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This USED Mackie 1402VLZ4 14-Channel Compact Mixer features Onyx preamps in a professional compact mixer used for applications that demand flexibility. It was used in a smoke free home studio and is in excellent condition

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like a dedicated control room section and smooth, accurate fader control, the 1402VLZ4 14-Channel Compact Mixer is a good choice for anybody who demands for professional performance.

Features:

14-Channel mixer with signature high-headroom, low-noise design
6 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz)
Improved RF rejection, suitable for broadcast applications
Phantom power for condenser microphones
14 High-headroom line inputs with +4/-10 operation control
3-Band EQ (80 Hz, & 2.5 and 12 kHz)
18 dB/octave 75 Hz low-cut filter on microphone input channels
Two AUX sends, and level, pan, and PFL solo on each channel
60mm long-wearing log-taper faders
Two stereo returns for connecting FX processor or other stereo source
ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix
High-resolution 12-segment stereo meters
Sealed rotary controls resist dust and grime
Built-like-a-tank rugged steel chassis with powder-coat finish
High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
Rack-mountable design using a rack ear kit (sold separately)
Multi-voltage power supply for worldwide use
Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many more

Specs:

Noise	Main Mix Fader Down, Channel Faders Down: -101 dBu Main Mix at Unity, Channel Faders Down: -91 dBu (95 dB signal to noise ratio, ref +4 dBu) Main Mix Fader at Unity, Channel Faders at Unity: -86 dBu ¹
Total Harmonic Distortion (THD)	Microphone Pre @ Insert: <0.0007% ²
Crosstalk / Attenuation	Main Mix Fader Down: -100 dBu Channel Alt / Mute Switch Engaged: -90 dBu Channel Fader Down: -90 dBu ³
Frequency Response	Microphone Input to Main Output (Gain at Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise	150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain
Common Mode Rejection Ratio	Better than -70 dB @ 1 kHz
Maximum Level	Microphone In: +22 dBu Tape In: +16 dBu All Other Inputs: +22 dBu Main Mix XLR Out: +28 dBu All Other Outputs: +22 dBu
Impedance	Microphone In: 2.5 kΩ Channel Insert Return: 2.5 kΩ All Other Inputs: 10 kΩ or greater Tape Out: 1.1 kΩ All Other Outputs: 120 Ω
Equalizer	High Shelving: ±15 dB @ 12 kHz Mid Peaking: ±15 dB @ 2.5 kHz Low Shelving: ±15 dB @ 80 Hz
Power Consumption	25 W, 100 to 120 VAC, 50 to 60 Hz
Operating Temperature	32 to 104°F (0 to 40°C)
Fuse Rating	100 to 120 V: 500 mA slo blo, 5 x 20 mm 220 to 240 V: 250 mA slo blo, 5 x 20 mm
Dimensions (H x W x D)	12.5 x 14.0 x 3.2" (317.0 x 356.0 x 81.0 mm)
Weight	9.5 lb (4.5 kg)

WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov

$200.00

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Mackie 32 x 8 buss Mixing Console w/Meter Bridge

In great condition everything works fine. Used in a smoke free studio Includes the meter bridge and power supply

Here's what Mackie says about this mixer

Mackie Analog 8•Bus Series mixers are the most successful in-line recording consoles ever made. They have tracked more platinum albums and major motion picture soundtracks than any other mixers in their class. Since its release in 1993, the 8•Bus Series has consistently set the standard for both affordability and feature set in 8-bus consoles. They have never been equaled for sound quality and are legendary for their performance and reliability.

Ultra-quiet and flexible, the Mackie 8•Bus is the definitive 8•bus console, used by more artists, groups, composers, and production facilities than any other brand. Designed to eliminate the last barrier between you and your creativity--the 32•8 mixer can hold its own against significantly higher priced consoles.

LOADED WITH PROFESSIONAL FEATURES

When it comes to features in a recording console, the 32•8 has all bases covered--with low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. Each channel strip is equipped with Mackie's truly musical EQ--with Hi and Lo shelving, fully parametric Hi-Mid, and sweepable Low-Mid EQ. And if that isn't enough, we included our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix on a channel-by-channel basis. True eight-bus operation and patching capability galore makes the Mackie 8•Bus Series the natural first choice among professionals the world over.

MAXIMUM MONITORING CAPABILITY

The 8•Bus Series' Mix B feature makes foldback monitor mixing (aka monitoring tracks from your recorder) a breeze. Other common uses include mix creation from tape while recording, feeds for additional studio headphone mixes, additional quick live mixdowns and recordings, etc. And dedicated talkback and dual phones level controls make communicating with the talent a snap. The Mix B section also features a Split switch, which splits the channel EQ between Mix B and the main channel signal. This can be really handy when you need to tweak the Mix B signal to your liking.

IT'S A RECORDING CONSOLE, IT'S A MIXDOWN CONSOLE--IT'S ACTUALLY BOTH!

When in the up position, the Flip switch allows the normal operation of the channel. All EQ is available for the incoming signal and that signal can proceed directly to your multitrack recorder. However, when the flip switch is activated, you can listen to the recorded track and start to work on a rough mix. Think of it this way: on in-line mixer, such as the 32•8, the channel fader controls the level sent to tape while tracking (Flip switch UP), but when mixing (Flip switch DOWN), the fader controls the level sent to the main mix bus. This feature is especially handy if you are on a tight schedule, as you quickly can go from one mode to the other.

DON'T MISS THE BUS

The Mackie 8•Bus Series has, in fact, many more than eight buses. Not only do you have the eight buses mentioned in the name; there are also six AUX buses, a pair of L/R Mix buses, the alternate pair of MIX-B buses, and a pair of Solo buses.

When you get right down to it, the 8•Bus Series is a value at many times the price. More artists and producers of every genre trust the Mackie 8•Bus for their recording needs--shouldn't you!

FEATURES

32-Channel 8-Bus Analog Recording Console
Mackie's ultra-quiet, high headroom mic preamps on every channel (with phantom power for use with condenser mics)
Loads of outputs for easy multitracking
True 8-bus operation
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/octave @ 75Hz) on every channel
6 stereo (2 assignable) Aux Returns
Extensive routing capabilities

$800.00

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