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EastWest Stormdrum 3 Mac PC Instrument eLicense
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EastWest Stormdrum 2 Pro Bundle Mac PC Instrument eLicense
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East West Iconic Mac PC Instrument eLicense
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Korg Vintage Poly61 61 Key Polyphonic Synth with A&S Case Used
Left in the closet for years, it still plays and comes with a Flight Case from A&S caes. In excellent physical condition
The KORG Poly-61 is a programmable polyphonic synthesizer released by Korg in 1982, as a successor to the Polysix. It was notable for being Korg's first "knobless" synthesizer - featuring a push-button interface for programming, dispensing from the Polysix's knobs and switches. The Poly-61 also moved to a hybrid tone-generation system, using digitally controlled analog oscillators or DCO's , in place of the Polysix' more retrograde VCOs.
The Ploy61 also retained the arpeggiator of the Polysix. The Poly-61 can provide cool gritty basses or trippy analog sounds and fx.
Also added is the familiar Korg joystick, which can be used to modulate the VCO or the VCF. However, its filter only has 7 steps of resonance and is not as fat as the Polysix's filter.
Oscillators
The Poly-61 offers two DCOs per voice. DCO1 provides sawtooth, pulse, and PWM waveforms. DCO2 has only sawtooth and square.
Filter
The filter has the typical controls for cutoff, resonance, keyboard tracking and envelope amount. Some of these are rather limited by the poor parameter resolution. Keyboard tracking is simply "on" or "off" for example, and resonance and envelope level (here labelled "EG Intensity") have only 8 values.
Output
The final component in the audio path is a VCA. It can be driven by the envelope generator or a CV/Gate pulse.
Embedded Processors
NEC D8049C - 8 bits, 11 MHz (max.), 40 pins (DIP), Supply Voltage = 5V
There are 2 of them on the CPU board (KLM-509), one is a Programmer and the other is an Assigner.
The 8049 has 2 kB of masked ROM as well as 128 bytes of RAM and 27 I/O ports. The µC's oscillator block divides the incoming clock into 15 internal phases, thus with its 11 MHz max. crystal, one gets 0.73 MIPS (of one-clock instructions). Some 70% of instructions are single byte/cycle, but 30% need two cycles and/or two bytes, so raw performance is closer to 0.5 MIPS. The minimum instruction length is 8 bits and the maximum instruction length is 16 bits.
Modulation
Envelope generator
The envelope is an ADSR type. All parameters can only be set to one of 16 values.
There are 6 SSM-2056 analog envelope generator chips used in the Poly 61, each being controlled by discrete 4-bit D/A converters. This means there are only 16 possible settings for each of the ADSR parameters.
LFO
The LFO (known as a 'modulation generator' on the Poly-61) is a simple triangle wave that can be routed to the DCOs or VCF. It has a variable delay before it is triggered.
$799.00
Linn Linn Drum LM-2 Drum Machine with JLCooper MIDI
The LinnDrum had 15 drum sounds sampled from real drums played for the machine specifically by noted Los Angeles drummer Art Wood, good friend of Roger Linn who also played with Linn as well as Peter Frampton, Gary Wright, Cher, Tina Turner, Bette Midler and James Brown to name a few.The LM-2, provided a sequencer for programming rhythm patterns, a built-in mixer and individual output jacks for each sound.
Improvements on the LM-1 included the addition of crash and ride cymbal samples, five external trigger inputs and the ability to replace the built-in sounds with new sounds on EPROM chips.
Tuning controls are provided for snare, hi, mid and lo toms, and hi and lo congas. Range is approximately one octave. Decay time adjust for the closed hi hat is also provided
The sequencer had some innovative features (for the time) such as swing, quantizing and memory storage! Two-bar patterns can be recorded in real or step time, with or without quantizing. There are 56 user patterns for storing your drum patterns. There are also 42 preset drum patterns. Patterns can be arranged into Songs for which there are 49 memory locations. Old songs and patterns can be off-loaded to cassette tape for storage. Designed for the studio, there are 15 individual outputs for each sound around the back as well as external sync and trigger but no MIDI (unless modified by a 3rd party). The LinnDrum's features made it the most professional drum machine of its time. It was widely used throughout the 1980s and there are about 5,000 of them which have been used by professionals (such as Sting, Prince, Jean-Michel Jarre, Sheila E., Todd Rundgren, Jimmy Edgar, Jan Hammer, Peter Gabriel), hobbyists, and educators alike!
JLCooper MIDI Retro fit
This allows the LM-2 to:
Send/receive MIDI Nores
Send/receive MDI Real TIme Messages such as MIDI Clock, Song Posotiion Pointer, etc
Send/receive MID SYSEX
Also available is a Chip Sound Library!!
$2,200.00
M-Audio MIDISport 2x2 USB MIDI Interface Used
The USB MIDISPORT 2x2 is a multi-port MIDI interface for USB-equipped PC and Apple computers. MIDISPORT's high-speed USB (Universal Serial Bus) connection to the computer assures reliable, immediate MIDI transfers. Installation is a breeze -- no computer disassembly, no jumpers to set, no I/O Addresses, IRQ's or DMA channels to configure! Expansion is just as easy -- just plug in additional MIDISPORT units for more MIDI ports.
Features
- 2-in/2-out MIDI interface (32 discrete MIDI input channels, 32 discrete MIDI output channels)
- standalone MIDI merge and THRU functionality
- connection and power via USB—requires no external power supply
- class-compliant operation under Windows XP, Vista and Mac OS X—no additional drivers reqired
- MIDI activity indicator for each port
- compact and lightweight for mobile or desktop use
System Requirements
- Windows XP or Vista
- Mac OSX up to 10.14
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Peavey DPM-SX Rackmount Sampler Input for DPM3, SP
This is a demo unit. It's never been sold. Includes manual and power supply. It's in good condition
The DPM SX is a dedicated sampling front-end for the DPM SP (which cannot sample by itself). Since the SX supports SMDI and MIDI Sample Dump Standard, it is conceivably of use to owners of other sample-based instruments. The SX has its own sample RAM, with a maximum of 16MB. However, it only samples in mono; the later SX II will sample in stereo, and will even sample directly into a SP's RAM using SCSI. This is your chance to add some classic rack gear to your rig! No reserve! Don't pass this by!
$75.00
Peavey SP SamplePlayer
This Peavey SP Sample Player is in good condition. Comes from a smoke free studio.
- 16-bit sample player manufactured by Peavey Electronics Corp. from 1989 to 1991.
- 16 note polyphony (mono samples), 8 note polyphony (stereo samples).
- Sample Rate adjustable from 12 kHz. to 48 kHz.
- Four outputs with full panning configurable as: two stereo pairs, two mono outs and one stereo pair, or four mono outs.
- Comes standard with 2 M of memory; can be expanded to 32 M for a total of 190 sec. stereo or 380 sec. mono ( @44.1 kHz.).
- Uses Macintosh 30 pin (non-parity) SIMM's ; 1 or 4 M (in pairs).
- Loads samples via: SCSI, floppy disk, or audio from the SX / SXII.
- MIDI : 16 part multi-timbrial; omni, poly, and multi modes.
- MIDI In, Thru, and Out ports.
- Dual 25 pin SCSI connectors, internal termination on or off via internal DIP resistor networks.
- Multiple units can be cascaded to increase memory and polyphony.
- 200 Waves, 200 Tones, 128 Maps, 128 Presets.
- Architecture: Waves-Tones-Maps-Presets-Global.
- Wave Parameters include: Forward Looping, Stereo Merge of two mono samples into one stereo sample,Wave naming, tuning, and copying.
- Tone parameters include: DCO, DCA, and DCF with fully assignable modulation sources,adjustable modulation polarity, three stage envelope, passive filters, panning, assignable LFO, wave start modulation, Tone naming and copying.
- Map parameters include: zone width, tone assign, transposition, volume, pan, output assign, 8 voice allocation groups, Map naming and copying.
- Preset parameters include: controller assignments, Map layering, detuning, crossfading, velocity switching, range switching, maximum polyphony, voice allocation, pitch bend and transpose amounts, master DCF, DCA, pan and filter cutoff, Preset naming and copying.
- Global parameters include: MIDI receive mode, Multi mode edit, SCSI parameters, Master Tuning and Volume, Note and Display Options.
- Supports SMDI (SCSI Musical Data Interchange).
- Pros: Clean sound, expandable to 32 M, easy to edit, 8-way velocity switching, reads Akai S-1000 data, inexpensive, separate sampling and playback units, SCSI, SMDI, one rack space.
- Cons: Passive filters, 16 note polyphony, no sample reverse, no effects, only reads Akai S-1000 data, only supports forward looping, four outputs.
Peavey SP SamplePlayer w/ Sysquest/CD Rack & Library
This is a store demo unit that is in good condition. The SCSI Sysquest/CD Rom drive is used. The library is Peavey's factory library of 50 disks. The winner of the auction can choose what floppies he wants from the 200 disk library. I have more disks available so if you have a SP and want more sounds, contact me. It's got version 2.10 software with 26 megs of ram so it can read AKAI DISKS
- 16-bit sample player manufactured by Peavey Electronics Corp. from 1989 to 1991.
- 16 note polyphony (mono samples), 8 note polyphony (stereo samples).
- Sample Rate adjustable from 12 kHz. to 48 kHz.
- Four outputs with full panning configurable as: two stereo pairs, two mono outs and one stereo pair, or four mono outs.
- Comes standard with 2 M of memory; can be expanded to 32 M for a total of 190 sec. stereo or 380 sec. mono ( @44.1 kHz.).
- Uses Macintosh 30 pin (non-parity) SIMM's ; 1 or 4 M (in pairs).
- Loads samples via: SCSI, floppy disk, or audio from the SX / SXII.
- MIDI : 16 part multi-timbrial; omni, poly, and multi modes.
- MIDI In, Thru, and Out ports.
- Dual 25 pin SCSI connectors, internal termination on or off via internal DIP resistor networks.
- Multiple units can be cascaded to increase memory and polyphony.
- 200 Waves, 200 Tones, 128 Maps, 128 Presets.
- Architecture: Waves-Tones-Maps-Presets-Global.
- Wave Parameters include: Forward Looping, Stereo Merge of two mono samples into one stereo sample,Wave naming, tuning, and copying.
- Tone parameters include: DCO, DCA, and DCF with fully assignable modulation sources,adjustable modulation polarity, three stage envelope, passive filters, panning, assignable LFO, wave start modulation, Tone naming and copying.
- Map parameters include: zone width, tone assign, transposition, volume, pan, output assign, 8 voice allocation groups, Map naming and copying.
- Preset parameters include: controller assignments, Map layering, detuning, crossfading, velocity switching, range switching, maximum polyphony, voice allocation, pitch bend and transpose amounts, master DCF, DCA, pan and filter cutoff, Preset naming and copying.
- Global parameters include: MIDI receive mode, Multi mode edit, SCSI parameters, Master Tuning and Volume, Note and Display Options.
- Supports SMDI (SCSI Musical Data Interchange).
- Latest software version: v2.10; allows the SP to read Akai S-1000 data (via SCSI only).
- Pros: Clean sound, expandable to 32 M, easy to edit, 8-way velocity switching, reads Akai S-1000 data, inexpensive, separate sampling and playback units, SCSI, SMDI, one rack space.
- Cons: Passive filters, 16 note polyphony, no sample reverse, no effects, only reads Akai S-1000 data, only supports forward looping, four outputs.
Rhodes Mark I Suitcase piano built in 1977
Selling a working in good condition minus cigarette burns Rhodes Mark I Suitcase piano built in 1977.
Here's some info about this vintage electric piano. An instrument that defined Jazz, Pop and Rock hits from the 60s to now.
73 keys with a Neoprene hammer tips amd plastic hammer combs with the original curved cams and pedestal felts.
Suitcase Piano's amplifier is a FR7710 amp was now 100W stereo (2 x 50W), with pairs of 1/4" inputs and outputs for running the piano's signal to and from a mixing console. The FR7710 amp was also packaged as a standalone upright cabinet known as the Janus I System. These amps could be used as an upgrade for the Stage Piano (replacing the previous Super Satellite system), or to triple the Suitcase Piano's output by sending the Preamp Output channels to a pair of Janus cabinets(!) for an effective 300W RMS.
On the front panel, a pair of sliders for EQ and individual knobs to control the rate (Speed) and depth (Intensity) of the Vibrato effect. The 1/4" Accessory jacks functioned as a send (#1) and return (#2) for an effects loop.
Also includes are the accessories in the picture.
$1,800.00
Roland M-VS1 Vintage Synth Module Used
Roland M-VS1 USED
Vintage Synth Sound Expansion (1995)
From a smoke free studio. One owner, great condition.
The sound expansion series are budget rackmount version of SR-JV cards for Roland JV expanders e.g JV-1080 or keyboard workstations / XP-50.
The MVS-1 is the module version of the SR-JV80-04 VINTAGE SYNTH expansion board.
The Roland M-VS1 Vintage Synth Sound Expansion module is a 1U rack (aftertouch and velocity sensitive), 28 voice (8-part multimbral) digital synthesizer (editable via MIDI only), featuring an oscillator (254 samples), resonant low|high-pass filter, dedicated (4-stage) pitch, filter, and amp envelopes, dual LFOs (saw, sine, square, random, S/H, triangle waveforms with attack|decay), portamento, reverb/chorus, 255 presets, 8 rhythm sets, mix input, and MIDI.
| Form Factor | Dimensions | Weight | Audio Input | Audio Output | Communication Port | Control Input | Control Output | Switch Input | Power |
|---|---|---|---|---|---|---|---|---|---|
| 1U rack | W:482m(19in) D:165mm(6.5in) H:44mm(1.75in) | 2.65kg (5.875lbs) | mix:stereo | stereo | MIDI IN/OUT/THRU | MIDI | MIDI | no | 10W AC |
Architecture
| Multitimbral | Polyphony | Unison | Architecture |
|---|---|---|---|
| 7 + rhythm | 28 | no | PCM->DCF->DCA |
| Effects | Pan Modulator | Volume Modulator | Headphone |
|---|---|---|---|
| reverb:8 chorus:3 | aftertouch key LFO1/2 MIDI-CC MIDI-Bend velocity | aftertouch key LFO1/2 MIDI-CC MIDI-Bend velocity A-ENV | yes |
| Arpeggiator | Arpeggiator External | Sequencer | Sequencer Memory | Sequencer External | Continuous | Program Change |
|---|---|---|---|---|---|---|
| no | N/A | no | N/A | N/A | MIDI-bend MIDI-CC1 MIDI-CC5 MIDI-CC6 MIDI-CC7 MIDI-CC10 MIDI-CC11 MIDI-CC38 MIDI-CC91 MIDI-CC93 MIDI-CC100 MIDI-CC101 | MIDI |
| Key Pressure | Chord Memory | External Control | External Sustain | Key Scaling | Velocity Curves |
|---|---|---|---|---|---|
| channel | no | MIDI-SysEx | MIDI | variable | 7 |
| Stereo | Sample Depth | Sample Rate | Sample RAM | Sample ROM | Sample Points | Sample Trigger | Sample Loop | Sample Edit |
|---|---|---|---|---|---|---|---|---|
| no | 16bit | ? | no | ? | N/A | N/A | N/A | no |
| Engine | Signal Class | Waveform | Octave Range | Amplitude Modulator | Harmonics Modulator | Pitch Modulator | Wave Assign Modulator |
|---|---|---|---|---|---|---|---|
| Sample | digital | sample:254 | - | no | FM | aftertouch MIDI-CC mod-lever pedal bend-lever LFO1/2 MIDI-PitchBend P-EG portamento | no |
| Filter | Signal Class | IC | Resonant | Shape | Frequency Modulator | Resonance Modulator | Shape Modulator |
|---|---|---|---|---|---|---|---|
| TVF | digital | ? | yes | low|high pass | aftertouch MIDI-CC mod-lever pedal key LFO1/2 F-EG velocity | aftertouch MIDI-CC mod-lever pedal | no |
| Envelope | Level | Rate | Loop | Polarity | Trigger | Level Modulator | Rate Modulator |
|---|---|---|---|---|---|---|---|
| P-EG | 4 | 4 | no | yes | no | velocity | key velocity |
| F-EG | 4 | 4 | no | yes | no | velocity | key velocity |
| A-EG | 3 | 4 | no | no | no | no | key velocity |
| LFOs | Waveform | Delay | Polarity | Sync | Delay Modulator | Level Modulator | Rate Modulator |
|---|---|---|---|---|---|---|---|
| LFO1 | sine saw square random S/H triangle (with offset) | attack|decay | no | key | key | aftertouch MIDI-CC mod-lever pedal | aftertouch MIDI-CC mod-lever pedal |
| LFO2 | sine saw square random S/H triangle (with offset) | attack|decay | no | key | key | aftertouch MIDI-CC mod-lever pedal | aftertouch MIDI-CC mod-lever pedal |
Roland M256E Ram Card (Used)
Roland M-256E memory card. These cards are compatible with Roland A-Series, GR-Series, D-Series, JV-Series, JD-Series, R-Series, VG-8, V-Drums TD-10 and more. It's in excellent condition
$90.00
Roland PN-D50-00 Soundbank Used
This is a Used Roland PN-D50-00 Soundbank in good condition
Roland PN-D50-00 soundbank
Internal factory preload bank
BANK 1
A-11. Fantasia
A-12. Metal Harp
A-13. Jazz Guitar Duo
A-14. Arco Strings
A-15. Horn Section
A-16. Living Calliope
A-17. D-50 Voices
A-18. Slow Rotor
BANK 2
A-21. DigitalNativeDance
A-22. Bass Marimba
A-23. Flute-Piano Duo
A-24. Combie Strings
A-25. Harpsichord Stabs
A-26. Griitttarr
A-27. Nylon Atmosphere
A-28. Synthetic Electric
BANK 3
A-31. Breathy Chiffer
A-32. Gamelan Bell
A-33. Slap Brass
A-34. PressureMe Strings
A-35. Rich Brass
A-36. Pipe Solo
A-37. Soundtrack
A-38. Cathedral Organ
BANK 4
A-41. Shamus Theme
A-42. Vibraphone
A-43. Basin Strat Blues
A-44. Pizzagogo
A-45. Flutish Brass
A-46. Pressure Me Lead
A-47. Spacious Sweep
A-48. Piano-Fifty
BANK 5
A-51. Glass Voices
A-52. Hollowed Harp
A-53. Ethnic Session
A-54. Jete Strings
A-55. Stereo Polysynth
A-56. Tine Wave
A-57. Syn-Harmonium
A-58. Rock Organ
BANK 6
A-61. Staccato Heaven
A-62. Oriental Bells
A-63. E-Bass and E-Piano
A-64. Legato Strings
A-65. JX Horns-Strings
A-66. Shakuhachi
A-67. Choir
A-68. Picked Guitar Duo
BANK 7
A-71. Nightmare
A-72. Syn Marimba
A-73. Slap Bass n Brass
A-74. String Ensemble
A-75. Velo-Brass
A-76. Digital Cello
A-77. O K Chorale
A-78. Pianissimo
BANK 8
A-81. Intruder FX
A-82. Steel Pick
A-83. Synth Bass
A-84. Afterthought
A-85. Bones
A-86. Bottle Blower
A-87. Future Pad
A-88. PCM E-Piano
Roland PN-D50-01 Soundbank Used
This is a Used Roland PN-D50-01 Soundbank in good condition
Roland PN-D50-00 Factory Soundbank
"Sustain Group"
BANK 1
A-11. Bouncing Bows
A-12. Deep Analog Strngs
A-13. Psycho Strings
A-14. Warm Strings
A-15. Deep String Ensmbl
A-16. Symphony Strings
A-17. Chase String Ensmb
A-18. Baroque Strings
BANK 2
A-21. Cello
A-22. Viola
A-23. Solo Violin
A-24. Contra Bass
A-25. Choir and Strings
A-26. Harpsi Strings
A-27. Horns and Strings
A-28. Pulse Pad
BANK 3
A-31. Classical Horn
A-32. Fanfare
A-33. Tuba
A-34. Velo-Brass 2
A-35. Stab Brass
A-36. Mallet Horns
A-37. Slow Brass Sweep
A-38. Slappin Brass
BANK 4
A-41. Tenor Saxophone
A-42. Alto Saxophone
A-43. Soprano Saxophone
A-44. EPiano n Sopranino
A-45. Wild Blow
A-46. Squeeze de Sax
A-47. Harmonica
A-48. Whistling Soldiers
BANK 5
A-51. Flute-Piccolo
A-52. Oboe
A-53. Bassoon
A-54. Clarinet
A-55. Ocarina
A-56. Breathing Pipe
A-57. Calliope
A-58. Wabi Sabi
BANK 6
A-61. Synth Lead 1
A-62. Synth Lead 2
A-63. Griitttarr 2
A-64. 5th Lead Synth
A-65. Amazing Solo
A-66. Synth Lead 3
A-67. Gotham Low
A-68. Taj Mahal
BANK 7
A-71. Ham and Organ
A-72. Slow Rotor 2
A-73. Slow to Fast Rotor
A-74. Good and Old Days
A-75. Percussive E-Organ
A-76. SlapBass and Organ
A-77. Pipe Organ
A-78. Weird Organ
BANK 8
A-81. Star Peace Chorus
A-82. Spacy Voices
A-83. Thinful
A-84. VOX harmonium
A-85. Android
A-86. Nuns
A-87. Pressure Pad
A-88. Digital Sound
Roland R8 Human Rhythm Composer Drum Machine Used
Roland R8 Drum Machine
This is good working condition with some comestic issuses.
The Roland R8 was one of the very best drum machines ever. It has excellent sounds which can be expanded by adding additional sound cards (808 and 909 cards). Great rock, electronic, ethnic and industrial style drumkits! Most of the sounds are editable - tune, decay, attack, nuance, output, etc...
But its coolest tricks are the Feel Patches which give your program a human-like groove! The sounds are ROM based samples, the R-8 has 32 note polyphony, 68 instruments, 100 patterns and 10 songs! The R-8 later became the R-8mkII with more memory and sounds. It is used by Orbital, Underworld, Jimmy Edgar, Autechre, 808 State, Dave Holmes, Fluke, Human League and The Shamen.
Specifications
- Polyphony - 32 voices
- Multitimbral - 4 parts over MIDI
- Sounds - 68 Rom samples (16bit samples @ 44.1 sample rate)
- Pads - Velocity and Pressure Sensitive
- Controls - tune, decay, attack, nuance, output, etc...
- Patterns - 100
- Songs - 10
- Arpeg/Seq - Sequencer
- Keyboard - None
- Control - MIDI
- Date Produced - 1989
R-8 mkII - 1992
$379.00
