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Samson Airline 77 UHF TD Wireless w/ Qe Fitness Headset 642.375
Samson Airline 77 UHF TD Wireless with Qe Fitness Headset, Frequency 642.375
Super Secure Headset Allows You to Move Freely!
Looking to cut the cord? Samson's Airport 77 wireless system gives you the freedom to move with no restrictions. The True Diversity receiver and wireless headset offer cable-free transmission of singing or speech with no compromise in sound quality.CR77 Receiver
At the heart of the system, the Concert 77 receiver operates in the UHF spectrum for interference-free use. Where VHF systems are more susceptible to bleed-over from local radio frequencies, the CR77 stays locked onto the transmitter for crystal-clear sound. Samson brings this normally expensive UHF technology to the working musician at a price to fit any touring budget.True Diversity Operation
To prevent dropouts, Samson uses True Diversity technology for the Concert receiver. In essence, there are two independent receivers within the unit, each with its own antenna. Both receivers track the transmitter, and the system constantly checks to see which one has the strongest signal. If a dropout is encountered, the CR77 is free to switch to the other antenna, so the performance remains uninterrupted. Choppy audio is distracting to the audience, and will pull their attention away from your message. With the Airport system, you can communicate with no obstructions.Front-Panel Controls
The large front-panel volume knob controls the incoming audio level, while the squelch knob sets the RF signal-strength. Dual LED meters let you monitor the performance of both. In small spaces, you can clamp down on the squelch control to get the strongest possible radio signal. At larger venues where the mixing equipment is far from the stage, loosen up on the squelch to increase the range. The CR77 is capable of picking up signals as far as 300-feet away. All this control lets you custom-tailor your wireless system for each new location on the tour. You can be sure you're getting the best possible performance, wherever you use it.Rear-Panel Connectivity
Rear-panel connections allow for easy integration into any sound system. The unbalanced, high-impedance 1/4-inch jack is well-suited to consumer-grade electronics such as boom-boxes and karaoke machines. For pro-quality mixers and PA systems, the balanced, low-impedance XLR output is the best choice. Regardless of your amplification options, the Airport 77 adds flawless wireless performance.Rackmountable Organization
The CR77 receiver's compact, half-rackspace housing is unobtrusive and easily moved to accommodate any sound-reinforcement layout. You can also secure it in a rack with Samson's optional mounting kit. This kit holds up to two receivers from the Stage 5, Stage 55, AirLine 77, and Concert 77 series, with a side-by-side configuration that only takes up a single rack space. When multiple wireless systems are used together, it can be a challenge to remember which receiver is associated with a particular transmitter. If you change a setting on the wrong receiver, not only have you not fixed the original problem, you probably caused a new one. With the rackmount kit, you can keep your wireless gear organized and make instant adjustments to the correct receiver. Six separate frequency channels are available for purchase, so be sure to choose a different channel for each transmitter when using multiple systems.Innovative Micro-Transmitters
The receiver is rock-solid, but that's only half the story. It's the Airport micro-transmitters that really stand out. This unique technology, a first in the industry, eliminates the need for wired bodypacks! Most wireless transmitters use a thin cable between the microphone or instrument and the transmitter. While no physical connection exists between the transmitter and receiver, there's still a cable in the system. If the bodypack cable isn't long enough, it can pull a lavalier or headset microphone away from your mouth and reduce audio quality. Instrument bodypacks, often clipped to a guitar or bass strap, are notorious for sliding out of position or coming completely undone. If you haven't taken precautions, the weight of the pack alone is often enough to pull the cable out of the instrument jack and disrupt the sound altogether. In any case, the cable can distract both the performer and the audience, and interfere with the message. Airport transmitters have no cables at all. They are small enough to mount directly to the instrument plug or microphone system for total comfort and freedom of movement. Headset and lavalier mics will never be yanked out of position, and instrument transmitters stay right where they belong. They are so efficient, a single AAA battery will broadcast your message for up to 12 hours. Be as outrageous and dynamic as you like, and your airport system is right there with you.AirLine Headset and Qe Microphone
The Concert 77 works with any Airport transmitter, but this system includes an AirLine headset with the Qe fitness microphone. Unlike most "top-worn" headset devices, the AirLine goes behind the head and over the ears. The micro-transmitter sits out-of-sight on the rear-band, delivering your words with no distractions. The frame is completely adjustable to sit firmly in place, regardless of your activity level. Coupled with the Qe fitness mic, you have the perfect solution for aerobics instructors. Bend and twist, shout encouragement, and your students will stay motivated. The mic capsule is made of corrosion-resistant, waterproof material to provide reliable performance in humid health-club environments. It also works well in less-harsh conditions for lecturers, singers, and any other vocal broadcasting use.
Specs:
Channel Frequencies available:
- Channel N1: 642.375 MHz This is the frequency when you order this item,
- Channel N2: 642.875 MHz
- Channel N3: 644.125 MHz
- Channel N4: 644.750 MHz
- Channel N5: 645.500 MHz
- Channel N6: 645.750 MHz
Receiver (CR77)
- Type of Reception: Single Superheterodyne, True Diversity
- Oscillation Type: Synthesized PLL Frequency Control
- D-emphasis: 50 mF sec
- IF Frequency: 10.7 MHz
- Antenna: 1/4 Wavelength Rod
- In/Out: DC Inlet, Balanced Output, Unbalanced Output
- Display (LED): Antenna A/B (Green), Power On (Red), Peak (Yellow), RF Level (5 pc)
- Level Controls: Volume, Squelch
- Operating Voltage: 12 Volts + 10 %
- Current Consumption: 160 mA (at all LED lights)
- Receiving Frequency Range: 801 - 805 MHz
- Sensitivity: 18 dB mF @ THD 2%
- Squelch Sensitivity: 0 - 40 dB mF (Adjustable)
- Selectivity: +/- 150 kHz (AF Out Ratio -60 dB)
- S/N Ratio (Overall): 90 dB (w/ IHF-A fi lter)
- Residual Noise: 90 dBv (w/ IHF-A fi lter)
- Band Mute: +/- 50 kHz / +/- 100 kHz (RF IN: 46 dBu EMF)
- AF Frequency Response: 50 Hz - 15 kHz (+/- 3 dB overall)
- Audio Output Level - Unbalanced: 0 dBv
- Audio Output Level - Balanced: -20 dBm (Line), -40 dBm (Mic) Switch Selectable
- Audio Output Impedance/Unbalanced: 5 k Ohms
- Audio Output Impedance/Balanced: 600 Ohms
- Dimensions: 8.5 in. (w) x 1.75 in. (h) x 4.6 in.(d) 216 mm (w) x 44 mm (h) x 116 mm (d)
- Weight: .75 lb / 340 g
Shipping Weight, Dimensions,
- Shipping Weight: 3 lbs
- Shipping Dimensions: 12 x 11 x 4 in
The Electronic Music Box is an authorized dealer of Samson products.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Samson Airline 77 UHF TD Wireless w/ Qe Fitness Headset 642.875
Samson Airline 77 UHF TD Wireless with Qe Fitness Headset, Frequency 642.875
Super Secure Headset Allows You to Move Freely!
Looking to cut the cord? Samson's Airport 77 wireless system gives you the freedom to move with no restrictions. The True Diversity receiver and wireless headset offer cable-free transmission of singing or speech with no compromise in sound quality.CR77 Receiver
At the heart of the system, the Concert 77 receiver operates in the UHF spectrum for interference-free use. Where VHF systems are more susceptible to bleed-over from local radio frequencies, the CR77 stays locked onto the transmitter for crystal-clear sound. Samson brings this normally expensive UHF technology to the working musician at a price to fit any touring budget.True Diversity Operation
To prevent dropouts, Samson uses True Diversity technology for the Concert receiver. In essence, there are two independent receivers within the unit, each with its own antenna. Both receivers track the transmitter, and the system constantly checks to see which one has the strongest signal. If a dropout is encountered, the CR77 is free to switch to the other antenna, so the performance remains uninterrupted. Choppy audio is distracting to the audience, and will pull their attention away from your message. With the Airport system, you can communicate with no obstructions.Front-Panel Controls
The large front-panel volume knob controls the incoming audio level, while the squelch knob sets the RF signal-strength. Dual LED meters let you monitor the performance of both. In small spaces, you can clamp down on the squelch control to get the strongest possible radio signal. At larger venues where the mixing equipment is far from the stage, loosen up on the squelch to increase the range. The CR77 is capable of picking up signals as far as 300-feet away. All this control lets you custom-tailor your wireless system for each new location on the tour. You can be sure you're getting the best possible performance, wherever you use it.Rear-Panel Connectivity
Rear-panel connections allow for easy integration into any sound system. The unbalanced, high-impedance 1/4-inch jack is well-suited to consumer-grade electronics such as boom-boxes and karaoke machines. For pro-quality mixers and PA systems, the balanced, low-impedance XLR output is the best choice. Regardless of your amplification options, the Airport 77 adds flawless wireless performance.Rackmountable Organization
The CR77 receiver's compact, half-rackspace housing is unobtrusive and easily moved to accommodate any sound-reinforcement layout. You can also secure it in a rack with Samson's optional mounting kit. This kit holds up to two receivers from the Stage 5, Stage 55, AirLine 77, and Concert 77 series, with a side-by-side configuration that only takes up a single rack space. When multiple wireless systems are used together, it can be a challenge to remember which receiver is associated with a particular transmitter. If you change a setting on the wrong receiver, not only have you not fixed the original problem, you probably caused a new one. With the rackmount kit, you can keep your wireless gear organized and make instant adjustments to the correct receiver. Six separate frequency channels are available for purchase, so be sure to choose a different channel for each transmitter when using multiple systems.Innovative Micro-Transmitters
The receiver is rock-solid, but that's only half the story. It's the Airport micro-transmitters that really stand out. This unique technology, a first in the industry, eliminates the need for wired bodypacks! Most wireless transmitters use a thin cable between the microphone or instrument and the transmitter. While no physical connection exists between the transmitter and receiver, there's still a cable in the system. If the bodypack cable isn't long enough, it can pull a lavalier or headset microphone away from your mouth and reduce audio quality. Instrument bodypacks, often clipped to a guitar or bass strap, are notorious for sliding out of position or coming completely undone. If you haven't taken precautions, the weight of the pack alone is often enough to pull the cable out of the instrument jack and disrupt the sound altogether. In any case, the cable can distract both the performer and the audience, and interfere with the message. Airport transmitters have no cables at all. They are small enough to mount directly to the instrument plug or microphone system for total comfort and freedom of movement. Headset and lavalier mics will never be yanked out of position, and instrument transmitters stay right where they belong. They are so efficient, a single AAA battery will broadcast your message for up to 12 hours. Be as outrageous and dynamic as you like, and your airport system is right there with you.AirLine Headset and Qe Microphone
The Concert 77 works with any Airport transmitter, but this system includes an AirLine headset with the Qe fitness microphone. Unlike most "top-worn" headset devices, the AirLine goes behind the head and over the ears. The micro-transmitter sits out-of-sight on the rear-band, delivering your words with no distractions. The frame is completely adjustable to sit firmly in place, regardless of your activity level. Coupled with the Qe fitness mic, you have the perfect solution for aerobics instructors. Bend and twist, shout encouragement, and your students will stay motivated. The mic capsule is made of corrosion-resistant, waterproof material to provide reliable performance in humid health-club environments. It also works well in less-harsh conditions for lecturers, singers, and any other vocal broadcasting use.
Specs:
Channel Frequencies available:
- Channel N1: 642.375 MHz
- Channel N2: 642.875 MHz This is the frequency when you order this item,
- Channel N3: 644.125 MHz
- Channel N4: 644.750 MHz
- Channel N5: 645.500 MHz
- Channel N6: 645.750 MHz
Receiver (CR77)
- Type of Reception: Single Superheterodyne, True Diversity
- Oscillation Type: Synthesized PLL Frequency Control
- D-emphasis: 50 mF sec
- IF Frequency: 10.7 MHz
- Antenna: 1/4 Wavelength Rod
- In/Out: DC Inlet, Balanced Output, Unbalanced Output
- Display (LED): Antenna A/B (Green), Power On (Red), Peak (Yellow), RF Level (5 pc)
- Level Controls: Volume, Squelch
- Operating Voltage: 12 Volts + 10 %
- Current Consumption: 160 mA (at all LED lights)
- Receiving Frequency Range: 801 - 805 MHz
- Sensitivity: 18 dB mF @ THD 2%
- Squelch Sensitivity: 0 - 40 dB mF (Adjustable)
- Selectivity: +/- 150 kHz (AF Out Ratio -60 dB)
- S/N Ratio (Overall): 90 dB (w/ IHF-A fi lter)
- Residual Noise: 90 dBv (w/ IHF-A fi lter)
- Band Mute: +/- 50 kHz / +/- 100 kHz (RF IN: 46 dBu EMF)
- AF Frequency Response: 50 Hz - 15 kHz (+/- 3 dB overall)
- Audio Output Level - Unbalanced: 0 dBv
- Audio Output Level - Balanced: -20 dBm (Line), -40 dBm (Mic) Switch Selectable
- Audio Output Impedance/Unbalanced: 5 k Ohms
- Audio Output Impedance/Balanced: 600 Ohms
- Dimensions: 8.5 in. (w) x 1.75 in. (h) x 4.6 in.(d) 216 mm (w) x 44 mm (h) x 116 mm (d)
- Weight: .75 lb / 340 g
Shipping Weight, Dimensions,
- Shipping Weight: 3 lbs
- Shipping Dimensions: 12 x 11 x 4 in
The Electronic Music Box is an authorized dealer of Samson products.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Samson Airline 77 UHF TD Wireless w/ Qe Fitness Headset 644.125
Samson Airline 77 UHF TD Wireless with Qe Fitness Headset, Frequency 644.125
Super Secure Headset Allows You to Move Freely!
Looking to cut the cord? Samson's Airport 77 wireless system gives you the freedom to move with no restrictions. The True Diversity receiver and wireless headset offer cable-free transmission of singing or speech with no compromise in sound quality.CR77 Receiver
At the heart of the system, the Concert 77 receiver operates in the UHF spectrum for interference-free use. Where VHF systems are more susceptible to bleed-over from local radio frequencies, the CR77 stays locked onto the transmitter for crystal-clear sound. Samson brings this normally expensive UHF technology to the working musician at a price to fit any touring budget.True Diversity Operation
To prevent dropouts, Samson uses True Diversity technology for the Concert receiver. In essence, there are two independent receivers within the unit, each with its own antenna. Both receivers track the transmitter, and the system constantly checks to see which one has the strongest signal. If a dropout is encountered, the CR77 is free to switch to the other antenna, so the performance remains uninterrupted. Choppy audio is distracting to the audience, and will pull their attention away from your message. With the Airport system, you can communicate with no obstructions.Front-Panel Controls
The large front-panel volume knob controls the incoming audio level, while the squelch knob sets the RF signal-strength. Dual LED meters let you monitor the performance of both. In small spaces, you can clamp down on the squelch control to get the strongest possible radio signal. At larger venues where the mixing equipment is far from the stage, loosen up on the squelch to increase the range. The CR77 is capable of picking up signals as far as 300-feet away. All this control lets you custom-tailor your wireless system for each new location on the tour. You can be sure you're getting the best possible performance, wherever you use it.Rear-Panel Connectivity
Rear-panel connections allow for easy integration into any sound system. The unbalanced, high-impedance 1/4-inch jack is well-suited to consumer-grade electronics such as boom-boxes and karaoke machines. For pro-quality mixers and PA systems, the balanced, low-impedance XLR output is the best choice. Regardless of your amplification options, the Airport 77 adds flawless wireless performance.Rackmountable Organization
The CR77 receiver's compact, half-rackspace housing is unobtrusive and easily moved to accommodate any sound-reinforcement layout. You can also secure it in a rack with Samson's optional mounting kit. This kit holds up to two receivers from the Stage 5, Stage 55, AirLine 77, and Concert 77 series, with a side-by-side configuration that only takes up a single rack space. When multiple wireless systems are used together, it can be a challenge to remember which receiver is associated with a particular transmitter. If you change a setting on the wrong receiver, not only have you not fixed the original problem, you probably caused a new one. With the rackmount kit, you can keep your wireless gear organized and make instant adjustments to the correct receiver. Six separate frequency channels are available for purchase, so be sure to choose a different channel for each transmitter when using multiple systems.Innovative Micro-Transmitters
The receiver is rock-solid, but that's only half the story. It's the Airport micro-transmitters that really stand out. This unique technology, a first in the industry, eliminates the need for wired bodypacks! Most wireless transmitters use a thin cable between the microphone or instrument and the transmitter. While no physical connection exists between the transmitter and receiver, there's still a cable in the system. If the bodypack cable isn't long enough, it can pull a lavalier or headset microphone away from your mouth and reduce audio quality. Instrument bodypacks, often clipped to a guitar or bass strap, are notorious for sliding out of position or coming completely undone. If you haven't taken precautions, the weight of the pack alone is often enough to pull the cable out of the instrument jack and disrupt the sound altogether. In any case, the cable can distract both the performer and the audience, and interfere with the message. Airport transmitters have no cables at all. They are small enough to mount directly to the instrument plug or microphone system for total comfort and freedom of movement. Headset and lavalier mics will never be yanked out of position, and instrument transmitters stay right where they belong. They are so efficient, a single AAA battery will broadcast your message for up to 12 hours. Be as outrageous and dynamic as you like, and your airport system is right there with you.AirLine Headset and Qe Microphone
The Concert 77 works with any Airport transmitter, but this system includes an AirLine headset with the Qe fitness microphone. Unlike most "top-worn" headset devices, the AirLine goes behind the head and over the ears. The micro-transmitter sits out-of-sight on the rear-band, delivering your words with no distractions. The frame is completely adjustable to sit firmly in place, regardless of your activity level. Coupled with the Qe fitness mic, you have the perfect solution for aerobics instructors. Bend and twist, shout encouragement, and your students will stay motivated. The mic capsule is made of corrosion-resistant, waterproof material to provide reliable performance in humid health-club environments. It also works well in less-harsh conditions for lecturers, singers, and any other vocal broadcasting use.
Specs:
Channel Frequencies available:
- Channel N1: 642.375 MHz
- Channel N2: 642.875 MHz
- Channel N3: 644.125 MHz This is the frequency when you order this item,
- Channel N4: 644.750 MHz
- Channel N5: 645.500 MHz
- Channel N6: 645.750 MHz
Receiver (CR77)
- Type of Reception: Single Superheterodyne, True Diversity
- Oscillation Type: Synthesized PLL Frequency Control
- D-emphasis: 50 mF sec
- IF Frequency: 10.7 MHz
- Antenna: 1/4 Wavelength Rod
- In/Out: DC Inlet, Balanced Output, Unbalanced Output
- Display (LED): Antenna A/B (Green), Power On (Red), Peak (Yellow), RF Level (5 pc)
- Level Controls: Volume, Squelch
- Operating Voltage: 12 Volts + 10 %
- Current Consumption: 160 mA (at all LED lights)
- Receiving Frequency Range: 801 - 805 MHz
- Sensitivity: 18 dB mF @ THD 2%
- Squelch Sensitivity: 0 - 40 dB mF (Adjustable)
- Selectivity: +/- 150 kHz (AF Out Ratio -60 dB)
- S/N Ratio (Overall): 90 dB (w/ IHF-A fi lter)
- Residual Noise: 90 dBv (w/ IHF-A fi lter)
- Band Mute: +/- 50 kHz / +/- 100 kHz (RF IN: 46 dBu EMF)
- AF Frequency Response: 50 Hz - 15 kHz (+/- 3 dB overall)
- Audio Output Level - Unbalanced: 0 dBv
- Audio Output Level - Balanced: -20 dBm (Line), -40 dBm (Mic) Switch Selectable
- Audio Output Impedance/Unbalanced: 5 k Ohms
- Audio Output Impedance/Balanced: 600 Ohms
- Dimensions: 8.5 in. (w) x 1.75 in. (h) x 4.6 in.(d) 216 mm (w) x 44 mm (h) x 116 mm (d)
- Weight: .75 lb / 340 g
Shipping Weight, Dimensions,
- Shipping Weight: 3 lbs
- Shipping Dimensions: 12 x 11 x 4 in
The Electronic Music Box is an authorized dealer of Samson products.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Samson Airline 77 UHF TD Wireless w/ Qe Fitness Headset 644.750
Samson Airline 77 UHF TD Wireless with Qe Fitness Headset, Frequency 644.750
Super Secure Headset Allows You to Move Freely!
Looking to cut the cord? Samson's Airport 77 wireless system gives you the freedom to move with no restrictions. The True Diversity receiver and wireless headset offer cable-free transmission of singing or speech with no compromise in sound quality.CR77 Receiver
At the heart of the system, the Concert 77 receiver operates in the UHF spectrum for interference-free use. Where VHF systems are more susceptible to bleed-over from local radio frequencies, the CR77 stays locked onto the transmitter for crystal-clear sound. Samson brings this normally expensive UHF technology to the working musician at a price to fit any touring budget.True Diversity Operation
To prevent dropouts, Samson uses True Diversity technology for the Concert receiver. In essence, there are two independent receivers within the unit, each with its own antenna. Both receivers track the transmitter, and the system constantly checks to see which one has the strongest signal. If a dropout is encountered, the CR77 is free to switch to the other antenna, so the performance remains uninterrupted. Choppy audio is distracting to the audience, and will pull their attention away from your message. With the Airport system, you can communicate with no obstructions.Front-Panel Controls
The large front-panel volume knob controls the incoming audio level, while the squelch knob sets the RF signal-strength. Dual LED meters let you monitor the performance of both. In small spaces, you can clamp down on the squelch control to get the strongest possible radio signal. At larger venues where the mixing equipment is far from the stage, loosen up on the squelch to increase the range. The CR77 is capable of picking up signals as far as 300-feet away. All this control lets you custom-tailor your wireless system for each new location on the tour. You can be sure you're getting the best possible performance, wherever you use it.Rear-Panel Connectivity
Rear-panel connections allow for easy integration into any sound system. The unbalanced, high-impedance 1/4-inch jack is well-suited to consumer-grade electronics such as boom-boxes and karaoke machines. For pro-quality mixers and PA systems, the balanced, low-impedance XLR output is the best choice. Regardless of your amplification options, the Airport 77 adds flawless wireless performance.Rackmountable Organization
The CR77 receiver's compact, half-rackspace housing is unobtrusive and easily moved to accommodate any sound-reinforcement layout. You can also secure it in a rack with Samson's optional mounting kit. This kit holds up to two receivers from the Stage 5, Stage 55, AirLine 77, and Concert 77 series, with a side-by-side configuration that only takes up a single rack space. When multiple wireless systems are used together, it can be a challenge to remember which receiver is associated with a particular transmitter. If you change a setting on the wrong receiver, not only have you not fixed the original problem, you probably caused a new one. With the rackmount kit, you can keep your wireless gear organized and make instant adjustments to the correct receiver. Six separate frequency channels are available for purchase, so be sure to choose a different channel for each transmitter when using multiple systems.Innovative Micro-Transmitters
The receiver is rock-solid, but that's only half the story. It's the Airport micro-transmitters that really stand out. This unique technology, a first in the industry, eliminates the need for wired bodypacks! Most wireless transmitters use a thin cable between the microphone or instrument and the transmitter. While no physical connection exists between the transmitter and receiver, there's still a cable in the system. If the bodypack cable isn't long enough, it can pull a lavalier or headset microphone away from your mouth and reduce audio quality. Instrument bodypacks, often clipped to a guitar or bass strap, are notorious for sliding out of position or coming completely undone. If you haven't taken precautions, the weight of the pack alone is often enough to pull the cable out of the instrument jack and disrupt the sound altogether. In any case, the cable can distract both the performer and the audience, and interfere with the message. Airport transmitters have no cables at all. They are small enough to mount directly to the instrument plug or microphone system for total comfort and freedom of movement. Headset and lavalier mics will never be yanked out of position, and instrument transmitters stay right where they belong. They are so efficient, a single AAA battery will broadcast your message for up to 12 hours. Be as outrageous and dynamic as you like, and your airport system is right there with you.AirLine Headset and Qe Microphone
The Concert 77 works with any Airport transmitter, but this system includes an AirLine headset with the Qe fitness microphone. Unlike most "top-worn" headset devices, the AirLine goes behind the head and over the ears. The micro-transmitter sits out-of-sight on the rear-band, delivering your words with no distractions. The frame is completely adjustable to sit firmly in place, regardless of your activity level. Coupled with the Qe fitness mic, you have the perfect solution for aerobics instructors. Bend and twist, shout encouragement, and your students will stay motivated. The mic capsule is made of corrosion-resistant, waterproof material to provide reliable performance in humid health-club environments. It also works well in less-harsh conditions for lecturers, singers, and any other vocal broadcasting use.
Specs:
Channel Frequencies available:
- Channel N1: 642.375 MHz
- Channel N2: 642.875 MHz
- Channel N3: 644.125 MHz
- Channel N4: 644.750 MHz This is the frequency when you order this item,
- Channel N5: 645.500 MHz
- Channel N6: 645.750 MHz
Receiver (CR77)
- Type of Reception: Single Superheterodyne, True Diversity
- Oscillation Type: Synthesized PLL Frequency Control
- D-emphasis: 50 mF sec
- IF Frequency: 10.7 MHz
- Antenna: 1/4 Wavelength Rod
- In/Out: DC Inlet, Balanced Output, Unbalanced Output
- Display (LED): Antenna A/B (Green), Power On (Red), Peak (Yellow), RF Level (5 pc)
- Level Controls: Volume, Squelch
- Operating Voltage: 12 Volts + 10 %
- Current Consumption: 160 mA (at all LED lights)
- Receiving Frequency Range: 801 - 805 MHz
- Sensitivity: 18 dB mF @ THD 2%
- Squelch Sensitivity: 0 - 40 dB mF (Adjustable)
- Selectivity: +/- 150 kHz (AF Out Ratio -60 dB)
- S/N Ratio (Overall): 90 dB (w/ IHF-A fi lter)
- Residual Noise: 90 dBv (w/ IHF-A fi lter)
- Band Mute: +/- 50 kHz / +/- 100 kHz (RF IN: 46 dBu EMF)
- AF Frequency Response: 50 Hz - 15 kHz (+/- 3 dB overall)
- Audio Output Level - Unbalanced: 0 dBv
- Audio Output Level - Balanced: -20 dBm (Line), -40 dBm (Mic) Switch Selectable
- Audio Output Impedance/Unbalanced: 5 k Ohms
- Audio Output Impedance/Balanced: 600 Ohms
- Dimensions: 8.5 in. (w) x 1.75 in. (h) x 4.6 in.(d) 216 mm (w) x 44 mm (h) x 116 mm (d)
- Weight: .75 lb / 340 g
Shipping Weight, Dimensions,
- Shipping Weight: 3 lbs
- Shipping Dimensions: 12 x 11 x 4 in
The Electronic Music Box is an authorized dealer of Samson products.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Samson Stage 200 Dual-Channel Handheld VHF Wireless System C Bnd
Samson Stage 200 Dual-Channel Handheld VHF Wireless System C Band
Two is Better than One.
Samson's Stage 200 is a dual-channel wireless microphone system that provides two handheld dynamic microphones that transmit to a single rugged metal receiver. Each handheld features Samson's Q6 mic element, providing crisp, clear sound and reliable VHF wireless performance for home karaoke, live presentation, education, house of worship and other dual-performer applications.
VHF Operation
The Stage 200 operates in the reliable VHF frequency spectrum, which has become significantly less crowded with the advancement of digital TV. VHF operation also provides both mic transmitters with an exceptional battery life of up to 12 hours via two AA batteries (not included).
Versatile Performance
Featuring the rugged metal SR200 receiver, the Stage 200 is designed for maximum durability and versatility. Its back panel provides two 1/4" outputs, as well as a balanced XLR out, to connect to a dedicated mixer or powered PA speaker. The 1/4" outputs send each channel separately, while the XLR sends a mix of both. Front panel volume controls on each channel let you find the perfect blend between two performers.
Simple Setup
Samson has been dedicated to driving wireless innovation, always striving to make it easier for performers everywhere to cut the chord. The Stage 200's fixed frequency operation provides instant setup. Simply plug in the receiver and turn on your transmitters to experience quality wireless performance. A 200' operating range provides ample freedom for any presenter or performer duo.
Stage 200 Wireless System
- Dual-channel VHF wireless system
- Fixed frequency design for instant setup (This system is set to the C Band)
- Four frequency bands available to support up to eight performers simultaneously (region dependent)
- AC adapter included
SR200 Wireless Receiver
- Rugged metal chassis
- Dedicated Volume controls for each channel
- 1/4" outputs for sending each channel to mixer
- Balanced XLR Mix output for direct connection to PA
VH200 Handheld Transmitters
- Two Q6 Dynamic Cardioid Microphone capsules
- Each offers up to 12 hours of battery life using two AA batteries (not included)
- 200' operating range (line-of-sight)
- RF Power 10 mW EIRP
Consumer Alert
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones.
UPC: 809164217398
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Samson Stage v466 - Quad Vocal Wireless System A Band
Four At Once.
Designed for four times the versatility, Samson’s Stage v466 Quad Vocal Wireless System let’s you use four microphones simultaneously with a single receiver. It’s the ideal wireless solution for vocalists, karaoke performers, DJs or any application where multiple mics are needed.
At the core of the Stage v466 system is a full-rack quad VHF wireless receiver. The receiver’s front panel features an RF channel indicator and a large rotary volume knob for each channel. The receiver also offers two tuned antennas, XLR mix, as well as four 1/4-inch outputs that give you the option for each transmitter pair mixed or each transmitter individually. The Stage 4v66 system comes with two 1/4-inch to 1/4-inch cables.
The Stage v466 system includes four HT6 dynamic handheld microphone transmitters, each with a Samson H6 dynamic microphone element for capturing clear, accurate vocals. Each transmitter operates for up to ten hours on a single 9-volt battery (four included) and offers a handy audio on/off switch.
With the meticulous engineering, state of the art technology and impressive audio capabilities that are built into every Samson wireless system, the Stage v466 system ensures crystal clear operation and the most dependable quad-channel performance available.
Everyone Loves A Quartet
The beauty of the Stage v466 system is that you can have all four channels running simultaneously. This makes it perfect for a variety of scenarios where multiple voices exist, including bands with multiple singers. Beyond the system’s ability to capture stunning vocals in musical settings, Stage v466 allows bands, quartets and other small musical groups to add energy and movement to their performances.
Masters of Karaoke
The Stage v466 system is great for opening up your karaoke events to more people. With four channels in play, you can spread out the stage and avoid people from crowding around a single mic to belt out those rock anthems or power ballads. And when an MC is running the show, the Stage v466 system really helps with presentation and flow, eliminating the need to hand-off the lone mic after every song.
DJ Teams
For DJs who work in teams, the Stage v466 system is a must. Whether at weddings, block parties or clubs, this wireless system allows multiple DJs to focus on hyping up the crowd, while another supports them from behind the mixer. Or you can have four mobile DJs working different parts of the venue. Either way, the Stage v466 makes for a really versatile and entertaining DJ setup.
Escape The Podium
Not only is Samson’s Stage v466 ideal for public speakers looking to shed the restraints of cords and wires, but for presentations that involve up to four speakers at once. From company meetings and corporate events to product demonstrations and Q&A sessions, the Stage v466 system allows small groups to be more interactive in conveying their ideas to an audience.
Thanks to Samson’s Stage v466, the freedom of wireless is available wherever up to four voices need to be heard at once.
Features:
Samson Stage v466 - Quad Vocal Wireless System B Band
Four At Once.
Designed for four times the versatility, Samson’s Stage v466 Quad Vocal Wireless System let’s you use four microphones simultaneously with a single receiver. It’s the ideal wireless solution for vocalists, karaoke performers, DJs or any application where multiple mics are needed.
At the core of the Stage v466 system is a full-rack quad VHF wireless receiver. The receiver’s front panel features an RF channel indicator and a large rotary volume knob for each channel. The receiver also offers two tuned antennas, XLR mix, as well as four 1/4-inch outputs that give you the option for each transmitter pair mixed or each transmitter individually. The Stage 4v66 system comes with two 1/4-inch to 1/4-inch cables.
The Stage v466 system includes four HT6 dynamic handheld microphone transmitters, each with a Samson H6 dynamic microphone element for capturing clear, accurate vocals. Each transmitter operates for up to ten hours on a single 9-volt battery (four included) and offers a handy audio on/off switch.
With the meticulous engineering, state of the art technology and impressive audio capabilities that are built into every Samson wireless system, the Stage v466 system ensures crystal clear operation and the most dependable quad-channel performance available.
Everyone Loves A Quartet
The beauty of the Stage v466 system is that you can have all four channels running simultaneously. This makes it perfect for a variety of scenarios where multiple voices exist, including bands with multiple singers. Beyond the system’s ability to capture stunning vocals in musical settings, Stage v466 allows bands, quartets and other small musical groups to add energy and movement to their performances.
Masters of Karaoke
The Stage v466 system is great for opening up your karaoke events to more people. With four channels in play, you can spread out the stage and avoid people from crowding around a single mic to belt out those rock anthems or power ballads. And when an MC is running the show, the Stage v466 system really helps with presentation and flow, eliminating the need to hand-off the lone mic after every song.
DJ Teams
For DJs who work in teams, the Stage v466 system is a must. Whether at weddings, block parties or clubs, this wireless system allows multiple DJs to focus on hyping up the crowd, while another supports them from behind the mixer. Or you can have four mobile DJs working different parts of the venue. Either way, the Stage v466 makes for a really versatile and entertaining DJ setup.
Escape The Podium
Not only is Samson’s Stage v466 ideal for public speakers looking to shed the restraints of cords and wires, but for presentations that involve up to four speakers at once. From company meetings and corporate events to product demonstrations and Q&A sessions, the Stage v466 system allows small groups to be more interactive in conveying their ideas to an audience.
Thanks to Samson’s Stage v466, the freedom of wireless is available wherever up to four voices need to be heard at once.
Features:
- SR466 full-rack quad VHF wireless receiver
- Four HT6 dynamic handheld microphone transmitters, each with H6 dynamic microphone element
- Each transmitter operates for ten hours on a single 9-volt battery
- Great RF reception for interference-free performance
- One XLR and four 1/4-inch outputs (transmitter pair mix and individual channel output options)
- Includes two 1/4-inch to 1/4-inch cables, AC adapter and four 9-volt batteries
- Available in two VHF Channel Groups A and B
- VHF Channels:
Channel A:
- A1 - 11
- A2 - 9
- A3 - 1
- A4 - 21
Channel B:
- B1 - 29
- B2 - 20
- B3 - 27
- B4 - 28
Consumer Alert
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
