 11.3 lb |
| Box Dimensions (LxWxH) | 18.6 x 15.11 x 5.1" |
UPC: 663961061918
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Mackie ProFX22v3 22-Channel Professional Effects Mixer with USB
Mackie ProFX22v3 22-Channel Professional Effects Mixer with USB
MIX / RECORD / CREATE AT THE NEXT LEVEL
Bring legendary sound to the studio or the stage. The Mackie ProFX22v3 gives you ultimate control, versatility and flexibility for multiple applications that range from recording to live sound reinforcement. In addition to a powerful FX engine, Mackie ProFX22v3 comes with Waveform™ OEM software to power your setup with the professional toolkit you deserve.
The Mackie ProFX22v3 22-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX™ effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools® First and Waveform™ OEM recording software/plugin packages are included.
Onyx Mic Preamps
Record podcasts, stream gameplay or produce the next hit—all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analog warmth so you sound great, no matter what you do.
GigFX High-Resolution Effects Engine
The Mackie ProFX12v3 has a high-resolution effects engine to give your sound the perfect touch, whether you need to add a bit of reverb to a guitar track or give your podcast a creative edge. With 24 incredible effects, you’ll have everything you need to shape your sound beyond limit.
2x4 192 kHz USB Recording
Ensuring you get great sound is our top priority, which is why the Mackie ProFX12v3 is optimized for USB recording at sample rates up to 192 kHz. Use the 2X4 I/O to send separate mixes from your computer to your headphones and the channel strip—professional workflow at its finest.
Latency-Free Direct Monitoring
Real-time monitoring is crucial for every recording application, and latency issues can make monitoring unbearable. What if you need to monitor the mix from your computer? The Mackie ProFX12v3 makes it easy with latency-free direct monitoring. You can even use the dedicated control to blend between your DAW and channel inputs.
Waveform OEM™ DAW
Waveform OEM is a multi award-winning workstation, featuring powerful and creative tools to inspire the modern musician. Unlike typical ‘Lite’ versions, it does not impose any restrictions – you get unlimited track count, powerful features, compatibility with all popular plug-ins and efficient performance on MacOS ®, Windows®, and Linux ® operating systems.
DAW Essentials Collection™
Introducing a collection of 16 contemporary FX plug-ins for use with any DAW. These plug-ins utilize the very latest algorithms and coding techniques to deliver extraordinary sound quality in an extremely efficient package, allowing the plug-ins to be used liberally across a wide range of native computer systems.
-
Equaliser, Compressor, Reverber8, Delay Studio, Stereo Delay, Tape Delay, Crossover, Limiter, Gate / Expander, Ducker, Flanger, Crusher, Chorus, Bus Compressor, Phaser, and Auto Filter
Features:
- 22-channel USB mixer with 17 low-noise, high-headroom Onyx preamps that provide 60dB of gain
- 3-band EQ with On/Off hard bypass switch and variable mid frequency control
- Dual stereo USB return for additional routing flexibility during performances
- Latency-free direct monitoring for hassle-free overdub sessions
- High-resolution recording with sample rates up to 192kHz to Mac/PC via USB
- 24 included effects, including reverbs, delays and choruses, delivered via GigFX effects engine
- Built-in compression keeps louder audio in check while pulling up softer audio sources
- Switchable Hi-Z inputs for guitars, bass, and other instruments
- 100Hz low-cut filter and 48V phantom power on all channels
- Aux/Monitor with dedicated per-channel send control
- Dual stereo subgroup output bus with per-channel assignment
- Headphone output with separate level and blend control
- Dedicated control room output with level control
- Footswitch input for FX mute
- Waveform OEM professional software bundle included with purchase of ProFX22v3
Mackie PROFX22V3 Specs
| Number of Analog Input Channels | 22 |
| Number of Mic Preamps | 17 |
| Analog Output Channels | 2 x Stereo Master Output 1 x Stereo Control Room/Monitor Output 2 x Stereo Bus/Subgroup Output 3 x Mono Aux Send Output 1 x Mono FX Send Output 1 x Stereo Headphone Output |
| Meters | Main Meter: 2 x 12-Segment LED |
| Meter Range | Main Meter: -30 dB to +15 dB Plus Peak/Clip |
| EQ Parameters | Low: ±15 dB at 80 Hz Mid: ±15 dB at 100 Hz to 8 kHz High: ±15 dB at 12 kHz |
| Filters | High-Pass: 100 Hz, 18 dB/Octave |
| Built-In Effects | 24 x Preset (Factory) |
| Bit Depth | 24-Bit |
| Frequency Response | Mic Input to Output: 20 Hz to 30 kHz +0/-1 dB (Unity Gain) |
| Max Input Level | +22 dB |
| Output Level | Main Output: +28 dBu at Max Gain All Other Output: +22 dBu at Max Gain |
| I/O Impedance | Mic Input: 3.3 Kilohms Insert Return: 10 Kilohms Line Input: ≥ 20 Kilohms Headphone Output: 25 Ohms Main Output: 120 Ohms (Unbalanced) 240 Ohms (Balanced) |
| Crosstalk | Adjacent Inputs: -90 dB at 1 kHz Input to Output: -80 dB at 1 kHz Fader Off: -75 dB at 1 kHz Muted: -100 dB at 1 kHz |
| CMRR | 70 dB at Max Gain (1 kHz, Mic In to Main Out) |
| EIN | -128 dBu at Max Gain (150-Ohm Input) |
| Noise Floor | All Outputs: -95 dBu (Master Level at -∞, Channel Levels at -∞) -85 dBu (Master Level at Unity, One Channel Level at Unity) |
| THD+N | Mic Input to Main Output: < 0.01% (+4 dBu) |
| Phantom Power | +48 V, Selectable On/Off (Applied to All Inputs) |
| USB | 1 x USB-B 2.0() |
| USB I/O Capacity | 2 x Input / 4 x Output |
| AC Input Power | Universal: 100 to 240 VAC, 50 / 60 Hz |
| Power Consumption | 45 W |
| Rack Mountable | No |
| Dimensions | 4.3 x 24.1 x 17.1" / 10.9 x 61.2 x 43.4 cm |
| Weight | 19.8 lb / 9 kg |
| Package Weight | 24.9 lb |
| Box Dimensions (LxWxH) | 28 x 21.11 x 8.4" |
UPC: 663961057942
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Mackie ProFX6v3 6 Channel Professional Effects Mixer with USB
Mackie ProFX6v3 6 Channel Professional Effects Mixer with USB
MIX. RECORD. CREATE AT THE NEXT LEVEL
Elevate your creations with a professional USB mixer from the best-selling Mackie ProFXv3 series. The Mackie ProFX6v3 features two award-winning Onyx preamps and a versatile GigFX engine, allowing you to get colorful high-resolution recordings with sample rates up to 192 kHz. Paired with the Waveform OEM software bundle, you’ll have the ultimate workstation for recording, streaming and creating content.
The Mackie ProFX6v3 6-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with their renowned Onyx mic preamps that offer 60db of headroom, everything from gain-hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX(TM) effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools®¦First and Waveform(TM) OEM recording software/plugin packages are included.
Onyx Mic Preamps
Record podcasts, stream gameplay or produce the next hit—all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analog warmth so you sound great, no matter what you do.
GigFX High-Resolution Effects Engine
The Mackie ProFX12v3 has a high-resolution effects engine to give your sound the perfect touch, whether you need to add a bit of reverb to a guitar track or give your podcast a creative edge. With 24 incredible effects, you’ll have everything you need to shape your sound beyond limit.
2x4 192 kHz USB Recording
Ensuring you get great sound is our top priority, which is why the Mackie ProFX12v3 is optimized for USB recording at sample rates up to 192 kHz. Use the 2X4 I/O to send separate mixes from your computer to your headphones and the channel strip—professional workflow at its finest.
Latency-Free Direct Monitoring
Real-time monitoring is crucial for every recording application, and latency issues can make monitoring unbearable. What if you need to monitor the mix from your computer? The Mackie ProFX12v3 makes it easy with latency-free direct monitoring. You can even use the dedicated control to blend between your DAW and channel inputs.
Waveform OEM™ DAW
Waveform OEM is a multi award-winning workstation, featuring powerful and creative tools to inspire the modern musician. Unlike typical ‘Lite’ versions, it does not impose any restrictions – you get unlimited track count, powerful features, compatibility with all popular plug-ins and efficient performance on MacOS ®, Windows®, and Linux ® operating systems.
DAW Essentials Collection™
Introducing a collection of 16 contemporary FX plug-ins for use with any DAW. These plug-ins utilize the very latest algorithms and coding techniques to deliver extraordinary sound quality in an extremely efficient package, allowing the plug-ins to be used liberally across a wide range of native computer systems.
-
Equaliser, Compressor, Reverber8, Delay Studio, Stereo Delay, Tape Delay, Crossover, Limiter, Gate / Expander, Ducker, Flanger, Crusher, Chorus, Bus Compressor, Phaser, and Auto Filter
Features:
- 6-channel USB mixer with two low-noise, high-headroom Onyx preamps that provide 60dB of gain
- 2-band EQ (80Hz and 120Hz) for dialing in the perfect tone on channels 1 and 2
- Dual stereo USB return for additional routing flexibility during performances
- Latency-free direct monitoring for hassle-free overdub sessions
- High-resolution recording with sample rates up to 192kHz to Mac/PC via USB
- 24 included effects, including reverbs, delays and choruses, delivered via GigFX effects engine
- Switchable Hi-Z inputs for guitars, bass, and other instruments
- 100Hz low-cut filter and 48V phantom power on all channels
Mackie PROFX6V3 Specs
| Number of Analog Input Channels | 6 |
| Number of Mic Preamps | 2 |
| Analog Output Channels | 2 x Stereo Master Output 1 x Stereo Headphone Output |
| Meters | Main Meter: 2 x 8-Segment LED |
| Meter Range | Main Meter: -24 dB to +14 dB Plus Peak/Clip |
| EQ Parameters | Low: ±15 dB at 80 Hz High: ±15 dB at 12 kHz |
| Filters | High-Pass: 100 Hz, 18 dB/Octave |
| Built-In Effects | 24 x Preset (Factory) |
| Bit Depth | 24-Bit |
| Frequency Response | Mic Input to Output: 20 Hz to 30 kHz +0/-1 dB (Unity Gain) |
| Max Input Level | +22 dB |
| Output Level | Main Output: +28 dBu at Max Gain All Other Output: +22 dBu at Max Gain |
| I/O Impedance | Mic Input: 3.8 Kilohms Insert Return: 10 Kilohms Line Input: ≥ 20 Kilohms Headphone Output: 25 Ohms Main Output: 120 Ohms (Unbalanced) 240 Ohms (Balanced) |
| Crosstalk | Adjacent Inputs: -90 dB at 1 kHz Input to Output: -80 dB at 1 kHz Fader Off: -75 dB at 1 kHz Muted: -90 dB at 1 kHz |
| CMRR | 70 dB at Max Gain (1 kHz, Mic In to Main Out) |
| EIN | -126 dBu at Max Gain (150-Ohm Input) |
| Noise Floor | All Outputs: -95 dBu (Master Level at -∞, Channel Levels at -∞) -80 dBu (Master Level at Unity, One Channel Level at Unity) |
| THD+N | Mic Input to Main Output: < 0.03% (+4 dBu) |
| Phantom Power | +48 V, Selectable On/Off (Applied to All Inputs) |
| USB | 1 x USB-B 2.0() |
| USB I/O Capacity | 2 x Input / 4 x Output |
| AC Input Power | Universal: 100 to 240 VAC, 50 / 60 Hz |
| Power Supply Output | 12 VDC at 2 A |
| Rack Mountable | No |
| Dimensions | 2.9 x 7.5 x 8.4" / 7.1 x 19 x 21.3 cm |
| Weight | 2.6 lb / 1.2 kg |
| Package Weight | 4 lb |
| Box Dimensions (LxWxH) | 19 x 13 x 9" |
UPC: 663961057867
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
PreSonus StudioLive AR16c USB-C 18-Channel Hybrid Mixer
PreSonus StudioLive AR16c USB-C 18-Channel Analog/Digital Performance and Recording Mixer
Audio recording made easy.
Don’t let the classic analog mixer design fool you—the StudioLive® AR16c was built to record. With a pristine analog front-end, 12 high-gain XMAX mic preamps, and an 18x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.
A full-featured audio interface.
The StudioLive AR16c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 16 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Twelve lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C™ compatible connection, your StudioLive AR16c is ready to use as an audio interface for nearly any computer.
The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ?-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.
A complete recording solution for studio and stage.
The StudioLive AR16c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture™ live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR16c, you’re ready to record right out of the box.
Stereo recording without a computer.
Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR16c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.
Effects without latency.
Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR16c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content.
All the connections you need with a familiar look.
Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR16c is the ultimate recording solution. The eight mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR16c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR16c is the perfect recording and mixing solution for the modern musician and content creator.
Make your own magic.
At PreSonus, they want to make sure that our audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That’s why they include Studio One Artist with every audio interface product they make. But here in Louisiana, they have a word: lagniappe. It means "a little something extra," and it’s in that spirit that they also include the Studio Magic Suite of software with their audio interface products.
The 2020 Studio Magic is a major step up from the 2019 edition, and includes Ableton Live Lite, tutorials from Melodics, 6 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats... all unlocked for use inside Studio One Artist with a retail value of over $1000 (US).
Features
Recording
- 18x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface
- Record every channel plus the main mix
- 2x2 SD recorder to capture the main mix
- Supports SD™ and SDHD™ formats up to 32 GB
Mixing
- 18-channel analog mixer
- 12 balanced microphone inputs with XMAX mic preamps
- 2 insert points
- 2 instrument/line inputs
- 16 balanced line level inputs:
- 8 mono
- 4 stereo pairs
- Stereo Super Channel (Ch. 17/18) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
- 8 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ
- 2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output
- L/R Control Room outputs with level control
- Headphone output with level control
Signal Processing
- Highpass filter on every channel
- 3-band quasi-parametric EQ with sweepable mid-band on each mono channel
- 3-band semi-parametric EQ on each stereo channel
- Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
- Mic/line boost on stereo channels for low-level input sources and consumer devices
Included Software
- Capture™ live multitrack recording software
- Studio One ® Artist recording and production software (DAW)
- Studio Magic plug-in suite
Power
- Internal power supply
- Standard IEC power connector
Physical
- Sturdy metal construction
- 60 mm faders
- Rackmount kit included
Computer system requirements:
Below are the minimum computer-system requirements for use with Capture™ and Studio One®.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
Mac and Windows Systems
- 4 GB RAM (8 GB or more recommended)
- 30 GB hard-drive space (Studio One)
- Internal or external 7200 RPM storage drive highly recommended
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.??
VST is a registered trademark of Steinberg Media Technologies GmbH
ASIO is a trademark and software of Steinberg Media Technologies GmbH
Technical Specifications
Microphone Preamp |
|
|---|---|
| Type | XLR Female, Class A XMAX |
| Maximum Input level (unity gain) | +9 dBu ±1.0 dB |
| Gain Control Range | 43 dB (+12 to +55 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/- 1.5 dB |
| S/N Ratio to Outputs (+4 dBu) | 94 dB |
| THD+N (min. gain, A-wtd) | < 0.01% |
| Input Impedance | 1 kΩ |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) | Mono Channels: < 128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55 dB gain) | 65 dB |
| Phantom Power | +48V, ±3V, Global |
| Note: All Channel Inputs sum through Mic preamp |
Instrument Inputs |
|
|---|---|
| Type | ¼” TS Female, Unbalanced, Hi-Z |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +9 dBu ±1.0 dB |
| Gain Control Range | 43 dB, ±1 dB (+12 to +55 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (min. gain, A-wtd) | > 105 dB |
| Dynamic Range (mid. Gain, unwtd) | > 108 dB |
| THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
| THD+N (1 kHz, -1 dBFS, unwtd) | < 0.01% |
| Input Impedance | > 1 MΩ |
| Note: All Channel Inputs sum through Mic preamp |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female, Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +26 dBu ±1.0 dB |
| Gain Control Range |
Mono Channels: 40 dB, ±1 dB (-5 to +35 dB) Stereo Channels: 0 dB or +10 dB (+10 dB Boost) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| S/N Ratio to Analog Outputs (+4 dBu) | 85 dB |
| THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
| Input Impedance (Balanced) | 10 kΩ |
| Note: All Channel Inputs sum through Mic preamp |
Main, Control Room, Monitor, and FX Outputs |
|
|---|---|
| Type (Main Outputs) | XLR Male, Impedance Balanced |
| Type (Control Room, Monitor, FX Outputs) | ¼” TRS Female, Balanced |
| Rated Output Level (Main Outputs) | +24 dBu, ±1.0 dB |
| Rated Outputs Level (Control Room, Monitor, FX Outputs) | +18 dBu |
| Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (A-wtd) | > 108 dB |
| THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
| Output Impedance | 100 Ω |
Headphone Output |
|
|---|---|
| Type | ¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level | 150 mW/channel @ 60 Ω |
| Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (A-wtd) | > 103 dB |
| THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
System Crosstalk |
|
|---|---|
| Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) | -90 dBu |
| Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) | -85 dBu |
Signal Level LED |
|
|---|---|
| Signal | -30 dBFS (pre-EQ) |
| Clip | -3.0 dB before clip (pre- or post-EQ) |
Channel EQ |
|
|---|---|
| Low Cut | 100 Hz, -18 dB/Octave |
| High Shelving | ±15 dB @ 10 kHz |
| Mid Peaking (Mono Channels) | ±15 dB @ 140 Hz to 3.5 kHz (variable) |
| Mid Peaking (Stereo Channels) | ±15 dB @ 2.5 kHz |
| Mid-Band Q | Boost: 1.0, Cut: 2.5 |
| Low Shelving | ±15 dB @ 100 Hz |
Digital Audio |
|
|---|---|
| Host Interface | USB 2.0 |
| ADC Dynamic Range (Component) | 114 dB |
| ADC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
| DAC Dynamic Range (Component) | 114 dB |
| DAC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
| Signal-to-Noise (a-weighted) | -96 dB |
| Bit Depth | 24-bit |
| Internally Supported Sample Rates | 44.1, 48, 88.2, 96 kHz |
| Jitter | < 80 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | > 60 dB (1 ns in => 1 ps out) |
SD Recorder |
|
|---|---|
| Supported Media Format | FAT16 formatted SD™ card, FAT32 formatted SDHC™ card |
| Media Storage Capacity | SD card: 2 GB; SDHC card: 32 GB |
| Recording File Format | Stereo WAV |
| Playback File Formats | Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz) |
| Sampling Rate (WAV) | 44.1 kHz |
| Bit Depth |
Recording: 24-bit Playback: 16- or 24-bit |
Power/Environmental |
|
|---|---|
| Connector | IEC |
| Input Voltage Range | 90 to 240 VAC |
| Recommended Ambient Operating Temperature | 0? to 40? Celsius / 32? to 104? Fahrenheit |
Physical |
|
|---|---|
| Height | 3.5” (89 mm) |
| Width (Chassis only) | 18.9” (480 mm) |
| Depth | 15.6” (397 mm) |
| Weight | 14.1 lbs (6.4 kg) |
As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
SD Logo is a trademark of SD-3C, LLC
Tascam LM-8ST Rackmount Line Mixer with 2 Stereo Busses
Looking for a versitle 8 stereo channel line mixer with 2 stereo busses? Then check out the Tascam LM-8ST. It can handle lots of difficult jobs with ease!
The LM-8ST is a professional-quality line mixer with 8 stereo channels, The 1RU unit features 8 pairs of balanced 1/4" TRS inputs, which are switchable from +4 or -10dB. Two pair of balanced XLR outputs (and unbalanced RCAs) are provided, the second of which has pre or post-fader bussing.
The mixer's front panel includes a mic input with its own level control, plus the convenience of both 1/4" and 3.5mm headphone jacks for monitoring. Each channel has 2 level control knobs and is switchable to the pre-fader or post-fader output. LED meters let you keep tabs on audio levels. A stereo balanced buss output/input is provided for cascade applications. A ground lift switch is provided to reduce hum caused by ground loops.
Features:
- 8 stereo channel / 4-buss line mixer
- (8) stereo 1/4" TRS balanced inputs with -10/+4dB switch
- 1U rack mountable
- Mic input with trim control on front panel
- 2-segment LED meter per channel
- ST1 and ST2/AUX level control per channel
- ST1 and ST2/AUX master level controls
- Each channel switchable to ST2 (pre fader) or AUX (post) output
- 1/4" and 1/8" stereo headphone outputs
- XLR balanced ouptuts and unbalnced RCA outputs for ST1 and ST2/AUX
- Stereo balanced buss output/input for cascade
- Ground lift switch and terminal
Just some of the applications for the LM-8ST:
- Boardroom
- Conference room
- Health club
- Restaurant
- House of worship
- Keyboard mixer
- Effects return submixer
- One-man performance stage mixer
UPC: 043774025169
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