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AKG C420 PP Headset Microphone
C420 PP Microphone (discontinued)
Used in excellent conition, like new.
Head-worn microphone with behind-the-neck headband;
external shock mount for high mechanical-noise rejection;
miniature gooseneck for precise positioning near the user's mouth.
Head-worn condenser microphone with wide dynamic range for perfect vocal sound. The C420 provides a full frequency response bandwidth and is ideal for solo vocalists, singing keyboardists, drummers, guitarists, dancers, and aerobics instructors.
The C420 has a fully adjustable behind-the neck steel headband and adjustable ear pieces for comfortable and secure fit, with the cable exiting from the rear of the headband. When you require handsfree performance capabilities, the C420 headset is your perfect choice.
C420 PP:
microphone with standard XLR connector for phantom powering.
C420 L:
microphone with mini XLR connector for use with AKG WMS bodypack transmitters.
AKG C414 B-XL II Microphone Used
↵AKG C414 B-XL II (discontinued) Microphone USED
Used in like new condition. Comes with Mogami Mic Cable, PF 80 External Pop Filter and DR Boom Stand
AKG C 414 B XL II Microphone
Classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments
With the introduction of the next generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.
Features:
- High sound pressure level capability and wide dynamic range
- Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformer-less output stage
- 3 switchable bass cut filters and 3 pre-attenuation pads with LEDs for quick visual indication
- All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions
- High sensitivity and extremely low self noise
- 5 switchable polar patterns for placement and application flexibility
- 2-color LEDs provide quick visual indication of selected polar pattern and output overload
- Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
- H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
- Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connector
Absolute Reliability
The solid metal housing and transformer-less output stage combine to make the C 414 B-XL microphones immune to electrical interference from digital equipment, video monitors or from rf from wireless microphone or other communications systems.
5 Polar Patterns
The twin-diaphragm system gives you a choice of five different polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight). The diaphragm is made from a special gold-sputtered plastic foil and the gold layer is deposited on the diaphragm only on the outer sides to prevent short circuiting to the back plate if strong blasts of air are applied.
Elastic Capsule Suspension
Structurally transmitted vibrations that interfere and color the sound are almost completely eliminated thanks to a new elastic capsule suspension system.
3 Switchable Pre-Attenuation Levels
Pre-attenuation levels are controlled by changes in the polarization voltage of the capsule and permit increases of 6, 12 or 18 dB in the maximum sound pressure level for close-up recording or for use on high-output sources.
3 switchable Bass Filters
The switchable bass-cut filters reduce sonic coloration and the risk of low frequency distortion. The slope of the 40 and 80 Hz filters is more than 12 dB-per-octave and these are especially useful in combating wind noise or vibrations from stage floors. The 160 Hz filter has a gentler 6 dB-per-octave slope useful in minimizing proximity effect.
Predictable Performance Even in Humid Conditions
To minimize the negative effects of humidity, all switching circuits are located in a sealed low-impedance section to prevent problems. To test the stability of our microphones' performance, they are tested in simulated climatic conditions between -25 degrees Celsius (-13 degrees Farenheit) and +65 degrees Celsius (+149 degrees Farenheit) as well as relative humidity as high as 99% (immediately below point of condensation) above +20 degrees Celsius (+68 degrees Farenheit). The new C 414 B models can handle temperature extremes anywhere and still deliver perfect performance.
APPLICATION GUIDE
| C 414 B-XLS | C 414 B-XL II | |
| Lead/solo vocals | P | R |
| Backing Vocals / Choir | R | |
| Speech | P | R |
| Acoustic Guitar | P | P |
| Electric Guitar | P | |
| Electric Bass | P | |
| Double Bass | R | |
| Violin | R | P |
| Cello | R | P |
| Zither | P | R |
| Classical Grand Piano | P | |
| Rock Jazz Piano | P | P |
| Organ | P | R |
| Trumpet | P | P |
| Trombone | P | R |
| French Horn | P | P |
| Tuba | P | R |
| Saxophone | P | P |
| Flute | P | P |
| Clarinet | P | P |
| Harmonica | R | P |
| Bass Drum | P | |
| Toms | R | R |
| Cymbals | R | |
| Bongos | R | |
| Congas | R |
SPECIFICATIONS
| C 414 B-XLS / -XL II | |
| Type: |
1-inch large-diaphragm pressure gradient microphone
|
| Polar patterns: |
Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
|
| Sensitivity |
23 mV/Pa (-33 dBV) ± 0.5 dB
|
|
Frequency range:
|
20 to 20,000 Hz
|
|
Electrical impedance:
|
≤
200 ohms
|
|
Recommended load impedance:
|
≥
2,200 ohms
|
|
Bass cut filter slope:
|
12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
|
|
Preattenuation pads:
|
-6 dB, -12 dB, -18 dB, switchable
|
|
Equivalent noise level (CCIR 468-2):
|
20 dB (0 dB preattenuation)
|
|
Equivalent noise level (DIN 45 412, A-weighted):
|
6 dB-A (0 dB preattenuation)
|
|
Signal-to-noise ratio re 1 Pa (A-weighted):
|
88 dB
|
|
Maximum SPL for 0.5% THD:
|
200/400/800/1600 Pa = 140/146/152/158 dB SPL (0/-6/-12/-18 dB)
|
|
Dynamic range:
|
134 dB minimum
|
|
Environment:
|
Temperature range: -10° C to +60° C (14° F to 140° F)
Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)
|
|
Powering:
|
48 V phantom power to DIN/IE |
|
Current consumption:
|
approximately 4.5 mA
|
|
Connector:
|
3-pin XLR to IEC
|
|
Dimensions:
|
50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
|
|
Net weight:
|
300 g (10.6 oz.)
|
AKG C451 B Small-Diaphragm Condenser Microphone Used
This is a lightly used mic from a smoke free studio. Used about 5 times before the studio closed.There are two available at $399 ea.
The AKG C451 B Small-Diaphragm Condenser Microphonenis great at recording drums, percussions, acoustic guitars and strings in the studio and in live situations. It is engineered to approximate the sound of its predecessor, the C451 EB + CK1, but with its redesigned hand-crafted fixed capsule (which eliminates the mechanical problems associated with the original modular design), and its low-noise preamp electronics, this microphone delivers accurate transients for a bright and detailed sound.
With a sound-pressure level capability of 155 dB, a dynamic range of 117 dB, a switchable pad and a bass-cut filter, and a transformerless output stage, the C451 B allows for close-miking of high-energy sound sources with low distortion and flat frequency response. The rugged all-metal body ensures efficient rejection of RF interference and makes this microphone well suited to withstand the rigors of studio and stage handling.
The C451 B comes with a stand adapter, a windscreen and a microphone bag.
- Hand-crafted fixed capsule
- Low-noise preamp electronics
- Sound pressure level capability of 155 dB SPL with 117 dB dynamic range
- Transformerless output stage for low distortion and flat frequency response
- Switchable pre-attenuation pad (10 dB & 20 dB)
- Switchable bass-cut filter to reduce wind noise and proximity effect (75 Hz & 150 Hz)
- All-metal body provides efficient protection from RF interference
- Rugged construction
- Windscreen, stand adapter and microphone bag included
Specs:
| Transducer | Condenser |
| Polar Pattern | Cardioid |
| Frequency Range | 20 Hz to 20 kHz |
| Signal to Noise Ratio | 76 dB A-Weighted |
| Equivalent Noise Level | 18 dB A-Weighted |
| Maximum SPL | 155 dB SPL with 20 dB Pad Engaged |
| Impedance | 200 ohms |
| Load Impedance | 1 kOhms |
| Sensitivity | 9 mV/PA |
| Power Requirements | 9-52 V |
| Low-Cut Filter | Yes, 12 dB/Octave @ 75 Hz Yes, 12 dB/Octave @ 150 Hz |
| Pad | Yes, 10 dB Yes, 20 dB |
| Output Connectors | 3-pin XLR |
| Operating Temperature | -4.00 to 140.00°F (-20 to 60°C) |
| Operating Current Consumption | 2.0 mA |
| Dynamic Range | 117 dB A-Weighted |
| Length | 6.30" (160 mm) |
| Diameter | 0.75" (19 mm) |
| Weight | 4.41 oz (125 g) |
Neumann KM 184 MT Microphone Matte Black Finish Used
Used in like new condition. Comes with Mogami Mic Cable and DR Boom Stand. There are two available.
The Neumann KM 184 MT Microphone in matte black is a small-diaphragm cardioid condenser microphone with premium Neumann sound that's both open and musical. It is perfect for solo instruments, ensemble, and spot miking.
The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high-output gain with a very low noise floor and no coloration to the output signal.
The KM 184 is powered via +48V phantom power. Its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 184's cardioid polar pattern provides a targeted pickup area and handles sound-pressure levels up to 138 dB, allowing fairly close miking of instruments.
Cardioid Polar Pattern
The cardioid polar pattern effectively isolates signal source.
KM 100-Based Output Stage
The KM 184 has the same output stage electronics as the KM 100. Transformerless circuitry and quiet balanced output design ensure a clean, high-gain output signal without any coloration. The KM 184 is powered via +48V phantom power, and its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 184 can handle sound-pressure levels up to 138 dB, allowing fairly close miking of instruments.
Specs:
| Operating Principle | Pressure Gradient |
| Transducer | Condenser |
| Polar Pattern | Cardioid |
| Frequency Range | 20 Hz to 20 kHz |
| Signal to Noise Ratio | 72 dB CCIR 81 dB A-Weighted |
| Equivalent Noise Level | 22 dB CCIR 13 dB A-Weighted |
| Maximum SPL | 138 dB SPL 0.5% |
| Impedance | 50 ohms |
| Load Impedance | 1 kOhms |
| Sensitivity | 15 mV/PA @ 1 kHz into 1 kOhms |
| Power Requirements | 48 V+/- 4 V |
| Output Connectors | 3-pin XLR |
| Operating Current Consumption | 3.2 mA |
Neumann U 87 Ai Condenser Microphone Studio Set, Nickel Used
Used in like new condition. Comes with Neumann Mic Cable.
The Neumann U 87 Ai Condenser Microphone in nickel finish is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The U 87 Ai is best known as a The Vocal Mic but it is a main microphone for orchestra recordings and as a spot microphone for single instruments, and speech.
The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.
The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.
A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.
An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).
Features:
- Cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, and the figure-8 characteristic at a distance of 15 to 20 cm.
- Variable large diaphragm microphone
- Pressure-gradient transducer with double membrane capsule
- Omnidirectional, cardioid, and figure-8 characteristics
- Switchable low frequency roll-off
- Switchable 10 dB pre-attenuation
- Great as a main or as a support microphone
Specs:
|
Operating Principle |
Pressure Gradient |
| Transducer | Condenser |
| Polar Pattern | Cardioid, Figure 8, Omnidirectional |
| Frequency Range | 20 Hz to 20 kHz |
| Signal to Noise Ratio | 71: dB CCIR 69: dB CCIR 68: dB CCIR 82: dB A-Weighted 80: dB A-Weighted 79: dB A-Weighted |
| Equivalent Noise Level | 23 dB CCIR 25 dB CCIR 26 dB CCIR 12 dB A-Weighted 14 dB A-Weighted 15 dB A-Weighted |
| Maximum SPL | 117 dB SPL 0.5% 127 dB SPL 0.5% with 10 dB Pad Engaged |
| Impedance | 200 ohms |
| Load Impedance | 1 kOhms |
| Sensitivity | 28 mV/PA @ 1 kHz into 1 kOhms 22 mV/PA @ 1 kHz into 1 kOhms 20 mV/PA @ 1 kHz into 1 kOhms |
| Power Requirements | 48 V+/- 4 V |
| Pad | Yes, 10 dB |
| Output Connectors | 3-Pin XLR |
| Operating Current Consumption | 0.8µA |
Neumann U-89i Condenser Microphones Used
Vintage NEUMANN U-89i Condenser Microphones from the 90s
Used in like new condition.
There are two available. $1900 for each.
Have two Vintage NEUMANN U-89i Condenser Microphones from the 90s for sale. Used in a smoke free recording studio. Both are in great condition. Sorry no shock mount, case or cable included.
Multi-Pattern Condenser Microphone
The U89i is a large-diaphragm FET condenser microphone positioned as an evolution of the U 87.
Both are transformer-coupled multipattern FET mics, but the differences are significant. Some of the differences include:
The K89 capsule differs in size, construction, and sound from the K67/K870 capsule in the U 87.
The U 89i has 5 polar patterns. (The U 87 has 3.)
Although both mics employ DC-DC converters, FET amplifiers and output transformers, the amplifier circuitry in the two mics differ.
The U 89i is physically smaller than the U 87.
Neumann U89i Circuit. The five pickup patterns (figure-8, hypercardioid, cardioid, wide cardioid, omni) are selectable via a rotary switch built into the collar of the microphone.
A second switch provides a -6dB pad, which functions by creating negative feedback within the first stage of amplification. With the pad engaged, the mic’s max SPL is 140dB.
Neumann K89 capsuleThe K89 is a neutral mic, lacking the HF boost common to K67-based mics.
The Neumann U 89 i is also known as: U 89i, U89.
The mic was released in 1990.
sE Electronics RF-X Reflection Filter -Ultimate Support Mic Stnd
sE Electronics RF-X Reflection Filter w/ Ultimate Support Mic Stnd Used
In excellent condition.
The sE Electronics RF-X Reflection Filter keeps unwanted audio ambience from contaminating your vocal tracks in untreated acoustic environments like your living room. This acoustic filter uses the same patented technology as the RF-Pro. Its lightweight body and clamp assembly makes the RF-X simple and easy to use.
The RF-X is lighter than its predecessors, but still maintains durability. It features a four-layer acoustic filter design comprising the outer composite panel itself, a wool fabric layer, an air gap layer and an inner acoustic foam layer. The air gap ensures that recordings exhibit almost no sound coloration when the RF-X filter is used.
The RF-X clamp assembly's lightweight design can be used on almost any microphone stand. It allows vertical mounting only, making it ideal for vocal recording.
- Four-Layer Acoustic Filter Design
- Prevents Unwanted Ambient Sound
- Air Gaps Ensure No Sound Coloration
- Lightweight yet Durable
SE Electronics SE2200a Mike with Boom Stand and Pop Filter
SE Electronics SE2200a Mike with Boom Stand and Pop Filter
SE Electronics SE2200a mic, shockmount (with new elastic bands), case, round base stand, mini boom and Stedman Pro Screen 101. Shock mount has new bands. Include Mic Case.
You just need a cable to get going!
$150.00
Sennheiser SKM 100-835 G3 - A Band, 516-558 MHz Mic Used
Sennheiser SKM 100-835 G3 - A Band, 516-558 MHz Used
This mic was used 5 times so it's liike new without the pricetag. Comes with what you see in the picture. Does Not include a G3 or G2 reciever.
Sennheiser's SKM 100-835 G3 - A Band is a handheld dynamic microphone and wireless transmitter in one which works with your Sennheiser G3 or G2 wireless system. Just sync your G3 receiver with this mic then start singing. The Sennheiser SKM 100-835 G3 is a rugged great sounding mic, it will work on the big stage, a conference hall or auditorium.
Features:
- Works on Sennheiser's A Band: 518-554MHz
- 1 SKM 100-835 G3 handheld transmitter (dynamic, cardioid mic)
- 1 MZQ 1 microphone clip
- Operating instructions
Specs
| Transmitter Frequency Range | 516-558 MHz |
|---|---|
| Form Factor | Handheld |
| Microphone Type | Dynamic |
| Polar Pattern | Cardioid |
| Frequency Response | 80Hz to 18kHz |
| Microphone Size | 10.43" x 1.97" |
| Max SPL | 154dB |
| Mute Feature | Yes |
| Signal/Noise Ratio | >110dB (A weighted) |
| Battery Type | 2 x AA or BA 2015 Battery Pack |
| Battery Life | >8 hours |
| Weight | 0.99 lbs. |
| Manufacturer Part Number | 503127 |
