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PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Int
PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface
The Studio 1824c 192 kHz USB-C audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One® Artist music production software and UC Surface control software.
With selectable 48V phantom power and eight XMAX Class-A mic preamps fed via XLR-1/4" combo inputs, the Studio 1824c can accommodate any source from condenser microphones and active DI boxes to electric instruments and line-level mixer outputs with clarity and natural tonality. All inputs and outputs feature quality converters that let the interface operate at up to 24-bit / 48 kHz resolution without sacrificing channel count, or at a 192 kHz sample rate with 8x8 I/O functionality.
When you use speakers, multiple headphones, or both, the Studio 1824c provides equally ideal operability with its two independent 1/4" headphone outputs, two main line/monitor outs, eight additional line outputs, and separate volume controls for both headphone outs and the main output.
A quick press of the mute button cuts the main outputs, so you can communicate with clients in the room without shouting over the music. The interface also features a mono button for checking the stereo-to-mono translation of your mix.
The 10 line outputs are DC-coupled, so you can send MIDI sync and sequencer data from your DAW as CV (control voltage) to external analog synthesizers and drum modules. Unlike many budget interfaces, the Studio 1824c sports 4-segment LED meters for all eight analog inputs and the main outs. The 5-pin MIDI I/O jacks on the rear panel allow simple hookup of a MIDI controller, synthesizer, or groovebox, making the Studio 1824c advantageous for beatmakers, keyboardists, and electronic music producers. With a BNC wordclock output and digital I/O connections for stereo S/PDIF and 8-channel ADAT, the Studio 1824c is a potent companion for other digital equipment such as external preamps with A/D converters and digital mixers.
The Studio 1824c is powered by the included 12 VDC power supply and is supplied with USB Type-C and USB Type-A cables for easy connectivity to your compatible macOS- or Windows-equipped computer. The interface is bundled with the robust and versatile Studio One Artist DAW software and the Studio Magic plug-in suite, delivering a host of effects, virtual instruments, and third-party loops, software, and instrument sounds to kickstart your creativity.
XMAX Class-A Microphone Preamps
High-Resolution Converters
Multiple Headphone and Monitor Outputs
Dedicated buttons are presented for muting the main monitor feed and summing it to mono; both are valuable functions for running efficient sessions. Easy-to-use DSP monitor mixing lets you create four discrete, near-zero-latency mixes, enough for large ensembles.
DC-Coupled Outputs
Input and Output Metering
MIDI I/O
ADAT Optical I/O
The ADAT output comes into play when you need to run separate channels from your DAW to a digital headphone distribution system or a multichannel D/A converter.
S/PDIF Digital I/O
Studio One Artist Software
- Single-window work environment
- Powerful drag-and-drop functionality
- Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels
- Content browser with convenient sort options and preview player
- Intuitive MIDI-mapping system
- Real-time audio time-stretching and resampling
- Multitrack comping and MIDI editing
- Transient detection and editing, plus groove extraction
- Automatic delay compensation
- Advanced automation
- Integrates tightly with Celemony Melodyne
- Instantly configures to PreSonus interfaces
- Compatible with ASIO, Windows Audio, and Core Audio compliant interfaces
- 26 native effects (32-bit effects) and virtual instrument plug-ins
- Over 10GB of third-party software, loops, and instruments
- Mac and Windows compatible
Studio Magic Plug-In Suite
- Arturia Analog Lab Lite
- Brainworx bx_opto
- Brainworx bx_rockrack
- Cherry Audio Voltage Nucleus
- iZotope Neutron Elements
- Klanghelm SDRR2tube
- KV331 Audio Synthmaster Player
- Lexicon MPX-i Reverb
- Mäag Audio EQ2
- Native Instruments REPLIKA
- Output Movement
- SPL Attacker Plus
- Studio Linked Trophies
- UJAM Virtual Drummer 2 PHAT
- UVI Model D
PreSonus Studio 1824c Specs
| Rackmount | |
| Display | 10 x Multi-Segment LED Meter |
| Channels of I/O | Analog: 8 Inputs / 10 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 48 kHz |
| Maximum Sampling Rate | 192 kHz / 24-Bit |
| Number of Microphone Preamps | 8 Preamps |
| Input Level Adjustment | 8 x Knob |
| Expansion Slots | None |
| Pad | None |
| Gain/Trim Range | Mic Inputs: 80 dB Line Inputs: 40 dB Hi-Z Inputs: 80 dB |
| High-Pass Filter | None |
| Solo/Mute | Mute per Master |
| Analog Audio I/O | 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6 x Combo XLR-1/4" TRS Balanced Mic/Line Input 2 x 1/4" TRS Balanced Monitor Output (DC-Coupled) 8 x 1/4" TRS Balanced Line Output (DC-Coupled) 2 x 1/4" TRS Unbalanced Headphone Output |
| Phantom Power | 48 V, Selectable On/Off (Applied to All Inputs) |
| Phantom Power Current | > 10 mA per Channel |
| Digital Audio I/O | 1 x TOSLINK Optical ADAT Input (S/MUX Support) 1 x TOSLINK Optical ADAT Output (S/MUX Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output |
| Host Connection / USB | 1 x USB Type-C (Class-Compliant USB 2.0) |
| USB (Non-Host) | None |
| Sync I/O | 1 x BNC Word Clock Output |
| Network I/O | None |
| MIDI I/O | 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output |
| Wireless Connectivity | None |
| Frequency Response | Mic, Line Inputs: 20 Hz to 20 kHz (Unity Gain) Hi-Z Inputs: 20 Hz to 20 kHz (Min Gain) Monitor Outputs: 20 Hz to 20 kHz (Unity Gain) Line Outputs: 20 Hz to 20 kHz Headphone Outputs: 20 Hz to 20 kHz (Unity Gain) |
| Maximum Input Level | Mic Inputs: +16 dBu (Balanced, Min Gain) Line Inputs: +21 dBu (Balanced, Min Gain) Hi-Z Inputs: +15 dBu (Unbalanced, Min Gain) |
| Maximum Output Level | Line/Monitor Outputs: +18 dBu (Balanced) |
| Headphone Output Power | 150 mW per Channel into 60 Ohms (Max) |
| Impedance | Mic Inputs: 1.4 Kilohms Line Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Headphone Outputs: 32 to 600 Ohms |
| Dynamic Range | AD/DA Converters: 114 dB Mic Inputs: 110 dBA (Min Gain) Line/Hi-Z Inputs: 112 dBA (Min Gain) Monitor Outputs: 108 dBA Line Outputs: 108 dBA Headphone Outputs: 103 dBA (1 kHz) |
| THD+N | Mic Inputs: 0.005% (1 kHz, Unity Gain) Line Inputs: 0.005% (1 kHz, Min Gain) Hi-Z Inputs: 0.02% (1 kHz, Min Gain) Monitor Outputs: 0.004% (1 kHz, Unity Gain, at -1 dBFS) Line Outputs: 0.004% (1 kHz, Unity Gain, at -1 dBFS) Headphone Outputs: 0.25% (1 kHz, Unity Gain) |
| EIN | Mic Inputs: -128 dBu A-Weighted (150-Ohm Source, Max Gain) |
| Sample Rates | Up to 192 kHz (AD/DA Conversion) |
| Sample Rate Conversion | None |
| Bit Depths | Up to 24-Bit (AD/DA Conversion) |
| Sync Sources | ADAT, Internal, S/PDIF |
| Memory Card Slot | None |
| OS Compatibility | macOS 10.13 or Later (64-Bit, Only) Windows 10 (64-Bit, Only) iOS 10 or Later Android 6 or Later |
| Included Software | Studio One Artist Ableton Live Lite |
| Compatible Software (Not Included) | Any Core Audio (Mac) Compliant Software |
| Supported Drivers/API & Plug-Ins | macOS Class-Compliant (No Driver Needed) Windows Driver Downloadable from Manufacturer |
| Processor Requirement | Mac: Intel Core i3 PC: Intel Core i3 AMD |
| RAM Requirements | 4 GB, 8 GB Recommended |
| Storage Requirements | 32 GB |
| Minimum Display Resolution | 1366 x 768 |
| Mobile Device Compatibility | iPad Pro iPad Air iPad Air 2 iPad Mini with Retina iPad Mini 4 iPad 4th Gen. Android Smartphone Android Tablet |
| Required Hardware | USB Cable (Included) Available USB 2.0 Port or USB Type-C Port |
| Internet Connection | Required for Registration, Software/Driver Download |
| Power Requirements | AC/DC Power Adapter (Included) |
| Rail Voltage | Preamp: +30 V |
| AC/DC Power Adapter | 12 V, Center-Positive (Included) |
| Rackmount Size | 1 RU (with Included Hardware) |
| Dimensions | 19 x 5.5 x 1.75" / 482.6 x 139.7 x 44.45 mm |
| Weight | 4.8 lb / 2.2 kg |
| Weight | 7 lb |
| Box Dimensions (LxWxH) | 21 x 10 x 3" |
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$549.99
Presonus Studio 24 2x2 Mac PC USB C Audio MIDI interface
Presonus Studio 24 2x2 Mac PC USB C Audio MIDI interface
Professional quality wherever you record.
Great for podcasters, live streaming, DJs, and musicians on the road or in the studio, the Studio 26 2x4 USB 2.0 bus-powered audio interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 26 comes with PreSonus’ award-winning Studio One® Artist DAW software for Mac® and Windows®.
Features
Input/Output
- 2 mic/instrument/line inputs with XMAX-L Class A mic preamps
- 2 balanced ¼” TRS main outputs
- 1 stereo headphone output
- MIDI In/Out
Meters, Controls, and Features
- Direct monitoring
- Mixer knob for low-latency direct input monitoring
- Front-panel level controls for main outputs
- +48V phantom power for condenser microphones (global)
- 4 ladder-style LED level meters (2 input, 2 main output)
Digital
- USB-C port (USB 2.0)
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
- Studio One® Artist and Studio Magic Plug-in Suite included
Physical
- USB 2.0 bus-powered
- Road-rugged construction with all-metal chassis and metal knobs
- Kensington lock security hole
- USB-C to C and USB-C to A cables included
Superior sound.
Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 24 operates at up to 192 kHz for ultra-high-adefinition mixing and recording. High-quality converters on every input and output enable you to capture complex musical harmonics smoothly and naturally with no audible distortion.
Perfect for guitarists, singer/songwriters, and podcasters.
The Studio 24 audio interface is a great choice for podcasters, singer/songwriters, small personal studios, school music labs, live streaming, or a couple of guitarists who want to collaborate or jam. A Mixer knob blends analog input and computer playback for low-latency direct monitoring.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One® Artist music production software, the Studio 24 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.
Take the tour.
The Studio 24 audio interface features two front-panel combo mic/instrument/line inputs with +48V phantom power for condenser mics. Accurate LED meters indicate input and output levels. A USB-C port and balanced, ¼-inch TRS, line-level main outputs grace the rear panel, and an output level control is provided on the front. MIDI I/O enables connection to a keyboard, sound module, or control surface.
Designed for the studio. Built for the road.
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24 will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 24 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution.
Includes Studio Magic Plug-in Suite.
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.
Computer system requirements:
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- Mac® OS X 10.8.5 64-bit or later
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
Technical Specifications
General |
|
|---|---|
| Sample Rates | 44.1, 48, 88.2, 96, 176.4, or 192 kHz |
| Converter Resolution | 24 bit |
| ADC Converter Dynamic Range | 108 dB |
| DAC Converter Dynamic Range | 108 dB |
Microphone Inputs |
|
|---|---|
| Maximum Level | +10 dBu (±0.5 dBu, min gain) |
| Gain Range | 50 dB |
| Frequency Response | 20 Hz - 20 kHz (±0.3 dBu, unity gain, unwtd) |
| Dynamic Range | 106 dB (A-wtd, min gain) |
| THD + N | 0.004% (1 kHz, -1 dBFS, min gain) |
| EIN | -126 dBu (A-weighted, 150Ω, max gain) |
| Input Impedance | 1.4 kΩ |
| Phantom Power | +48 VDC (10 mA total) |
Instrument Inputs |
|
|---|---|
| Maximum Level | +19 dBu (min gain) |
| Gain Range | 50 dB |
| Frequency Response | 20 Hz – 20 kHz (±0.1 dBu, unity gain, unwtd) |
| Dynamic Range | 105 dB (A-wtd, unity gain) |
| THD + N | 0.002% (1 kHz, min gain) |
| Input Impedance | 750 kΩ |
Main Outputs |
|
|---|---|
| Type |
¼" TRS, Female |
| Maximum Level | +10 dBu (1 kHz, unity gain, balanced) |
| Frequency Response | 20 Hz – 20 kHz (±0.3 dBu, unity gain, unwtd) |
| Dynamic Range | 104 dB (unity gain, unwtd) |
| THD + N | 0.001% ( 1 kHz, -1 dBFS, unity gain) |
Headphone Outputs |
|
|---|---|
| Maximum Power | 47 mW / channel @ 56Ω |
| Frequency Response | 20 Hz – 20 kHz (±0.5 dBu, unity gain, unwtd) |
| Dynamic Range | 83 dB (A-wtd, 56Ω load) |
| THD + N | 0.01% (1 kHz, 0 dBFS, loaded) |
| Impedance Working Range | 32Ω to 300Ω |
Physical |
|
|---|---|
| Height | 1.75" (44 mm) |
| Width | 7" (180 mm) |
| Depth | 5.5" (144 mm) |
| Weight | 2 lbs. (0.9 kg) |
UPC: 673454006845
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Presonus Studio 26 2x6 Mac PC USB 2.0 Audio MIDI interface
Presonus Studio 26 2x6 Mac PC USB 2.0 Audio MIDI interface
Professional quality wherever you record.
Great for podcasters, live streaming, DJs, and musicians on the road or in the studio, the Studio 26 2x4 USB 2.0 bus-powered audio interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 26 comes with PreSonus’ award-winning Studio One® Artist DAW software for Mac® and Windows®.
Features
Input/Output
- Simultaneous I/O up to 2 inputs/4 outputs
- 2 mic/instrument/line inputs with XMAX-L mic preamps
- 2 balanced ¼” TRS main outputs
- DC coupled for sending control voltages*
- 2 balanced ¼” TRS line outputs for monitor mixing
- DC coupled for sending control voltages*
- 1 stereo headphone output
- MIDI In/Out
Meters, Controls, and Features
- Direct monitoring
- Cue mix A/B (for headphone output)
- Front-panel level controls for main outputs
- True +48V phantom power for condenser microphones (global)
- 4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
- Studio One Artist®
- Studio Magic Plug-in Suite
Digital
- USB 2.0
- 24-bit resolution
- 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
- Road-rugged construction with all-metal chassis and metal knobs
* Since it is a bus-powered device, the Studio 26 has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Superior sound.
Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 26 audio interfaces operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion.
Perfect for guitarists, singer/songwriters, and podcasters.
The Studio 26 audio interface is a great choice for podcasters, singer/songwriters, or a couple of guitarists who want to collaborate or jam. Use it for recording sermons and teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One® Artist DAW, the Studio 26 audio interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase content right from your production environment.
Take the tour.
The Studio 26 audio interface features two front-panel combo mic and switchable line/instrument inputs with +48V phantom power for condenser mics. In addition to L/R main outputs, you get two balanced line outputs for monitor mixing or speaker switching, while LED meters indicate input and output levels. All line-level outputs are DC coupled, enabling them to send control voltages. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it the central hub for your whole studio.
Designed for the studio. Built for the road.
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26 audio interface will give you clear, clean, ultra-high-def sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 26 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution. Check out the Studio 26 audio interface at your favorite PreSonus dealer.
Includes Studio Magic Plug-in Suite.
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.
Computer system requirements:
Below are the minimum computer-system requirements.
Mac
- Mac® OS X 10.8.5 64-bit or later
- Intel® i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
- Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- 32 GB hard disk space
- PreSonus Universal Control 2.0 or higher
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
- Multitouch-enabled monitor required for touch operation
Technical Specifications
General |
|
|---|---|
| Sample Rates | 44.1, 48, 88.2, 96, 176.4, or 192 kHz |
| Converter Resolution | 24 bit |
| Converter Dynamic Range | 114 dB |
| Converter Dynamic Range | 114 dB |
Microphone Inputs |
|
|---|---|
| Maximum Level | +4.5 dBu (balanced, min gain) |
| Gain Range | 70 dB |
| Frequency Response | 20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz) |
| Dynamic Range | 110 dB (A-wtd, min gain) |
| THD + N | 0.004% (1 kHz, -1 dBFS, unity gain) |
| EIN | -125 dBu (max gain, 150Ω, A-wtd) |
| Input Impedance | 1.6 kΩ |
| Phantom Power | +48 VDC (10 mA total) |
Line Inputs |
|
|---|---|
| Maximum Level | +19.5 dBu (balanced, min gain) |
| Gain Range | 70 dB |
| Frequency Response | 20 Hz - 20 kHz (±0.1 dB, min gain, 48 kHz) |
| Dynamic Range | 110 dB (A-wtd, min gain) |
| THD + N | 0.007% (1 kHz, -1 dBFS, min gain) |
| Input Impedance | 10 kΩ |
Instrument Inputs |
|
|---|---|
| Maximum Level | +14 dBu (unbalanced, min gain) |
| Gain Range | 70 dB |
| Frequency Response | 20 Hz - 20 kHz (±0.15 dB, 48 kHz, min gain) |
| Dynamic Range | 110 dB (A-wtd, min gain) |
| THD + N | 0.008% (1 kHz, -1 dBFS, min gain) |
| Input Impedance | 1 MΩ |
Line Outputs (Mains) |
|
|---|---|
| Type | ¼" TRS Female, DC Coupled* |
| Maximum Level | +10 dBu (balanced) |
| Frequency Response | 20 Hz - 20 kHz (±0.1 dB, unity gain, 48 kHz) |
| Dynamic Range | 108 dB (A-wtd) |
| THD + N | 0.0015% (1 kHz, -1 dBFS) |
Line Outputs (3/4) |
|
|---|---|
| Type | ¼" TRS Female, DC Coupled* |
| Maximum Level | +10 dBu (balanced) |
| Frequency Response | 20 Hz - 20 kHz (±0.1dB, unity gain, 48 kHz) |
| Dynamic Range | 113 dB (A-wtd) |
| THD + N | 0.008% (1 kHz, -1 dBFS) |
Headphone Outputs |
|
|---|---|
| Maximum Power | 30 mW/channel (56Ω load) |
| Frequency Response | 20 Hz - 20 kHz (±0.2 dB, 56Ω load, 48 kHz) |
| Dynamic Range | 104 dB (A-wtd, 56Ω load) |
| THD + N | 0.009% (1 kHz, -1 dBFS, no load) |
| Impedance Working Range | 32Ω to 300Ω |
Physical |
|
| Height | 1.75" (44 mm) |
| Width | 7" (180 mm) |
| Depth | 5.5" (144 mm) |
| Weight | 1.6 lbs. (0.7 kg) |
UPC: 673454005213
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
PreSonus Studio 68 6x6 192 kHz USB 2 Mac PC Audio/MIDI Interface
PreSonus Studio 68 6x6 192 kHz USB 2 Mac PC Audio/MIDI Interface
PreSonus' Studio 68 is deesigned for on the go or studio musicians, DJs, producers, engineers, podcasters, live streaming, or anyone creating audio content., The Studio 68 is a 6x6 USB 2.0 audio and MIDI interface featuring two front-panel combo mic-and-line/instrument inputs and two rear-panel mic/line combo inputs, each with XMAX-L solid-state mic preamps. In addition to the main outputs, there is another set of stereo line outputs for mixing or speaker monitor-switching. A stereo headphone output features a Cue Mix A/B, which toggles between two mixes, well suited for live-performance DJs or for listening to a performer's monitor mix. Also the Studio 68 features a 9-pin D-sub connector which connects to a breakout cable and features MIDI I/O connectors and S/PDIF digital I/O—it is a complete recording solution and ships with Presonus' Studio One Artist software.
Features:
- USB 2.0, 6x6 audio interface (4x4 at 192 kHz)
- 24-bit resolution; 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates
- Two mic/instrument/line inputs with XMAX Class-A mic preamps
- Two mic/line inputs with XMAX Class-A mic preamps
- +48V phantom power (global)
- Two balanced ¼” TRS line outputs for monitor mixing or speaker switching
- Two balanced ¼” TRS main outputs with front-panel level control
- Six ladder-style LED level meters (4 input, 2 main output)
- Stereo headphone output with Cue Mix A/B
- Direct monitoring
- MIDI I/O
- S/PDIF I/O
- Studio One Artist included
- Includes Studio Magic Plug-in Suite with Maag Audio EQ 2, SPL Attacker, Arturia instruments, and more
UPC: 673454005220In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$299.95
PreSonus Studio 68c 6x6 192 kHz USB 2 Mac PC Audio/MIDI Interfac
PreSonus Studio 68c 6x6 192 kHz USB C Mac PC Audio/MIDI Interface
An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus® XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus' award-winning Studio One® Artist music production software for macOS® and Windows® and is backward compatible with USB 2.0 and 3.0 connections.
With selectable 48V phantom power and four XMAX Class-A mic preamps fed via XLR-1/4" combo inputs, the Studio 68c can accommodate any source from condenser microphones and active DI boxes to electric instruments and line-level mixer outputs with clarity and natural tonality. All inputs and outputs feature quality converters that let the interface operate at resolutions up to 24-bit / 96 kHz resolution without sacrificing channel count or at 176.4 kHz or 192 kHz sample rates with 4x4 I/O functionality.
Whether you monitor through speakers, headphones, or both, the Studio 68c provides equally ideal operability with its 1/4" headphone output, two main line/monitor outs, two additional line outputs, and independent main/headphone volume controls. The four line outputs are DC-coupled, so you can send MIDI sync and sequencer data from your DAW as CV (control voltage) to external analog synthesizers and drum modules.
The headphone mix can be sourced from outputs 1-2 or 3-4 via the A/B switch, a simple solution for getting a special cue mix to the artist. A quick press of the Mon button enables direct monitoring, mixing the latency-free analog input signal with the return from your computer. Unlike many budget interfaces, the Studio 68c sports 4-segment LED meters for all four analog inputs and the main outs.
The supplied breakout cable provides 5-pin MIDI I/O jacks to allow simple hookup of a MIDI controller, synthesizer, or groovebox, making the Studio 68c advantageous for beatmakers, keyboardists, and electronic music producers. Also on the breakout cable are RCA coaxial jacks, which are a welcome bonus for interconnecting digital audio equipment outfitted with S/PDIF digital I/O.
The Studio 68c is powered by the included 12 VDC power supply and is supplied with USB Type-C and USB Type-A cables for easy connectivity to your compatible macOS- or Windows-equipped computer. The interface is bundled with the robust and versatile Studio One Artist DAW software and the Studio Magic plug-in suite, delivering a host of effects, virtual instruments, and third-party loops, software, and instrument sounds to kickstart your creativity.
XMAX Class-A Microphone Preamps
High-Resolution Converters
Headphone and Monitor Outputs
DC-Coupled Outputs
Input and Output Metering
Direct Monitoring
MIDI I/O
S/PDIF Digital I/O
Studio One Artist Software
- Single-window work environment
- Powerful drag-and-drop functionality
- Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels
- Content browser with convenient sort options and preview player
- Intuitive MIDI-mapping system
- Real-time audio time-stretching and resampling
- Multitrack comping and MIDI editing
- Transient detection and editing, plus groove extraction
- Automatic delay compensation
- Advanced automation
- Integrates tightly with Celemony Melodyne
- Instantly configures to PreSonus interfaces
- Compatible with ASIO, Windows Audio, and Core Audio compliant interfaces
- 26 native effects (32-bit effects) and virtual instrument plug-ins
- Over 10GB of third-party software, loops, and instruments
- Mac and Windows compatible
Studio Magic Plug-In Suite
- Arturia Analog Lab Lite
- Brainworx bx_opto
- Brainworx bx_rockrack
- Cherry Audio Voltage Nucleus
- iZotope Neutron Elements
- Klanghelm SDRR2tube
- KV331 Audio Synthmaster Player
- Lexicon MPX-i Reverb
- Mäag Audio EQ2
- Native Instruments REPLIKA
- Output Movement
- SPL Attacker Plus
- Studio Linked Trophies
- UJAM Virtual Drummer 2 PHAT
- UVI Model D
UPC: 673454007972In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$329.95
Tascam DR-05X Digital Audio Recorder & USB Audio Interface
Tascam DR-05X Stereo Handheld Digital Audio Recorder & USB Audio Interface
The DR-05X is the new standard in stereo hand held recorders with its powerful features, simple interface and excellent sound quality. It is the first choice for recording meetings, music, audio-for-video, dictation, and more.
Features include:
- Stereo omni directional condenser microphones
- Multiple menu languages
- Overwrite function for Punch-In recording with one level of Undo
- Functions as a 2in/ 2out USB Audio Interface for Mac, PC or iOS recording
- Dictation mode designed for human voice recording and transcription
- Reverb effect for vocal and instrument resonance
- Auto recording function that can detect the sound input signal level and automatically start recording
- Proven high sound pressure design for capturing loud sounds of up to 125dB SPL
- Peak reduction function
- Self timer recording function
- Seamless gain control
- Three low cut filter levels (40/80/120Hz)
- Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
- Level align feature that prevents uneven volume levels
- Equalizer setting for adjusting playback sound quality
- Divide/delete functions
- Loop/repeat playback function
- Resume function that retains the last stop position and starts playback from that position when power is turned back ON
- Jump back and play (1 to 10 sec in 1 sec increments, 10 sec, 20 sec, 30 sec)
- QUICK menu button for easy access to various functions
- High-quality 96kHz/24-bit WAV/BWF linear PCM recording and long recordings as MP3 files possible
- microSD/microSDHC/microSDXC (up to 128GB) cards can be used as recording media
- Mark function that can set up to 99 points for a single track Mark information can be utilized by BWF compatible software
- Audio files created on computers can be played (Only in formats compatible with this product)
- Built-in monaural speaker with an output of 0.3
- Pre-recording buffer that can record up to 2 seconds prior to starting recording
- When a predetermined maximum file size is reached, a new file is created to continue recording
- Track increment creates new files at arbitrary locations during recording
- File name format can be set to use a user-defined word or the date
- The first six characters of the file name for recording can be set freely
- Playlist function
- A chromatic tuner is equipped which is helpful for practicing musical instruments
- Stereo mini jack for external stereo microphones/External line input
- Stereo mini line output / Headphone output connector
- 128 x 64 pixel graphic LCD with backlight
- High-speed file transfer to a computer is possible using USB 2.0
- Powered by 2 AA batteries, USB bus power, or optional AC adapter (PS-P520E)
- Tripod attachment screw-hole built in to the unit
Spec description
| Recording Media | microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) |
| File System | FAT16/32, exFAT |
| Recording File Format | |
| WAV / BWF | |
| Sampling Frequency | 44.1k / 48k / 96k Hz |
| Bit-depth | 16 / 24-bit |
| MP3 | |
| Sampling Frequency | 44.1k / 48k Hz |
| Recording Bit-rate | 32k / 64k / 96k / 128k / 192k / 256k / 320k bps |
| Playback Bit-rate | 32k to 320k bps, VBR, ID3TAG Ver. 2.4 |
| Number of Channels | 2-channel (Stereo) / 1-channel (Mono) |
| Playback speed control | 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only |
| Built-in Microphone | Omnidirectional, Stereo |
| MIC/EXT IN | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) |
| Nominal Input Level | -20dBV |
| Maximum Input Level | -4dBV |
| Input Impedance | 18kΩ or more (PLUG IN PWR: OFF) 2kΩ or more (PLUG IN PWR: ON) |
| PHONES/LINE OUT | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced) |
| for LINE connection | |
| Nominal Output Level | -14dBV (10kΩ load) |
| Maximum Output Level | +2dBV (10kΩ load) |
| Output Impedance | 12Ω |
| for Headphones connection | |
| Maximum Output Power | 20mW + 20mW (32Ω load) |
| USB | |
| Connector | USB Micro B-type |
| Format | USB2.0 HIGH SPEED |
| Built-in Speaker | 0.3W, Mono |
| Low-cut Filter | 40 / 80 / 120Hz |
| Chromatic Tuner | C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) |
| Effector | 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) |
| Tripod attachment screw-hole | 1/4" Tripod attachment screw-hole |
| Power | 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) |
| Power Consumption | 1.7 W (Max) |
| Battery Operation Time (Recording) | |
| Alkaline (EVOLTA) | approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Ni-MH (eneloop) | approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Dimensions (W×H×D) | 2.4" × 5.55" × 1.02" / 61 × 141 × 26 mm |
| Weight | 4.1 oz. / 116 g |
Audio Performance
| Frequency Response | |
| Fs 44.1kHz | 20Hz to 20kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 48kHz | 20Hz to 22kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 96kHz | 20Hz to 40kHz, +0/-1.5dB (EXT IN to LINE OUT, JEITA) |
| Total Harmonic Distortion | 0.01% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
| Signal-to-Noise Ratio | 94 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
System Requirements
Windows
Windows 10 (October 2020 Update) New , Windows 10 (May 2020 Update) New , Windows 8.1 , Windows 7
Mac
macOS Catalina , macOS Mojave , macOS High Sierra (10.13) , macOS Sierra (10.12)
iOS
iPadOS 14 New , iOS 14 New , iPadOS , iOS 13 , iOS 12 , iOS 11
UPC: 043774033669
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$119.99
Tascam DR-07X Digital Audio Recorder & USB Audio Interface
Tascam DR-07X Stereo Handheld Digital Audio Recorder & USB Audio Interface
DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
Adjustable microphone for preferred stereo image
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.
What is A-B and X-Y stereo?
For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.
Choose your language
Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese
Extended battery life
dr-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Turning your room into a studio – in a minute.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.
Back up your transcription work: record and play with one unit
Writing down what you hear – Easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
Tools for music practicing
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Never miss the timing
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button
Still safe if it is louder than you thought.
Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you’re safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
No need to go through “take 2” all over again
If you don’t like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the “Overwrite mode” is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.
Nondestructive Overdubbing
The overdubbing function allows for Overdub Recording while playing a previously recorded file. This allows you to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.
192 Hours. This is how long you can record CD-quality sound with one single microSDXC card.
dr-07x supports a microSDXC card, which can record longer with larger data capacity. If you record a stereo file at 44.1kHz/ 16bit CD quality, a128GB card holds 192 hours maximum. In MP3/ 320kbps mode, it can record up to 896 hours.
Features include:
- High-quality unidirectional stereo condenser microphones that can record in both A-B and X-Y positions according to the situation
- Multiple menu languages
- Overwrite function for Punch-In recording with one level of Undo
- Functions as a 2in/ 2out USB Audio Interface for Mac, PC or iOS recording
- Dictation mode designed for human voice recording and transcription
- Reverb effect for vocal and instrument resonance
- Auto recording function that can detect the sound input signal level and automatically start recording
- Proven high sound pressure design for capturing loud sounds of up to 125dB SPL
- Peak reduction function
- Self timer recording function
- Seamless gain control
- Three low cut filter levels (40/80/120Hz)
- Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
- Level align feature that prevents uneven volume levels
- Equalizer setting for adjusting playback sound quality
- Divide/delete functions
- Loop/repeat playback function
- Resume function that retains the last stop position and starts playback from that position when power is turned back ON
- Jump back and play (1 to 10 sec in 1 sec increments, 10 sec, 20 sec, 30 sec)
- QUICK menu button for easy access to various functions
- High-quality 96kHz/24-bit WAV/BWF linear PCM recording and long recordings as MP3 files possible
- microSD/microSDHC/microSDXC (up to 128GB) cards can be used as recording media
- Mark function that can set up to 99 points for a single track Mark information can be utilized by BWF compatible software
- Audio files created on computers can be played (Only in formats compatible with this product)
- Built-in monaural speaker with an output of 0.3
- Pre-recording buffer that can record up to 2 seconds prior to starting recording
- When a predetermined maximum file size is reached, a new file is created to continue recording
- Track increment creates new files at arbitrary locations during recording
- File name format can be set to use a user-defined word or the date
- The first six characters of the file name for recording can be set freely
- Playlist function
- A chromatic tuner is equipped which is helpful for practicing musical instruments
- Stereo mini jack for external stereo microphones/External line input
- Stereo mini line output / Headphone output connector
- 128 x 64 pixel graphic LCD with backlight
- High-speed file transfer to a computer is possible using USB 2.0
- Powered by 2 AA batteries, USB bus power, or optional AC adapter (PS-P520E)
- Tripod attachment screw-hole built in to the unit
Spec description
| Recording Media | microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) |
| File System | FAT16/32, exFAT |
| Recording File Format | |
| WAV / BWF | |
| Sampling Frequency | 44.1k / 48k / 96k Hz |
| Bit-depth | 16 / 24-bit |
| MP3 | |
| Sampling Frequency | 44.1k / 48k Hz |
| Recording Bit-rate | 32k / 64k / 96k / 128k / 192k / 256k / 320k bps |
| Playback Bit-rate | 32k to 320k bps, VBR, ID3TAG Ver. 2.4 |
| Number of Channels | 2-channel (Stereo) / 1-channel (Mono) |
| Playback speed control | 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only |
| Built-in Microphone | Omnidirectional, Stereo |
| MIC/EXT IN | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) |
| Nominal Input Level | -20dBV |
| Maximum Input Level | -4dBV |
| Input Impedance | 18kΩ or more (PLUG IN PWR: OFF) 2kΩ or more (PLUG IN PWR: ON) |
| PHONES/LINE OUT | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced) |
| for LINE connection | |
| Nominal Output Level | -14dBV (10kΩ load) |
| Maximum Output Level | +2dBV (10kΩ load) |
| Output Impedance | 12Ω |
| for Headphones connection | |
| Maximum Output Power | 20mW + 20mW (32Ω load) |
| USB | |
| Connector | USB Micro B-type |
| Format | USB2.0 HIGH SPEED |
| Built-in Speaker | 0.3W, Mono |
| Low-cut Filter | 40 / 80 / 120Hz |
| Chromatic Tuner | C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) |
| Effector | 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) |
| Tripod attachment screw-hole | 1/4" Tripod attachment screw-hole |
| Power | 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) |
| Power Consumption | 1.7 W (Max) |
| Battery Operation Time (Recording) | |
| Alkaline (EVOLTA) | approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Ni-MH (eneloop) | approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Dimensions (W×H×D) | 2.4" × 5.55" × 1.02" / 61 × 141 × 26 mm |
| Weight | 4.1 oz. / 116 g |
Audio Performance
| Frequency Response | |
| Fs 44.1kHz | 20Hz to 20kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 48kHz | 20Hz to 22kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 96kHz | 20Hz to 40kHz, +0/-1.5dB (EXT IN to LINE OUT, JEITA) |
| Total Harmonic Distortion | 0.01% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
| Signal-to-Noise Ratio | 94 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
System Requirements
Windows
Windows 10 (October 2020 Update), Windows 10 (May 2020 Update) , Windows 8.1 , Windows 7
Mac
macOS Catalina , macOS Mojave , macOS High Sierra (10.13) , macOS Sierra (10.12)
iOS
iPadOS 14, iOS 14, iPadOS , iOS 13 , iOS 12 , iOS 11
UPC: 043774033676
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$149.99
Tascam US 2X2 USB Mac PC iOS Audio Interface
TASCAM’s US-2x2 combines great audio quality and ergonomic design for a powerful 2-in/2-out USB 2 Audio interface.
Two of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source.
The US-2x2 includes class-compliant drivers for plug-and-play operation on Mac OSX and iOS devices like the iPad, and a simple driver adds ASIO compatibility for Windows. MIDI in and out are also included for connecting synths, drum machines, and controllers. The interface includes two DAW applications to choose from – both Cakewalk SONAR X3 LE and Abelton Live Lite 9.
With solid audio specs, iOS compatibility, and an easy-to-read angled design, the US-2x2 is the ultimate 2-channel interface for home, project, and mobile studios.
Ultra-HDDA Mic Preamps for Clear Audio Quality from All of Your Mics
TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding of any interface in their range. A gain range of 57dB makes them ideal for any type of mic – dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-4x4 makes your tracks sound like a record.
Discrete Ultra-HDDA Mic Preamps Deliver Low Noise and Low Distortion
| TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 101 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests. |
Musical Components like NE5532 Op-amps Used for Input and Output Stages
 |
TASCAM uses proven, great-sounding components throughout the US-2x2. One example are NE5532 op-amps, famously used throughout classic recording consoles and signal processors due to their sweet, musical sound. |
XLR and TRS Accept Balanced Mic and Line Level Signals
| The mic input features a professional XLR connector, which supplies +48V phantom power for condenser microphones. The US-4x4 is built from heavy duty metal throughout, so it stays on your desk even when moving mics around. An additional TRS input jacks is provided for balanced line-level signals from professional processors and synthesizers. Finally, the first two inputs can be switched to high-impedance for direct recording of electric guitar and bass. (Only the XLR or 1/4" input can be used, not both at the same time.) |
Wide Gain Range Supports Dynamic and Ribbon Microphones
Non-powered mics like dynamic and ribbon designs can sound great, but they also have a lower output level than condenser microphones. The US-2x2's Ultra HDDA mic preamps not only feature 57dB of gain, but also a low-noise design so you don't crank up the noise at the same time. Plug in modern or classic mics and still get plenty of level on your tracks.
Rock Out with Amp Simulator Software using the Guitar Inputs
|
The two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. |
| Simple Operation and an All-New USB Driver |
TASCAM makes installing the US-2x2 a snap, whether usnig the built-in class-complient driver or the high-performance ASIO or Core Audio drivers. TASCAM started from scratch on the software, developing them in-house through extensive testing, resulting in our most robust drivers ever.
Also included with the driver software is a simple-to-use on-screen control panel, which monitors and adjusts critical interface settings.
High Resolution Recording up to 96kHz/24-bit
| The US-2x2 records two channels at up to 96kHz/24-bit resolution. Even if your target is CD or MP3, recording at higher resolutions gives you more to work with in the mix and can result in a smoother sound. The mic preamps and A/D converters work together to capture the clearest signal path, whether you work at 96k or at lower sampling rates. |
USB 2.0 Computer Connection
| USB 2.0, found on nearly any computer, is used as the interface for the US-4x4. Simply connect the interface to any available USB port to supply plenty of bandwidth, even for multichannel 96k work. (The US-2x2 and US-4x4 are also compatible with USB 3.0 ports.) |
Zero-latency Direct Monitoring Function
Even the most efficient computers and DAW software can produce a slight delay before reaching the outputs, which can distract some vocalists and instrumentalists. A Direct Monitoring path is included to monitor the input signal before it is sent to the computer. This allows musicians to concentrate on their performance instead of adjusting for latency delay.
Driver Software Can Be Pre-Installed Without The Interface
| The US-2x2 Windows driver software can be installed without connecting the interface. Simple on-screen instructions walk you through the installation. These interfaces can be used on a Mac without installing a driver, but we recommend installing the software to use the control panel |
|
Sleek industrial design that inspires creativity with a practical interface |
They have applied the engineering expertise from years of making audio interfaces to create products that are both pioneering and practical. With their distinctive styles, these interfaces will fit perfectly on the desktops of musicians and will stimulate creativity.
Bio-Cell Side Panels Add Style and Ergonomic Design
 |
Both the US-2x2 and US-4x4 include Bio-Cell Side Panels. These removable aluminum panels, developed by renowned industrial designers The Box, add a unique look to the interfaces as well as angling them on the desktop for increased usability. |
Angled Orientation is Ideal for Desktop Use
 |
The angled design makes desktop viewing and operation much more comfortable for tabletop use. All other interfaces have their controls on the front or the top of the device, causing you to crane your neck to read the knobs and switches. The US-2x2 and 4x4 are at a natural angle, making operation easier to keep you creative. |
Separate Volume Controls for Headphones and Line Outputs
| The US-2x2 and US-4x4 include both headphone and line output volume controls. Even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation. And when you want to work on headphones, you don't need to reach around to switch off your monitors. |
|
Class-Compliant Drivers for use with iPad and Other Tablets |
The US-2x2 and US-4x4 are built with class-compliant drivers built into the units. Not only does this mean that they can be used with many computers without first installing a driver, they also open the possibilities of with tablets such as Apple's iPad.
Connect to iPad, iPhone, or other iOS devices
|
Use Apple's Camera Connection Kit to connect the US-2x2 or US-4x4 to an iPad or other iOS device. Utilitze the multichannel audio and MIDI functions with any of the thousands of iOS audio apps, like Garage Band or TASCAM's Portastudio app. Class Compliant drivers also allow the interfaces to be used with Android and Windows-based tablets. * A TASCAM PS-P520 AC adapter (included) is necessary to power the US-4x4. * Apple's Camera Connection Kit is not included with this product. * When connected, the US-2x2/US-4x4 will not provide power to the iOS device. |
Tested with Sonar, Pro Tools, Cubase, Live, Studio One, and Garage Band
| TASCAM has tested the interface operation with all leading DAW software, such as SONAR, Pro Tools, Cubase, Live, Studio One and Garage Band. Use the interfaces with your favorite Mac or Windows recording applications, not just the bundled apps. |
MIDI Input and Output Included
| Standard MIDI input and output connectors allow connection with the thousands of keyboards, drum machines, controllers, and other sources that employ MIDI connectors. The interfaces can also be used for synchronized operation of multitrack recorders and other external recording equipment. |
|
Bundled DAW Software Starts The Music Right Out of the Box |
TASCAM has the only interfaces with your choice of two DAW applications included. Both Cakewalk SONAR X3 LE and Ableton Live 9 Lite are bundled with the interfaces. And either of these applications can be upgraded to more advanced versions when you're ready for more power.
SONAR X3 LE—An Advanced DAW for Windows
| SONAR X3 LE is designed to take advantage of the unique features of Windows operating system. From the fast, customizable Silverlight interface to Windows 8 touchscreen compatibilty, SONAR X3 LE utilizes all of the latest Microsoft technology for creative music making. The included LE version can handle up to 32 audio tracks, includes a host of audio plug-ins, and supports VST3 - the most advanced plug-in effect format. SONAR includes a variety of methods to share and collaborate, like direct uploading to YouTube and Gobbler file sharing. |
Live 9 Lite - The Unique Choice for Any Type of Music
| Included for both Mac and Windows OS, Live Lite 9 has a unique music production workflow. Ideal for live performance sets and dance music production, the software is also popular for songwriters to quickly assemble a song idea. Up to 8 audio tracks can be played back, and Live supports both VST and AU plug-ins. About 600 MB of loops and audio effects are included, making it a great option for people just getting started with music creation. |
| The US-2x2 Is Built for Multi-Mic Recording |
The twoUltra-HDDA mic preamps on the US-2x2 handle anything from rehearsals to studio recording, to live performance.
The US-2x2 includes an AC adapter – also required for use with iOS devices. By using an audio interface with iPad sound sources like a synthesizer app, a richer sound quality can be heard as opposed to using the headphone output alone.
| Features At A Glance |
Functions common to both the US-2x2 and US-4x4
- Ultra-HDDA (High Definition Discrete Architecture) mic preamps with −125dBu EIN
- NE5532 op-amps used at the audio input and output stages
- Up to 96kHz/24-bit recording
- Support for Windows and Mac OS X operating systems
- USB 2.0 computer connection
- Connect with iPads and other iOS devices
- +48V phantom power for all inputs
- Two switchable high-impedance inputs
- Microphone preamp gain range of 57 dB
- Direct monitoring function for zero-latency monitoring
- Tough all-metal casing for durability
- Angled design provides excellent usability on a desktop
- Balanced analog TRS output jacks suitable for connection to powered monitors
- Standard TRS headphones output jack
- Separate controls for line and headphones output volumes
- MIDI input and output
- Output sources can be selected in the setting panel
- Input sound monitoring can be set to stereo or mono
- Input muting function eliminates noise from unused inputs
- USB class compliant 2.0 support
- License cards included for SONAR X3 LE/Ableton Live Lite 9
- Confirmed operation with major DAW software (SONAR, ProTools, Cubase, Live, Studio One, Garage Band?
Unique features for the US-2x2
- Two Ultra-HDDA mic preamplifiers
- Two XLR/TRS (MIC/LINE) inputs with full +48V phantom power
- Two TRS analog balanced outputs
- 18mW/ch headphone output
- USB bus-powered for mobile recording
- Optional AC adaptor available for use with iOS devices
US-2X2 and US-4X4 SPECIFICATIONS
| US-2x2 | US-4x4 | |
| Sampling frequency | 44.1k/48k/88.2k/96kHz | |
| Quantization bit rate | 16/24bit | |
| Analog audio inputs | ||
| MIC IN | IN 1-2 | IN 1-4 |
| Connector | XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED | |
| Input impedance | 2.2k ohms | |
| Nominal input level | ||
| GAIN:MAX | -65dBu (0.0004Vrms) | |
| GAIN:MIN | -8dBu (0.3090Vrms) | |
| Maximum input level (GAIN:MIN ) |
+8dBu (1.9467Vrms) | |
| Gain | 57dB | |
| INST IN | IN 1-2 | IN 1-2 |
| Connector | 6.3mm(1/4")TS-jack(T?HOT, S?GND), UNBALANCED (When set to "INST" at MIC/LINE.INST switch) |
|
| Input impedance | 1M ohms | |
| Nominal input level | ||
| GAIN:MAX | -63dBV(0.0007Vrms) | |
| GAIN:MIN | -6dBV(0.5015Vrms) | |
| Maximum input level (GAIN:MIN ) |
+10dBV(3.162Vrms) | |
| Gain | 57dB | |
| LINE IN | IN 1-2 | IN 1-4 |
| Connector | 6.3mm(1/4")TRS-jack(T?HOT, R?COLD, S?GND), BALANCED (When set to "MIC/LINE" at MIC/LINE.INST switch) |
|
| Input impedance | 10k ohms | |
| Nominal input level | ||
| GAIN:MAX | -53dBu(0.0017Vrms) | |
| GAIN:MIN | +4dBu(1.228Vrms) | |
| Maximum input level (GAIN:MIN ) |
+20dBu(7.75Vrms) | |
| Gain | 57dB | |
| Analog audio outputs | ||
| LINE OUT | ||
| Connector | 6.3mm(1/4")TRS-jack(T?HOT, R?COLD, S?GND), BALANCED | |
| Output impedance | 110ohms | |
| Nominal output level | +4dBu (1.273Vrms) | |
| Maximum output level | +20dBu (7.75Vrms) | |
| PHONES | ||
| Connector | 6.3mm(1/4") stereo phone jack | |
| Maximum output level | 18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) |
45mW+45mW or more (THD+N 0.1% or less, 32ohms loaded) |
| MIDI IN / OUT | ||
| Connector | Din 5-pin | |
| Format | Standard MIDI format | |
| USB | ||
| Connector | USB B type 4-pin | |
| Format | USB2.0 HIGH SPEED | |
| Power | ||
| When connected PC | USB bus powered | Dedicated AC adapter (GPE248-120200-Z, included) |
| When connected iOS | AC Adapter (TASCAM PS-P520, sold separately) |
|
| Power consumption | 2.5W | 5W |
| Dimensions |
7.32" W ×2.56" H ×6.3" D |
11.62" W x 2.56" H x 6.3" D (296mm W ×65mm H × 160mm D) |
| Weight | 2.43lb (1.1kg) | 3.53lb (1.6kg) |
| Operating temperature | 5 to 35?C | |
Bundled software |
Cakewalk SONAR X3 LE Ableton Live 9 Lite |
|
| Accessories | USB cable, SONAR X3 LE license card, Live 9 Lite license card, User's manual, warranty card | AC adapter(GPE248-120200-Z), USB cable, SONAR X3 LE license card, Live 9 Lite license card, User's manual, warranty card |
| Audio performance | |
| Frequency response | |
| LINE OUT(BALANCED) | |
| 44.1k/48k Hz | 20Hz to 20kHz, +0dB/-0.1dB |
| 88.2k/96k Hz | 20Hz to 40kHz, +0dB/-0.2dB |
| PHONES | |
| 44.1k/48k Hz | 20Hz to 20kHz, +0dB/-0.5dB |
| 88.2k/96k Hz | 20Hz to 40kHz, +0dB/-2dB |
| THD | 0.003% or less |
| S/N ratio | 101dB or more |
| Crosstalk | 95dB or more |
| EIN | -127dBu or less |
| Computer system requirements | |
| Windows | |
| OS | Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit) |
| Compatible computers | Windows-compatible computer with a USB 2.0 port |
| CPU type/speed | Dual core/2 GHz or faster (x86) |
| Memory | 2GB or more |
| DRIVER | ASIO2.0 , WDM(MME) |
| Macintosh | |
| OS | OS X Mountain Lion(10.8), OS X Mavericks(10.9) |
| Compatible computers | Apple Macintosh computer with a USB 2.0 port |
| CPU type/speed | Dual core/2 GHz or faster |
| Memory | 2GB or more |
| DRIVER | Core Audio, Core MIDI |
| iOS | |
| OS | iOS 7 |
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$149.99
Tascam US 4X4 USB Mac PC iOS Audio Interface
TASCAM’s US-4x4 combines great audio quality and ergonomic design for a powerful 4-in/4-out USB 2 audio interface.
Four of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source.
The US-4x4 includes class-compliant drivers for plug-and-play operation on Mac OSX and iOS devices like the iPad, and a simple driver adds ASIO compatibility for Windows. MIDI in and out are also included for connecting synths, drum machines, and controllers. The interface includes two DAW applications to choose from – Cakewalk SONAR X3 LE and Abelton Live Lite 9.
With solid audio specs, iOS compatibility, and an easy-to-read angled design, the US-4x4 is the ultimate 4-channel interface for home, project, and mobile studios.
Ultra-HDDA Mic Preamps for Clear Audio Quality from All of Your Mics
TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding of any interface in their range. A gain range of 57dB makes them ideal for any type of mic – dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-4x4 makes your tracks sound like a record.
Discrete Ultra-HDDA Mic Preamps Deliver Low Noise and Low Distortion
| TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 101 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests. |
Musical Components like NE5532 Op-amps Used for Input and Output Stages
|
TASCAM uses proven, great-sounding components throughout the US-4x4. One example are NE5532 op-amps, famously used throughout classic recording consoles and signal processors due to their sweet, musical sound. |
XLR and TRS Accept Balanced Mic and Line Level Signals
| The mic input features a professional XLR connector, which supplies +48V phantom power for condenser microphones. The US-4x4 is built from heavy duty metal throughout, so it stays on your desk even when moving mics around. An additional TRS input jacks is provided for balanced line-level signals from professional processors and synthesizers. Finally, the first two inputs can be switched to high-impedance for direct recording of electric guitar and bass. (Only the XLR or 1/4" input can be used, not both at the same time.) |
Wide Gain Range Supports Dynamic and Ribbon Microphones
Non-powered mics like dynamic and ribbon designs can sound great, but they also have a lower output level than condenser microphones. The US-4x4's Ultra HDDA mic preamps not only feature 57dB of gain, but also a low-noise design so you don't crank up the noise at the same time. Plug in modern or classic mics and still get plenty of level on your tracks.
Rock Out with Amp Simulator Software using the Guitar Inputs
|
The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. |
| Simple Operation and an All-New USB Driver |
TASCAM makes installing the US-4x4 a snap, whether usnig the built-in class-complient driver or the high-performance ASIO or Core Audio drivers. TASCAM started from scratch on the software, developing them in-house through extensive testing, resulting in our most robust drivers ever.
Also included with the driver software is a simple-to-use on-screen control panel, which monitors and adjusts critical interface settings.
High Resolution Recording up to 96kHz/24-bit
| The US-4x4 records all four channels at up to 96kHz/24-bit resolution. Even if your target is CD or MP3, recording at higher resolutions gives you more to work with in the mix and can result in a smoother sound. The mic preamps and A/D converters work together to capture the clearest signal path, whether you work at 96k or at lower sampling rates. |
USB 2.0 Computer Connection
| USB 2.0, found on nearly any computer, is used as the interface for the US-4x4. Simply connect the interface to any available USB port to supply plenty of bandwidth, even for multichannel 96k work. (The US-2x2 and US-4x4 are also compatible with USB 3.0 ports.) |
Zero-latency Direct Monitoring Function
Even the most efficient computers and DAW software can produce a slight delay before reaching the outputs, which can distract some vocalists and instrumentalists. A Direct Monitoring path is included to monitor the input signal before it is sent to the computer. This allows musicians to concentrate on their performance instead of adjusting for latency delay.
Driver Software Can Be Pre-Installed Without The Interface
| The US-4x4 Windows driver software can be installed without connecting the interface. Simple on-screen instructions walk you through the installation. These interfaces can be used on a Mac without installing a driver, but we recommend installing the software to use the control panel |
|
Sleek industrial design that inspires creativity with a practical interface |
They have applied the engineering expertise from years of making audio interfaces to create products that are both pioneering and practical. With their distinctive styles, these interfaces will fit perfectly on the desktops of musicians and will stimulate creativity.
Bio-Cell Side Panels Add Style and Ergonomic Design
|
Both the US-2x2 and US-4x4 include Bio-Cell Side Panels. These removable aluminum panels, developed by renowned industrial designers The Box, add a unique look to the interfaces as well as angling them on the desktop for increased usability. |
Angled Orientation is Ideal for Desktop Use
|
The angled design makes desktop viewing and operation much more comfortable for tabletop use. All other interfaces have their controls on the front or the top of the device, causing you to crane your neck to read the knobs and switches. The US-2x2 and 4x4 are at a natural angle, making operation easier to keep you creative. |
Separate Volume Controls for Headphones and Line Outputs
| The US-2x2 and US-4x4 include both headphone and line output volume controls. Even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation. And when you want to work on headphones, you don't need to reach around to switch off your monitors. |
|
Class-Compliant Drivers for use with iPad and Other Tablets |
The US-2x2 and US-4x4 are built with class-compliant drivers built into the units. Not only does this mean that they can be used with many computers without first installing a driver, they also open the possibilities of with tablets such as Apple's iPad.
Connect to iPad, iPhone, or other iOS devices
|
Use Apple's Camera Connection Kit to connect the US-2x2 or US-4x4 to an iPad or other iOS device. Utilitze the multichannel audio and MIDI functions with any of the thousands of iOS audio apps, like Garage Band or TASCAM's Portastudio app. Class Compliant drivers also allow the interfaces to be used with Android and Windows-based tablets. * A TASCAM PS-P520 AC adapter (included) is necessary to power the US-4x4. * Apple's Camera Connection Kit is not included with this product. * When connected, the US-2x2/US-4x4 will not provide power to the iOS device. |
Tested with Sonar, Pro Tools, Cubase, Live, Studio One, and Garage Band
| TASCAM has tested the interface operation with all leading DAW software, such as SONAR, Pro Tools, Cubase, Live, Studio One and Garage Band. Use the interfaces with your favorite Mac or Windows recording applications, not just the bundled apps. |
MIDI Input and Output Included
| Standard MIDI input and output connectors allow connection with the thousands of keyboards, drum machines, controllers, and other sources that employ MIDI connectors. The interfaces can also be used for synchronized operation of multitrack recorders and other external recording equipment. |
|
Bundled DAW Software Starts The Music Right Out of the Box |
TASCAM has the only interfaces with your choice of two DAW applications included. Both Cakewalk SONAR X3 LE and Ableton Live 9 Lite are bundled with the interfaces. And either of these applications can be upgraded to more advanced versions when you're ready for more power.
SONAR X3 LE—An Advanced DAW for Windows
| SONAR X3 LE is designed to take advantage of the unique features of Windows operating system. From the fast, customizable Silverlight interface to Windows 8 touchscreen compatibilty, SONAR X3 LE utilizes all of the latest Microsoft technology for creative music making. The included LE version can handle up to 32 audio tracks, includes a host of audio plug-ins, and supports VST3 - the most advanced plug-in effect format. SONAR includes a variety of methods to share and collaborate, like direct uploading to YouTube and Gobbler file sharing. |
Live 9 Lite - The Unique Choice for Any Type of Music
| Included for both Mac and Windows OS, Live Lite 9 has a unique music production workflow. Ideal for live performance sets and dance music production, the software is also popular for songwriters to quickly assemble a song idea. Up to 8 audio tracks can be played back, and Live supports both VST and AU plug-ins. About 600 MB of loops and audio effects are included, making it a great option for people just getting started with music creation. |
| The US-4x4 Is Built for Multi-Mic Recording |
The four Ultra-HDDA mic preamps on the US-4x4 handle anything from rehearsals to studio recording, to live performance. Capture an entire band, or just mic up a drum kit. The four TRS jack outputs can feed monitors, signal processors, or video cameras.
The US-4x4 includes an AC adapter – also required for use with iOS devices. By using an audio interface with iPad sound sources like a synthesizer app, a richer sound quality can be heard as opposed to using the headphone output alone.
| Features At A Glance |
Functions common to both the US-2x2 and US-4x4
- Ultra-HDDA (High Definition Discrete Architecture) mic preamps with −125dBu EIN
- NE5532 op-amps used at the audio input and output stages
- Up to 96kHz/24-bit recording
- Support for Windows and Mac OS X operating systems
- USB 2.0 computer connection
- Connect with iPads and other iOS devices
- +48V phantom power for all inputs
- Two switchable high-impedance inputs
- Microphone preamp gain range of 57 dB
- Direct monitoring function for zero-latency monitoring
- Tough all-metal casing for durability
- Angled design provides excellent usability on a desktop
- Balanced analog TRS output jacks suitable for connection to powered monitors
- Standard TRS headphones output jack
- Separate controls for line and headphones output volumes
- MIDI input and output
- Output sources can be selected in the setting panel
- Input sound monitoring can be set to stereo or mono
- Input muting function eliminates noise from unused inputs
- USB class compliant 2.0 support
- License cards included for SONAR X3 LE/Ableton Live Lite 9
- Confirmed operation with major DAW software (SONAR, ProTools, Cubase, Live, Studio One, Garage Band?
Unique features for the US-4x4
- Four Ultra-HDDA mic preamplifiers
- Four XLR or TRS (MIC/LINE) inputs with full +48V phantom power
- Four TRS analog balanced outputs
- Two headphone outputs – each with 45mW/ch output power
- Dedicated AC adapter is included
US-2X2 and US-4X4 SPECIFICATIONS
| US-2x2 | US-4x4 | |
| Sampling frequency | 44.1k/48k/88.2k/96kHz | |
| Quantization bit rate | 16/24bit | |
| Analog audio inputs | ||
| MIC IN | IN 1-2 | IN 1-4 |
| Connector | XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED | |
| Input impedance | 2.2k ohms | |
| Nominal input level | ||
| GAIN:MAX | -65dBu (0.0004Vrms) | |
| GAIN:MIN | -8dBu (0.3090Vrms) | |
| Maximum input level (GAIN:MIN ) |
+8dBu (1.9467Vrms) | |
| Gain | 57dB | |
| INST IN | IN 1-2 | IN 1-2 |
| Connector | 6.3mm(1/4")TS-jack(T?HOT, S?GND), UNBALANCED (When set to "INST" at MIC/LINE.INST switch) |
|
| Input impedance | 1M ohms | |
| Nominal input level | ||
| GAIN:MAX | -63dBV(0.0007Vrms) | |
| GAIN:MIN | -6dBV(0.5015Vrms) | |
| Maximum input level (GAIN:MIN ) |
+10dBV(3.162Vrms) | |
| Gain | 57dB | |
| LINE IN | IN 1-2 | IN 1-4 |
| Connector | 6.3mm(1/4")TRS-jack(T?HOT, R?COLD, S?GND), BALANCED (When set to "MIC/LINE" at MIC/LINE.INST switch) |
|
| Input impedance | 10k ohms | |
| Nominal input level | ||
| GAIN:MAX | -53dBu(0.0017Vrms) | |
| GAIN:MIN | +4dBu(1.228Vrms) | |
| Maximum input level (GAIN:MIN ) |
+20dBu(7.75Vrms) | |
| Gain | 57dB | |
| Analog audio outputs | ||
| LINE OUT | ||
| Connector | 6.3mm(1/4")TRS-jack(T?HOT, R?COLD, S?GND), BALANCED | |
| Output impedance | 110ohms | |
| Nominal output level | +4dBu (1.273Vrms) | |
| Maximum output level | +20dBu (7.75Vrms) | |
| PHONES | ||
| Connector | 6.3mm(1/4") stereo phone jack | |
| Maximum output level | 18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) |
45mW+45mW or more (THD+N 0.1% or less, 32ohms loaded) |
| MIDI IN / OUT | ||
| Connector | Din 5-pin | |
| Format | Standard MIDI format | |
| USB | ||
| Connector | USB B type 4-pin | |
| Format | USB2.0 HIGH SPEED | |
| Power | ||
| When connected PC | USB bus powered | Dedicated AC adapter (GPE248-120200-Z, included) |
| When connected iOS | AC Adapter (TASCAM PS-P520, sold separately) |
|
| Power consumption | 2.5W | 5W |
| Dimensions |
7.32" W ×2.56" H ×6.3" D |
11.62" W x 2.56" H x 6.3" D (296mm W ×65mm H × 160mm D) |
| Weight | 2.43lb (1.1kg) | 3.53lb (1.6kg) |
| Operating temperature | 5 to 35?C | |
| Bundled software |
Cakewalk SONAR X3 LE Ableton Live 9 Lite |
|
| Accessories | USB cable, SONAR X3 LE license card, Live 9 Lite license card, User's manual, warranty card | AC adapter(GPE248-120200-Z), USB cable, SONAR X3 LE license card, Live 9 Lite license card, User's manual, warranty card |
| Audio performance | |
| Frequency response | |
| LINE OUT(BALANCED) | |
| 44.1k/48k Hz | 20Hz to 20kHz, +0dB/-0.1dB |
| 88.2k/96k Hz | 20Hz to 40kHz, +0dB/-0.2dB |
| PHONES | |
| 44.1k/48k Hz | 20Hz to 20kHz, +0dB/-0.5dB |
| 88.2k/96k Hz | 20Hz to 40kHz, +0dB/-2dB |
| THD | 0.003% or less |
| S/N ratio | 101dB or more |
| Crosstalk | 95dB or more |
| EIN | -127dBu or less |
| Computer system requirements | |
| Windows | |
| OS | Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit) |
| Compatible computers | Windows-compatible computer with a USB 2.0 port |
| CPU type/speed | Dual core/2 GHz or faster (x86) |
| Memory | 2GB or more |
| DRIVER | ASIO2.0, WDM(MME) |
| Macintosh | |
| OS | OS X Mountain Lion(10.8), OS X Mavericks(10.9) |
| Compatible computers | Apple Macintosh computer with a USB 2.0 port |
| CPU type/speed | Dual core/2 GHz or faster |
| Memory | 2GB or more |
| DRIVER | Core Audio, Core MIDI |
| iOS | |
| OS | iOS 7 |
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$249.99