Log In to be able to add this product to your Wish List.
Recorded by 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was honored with Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the very first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. Every detail of the recording hall is captured with incredible precision and detail, adding realism and shimmer to every note. You can create convincing orchestral performances with very little time and effort, and the natural ambience will make it feel as though the instruments are playing back live.
To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions: close, stage (conductor‘s position) and hall. By selecting different mic positions, you can mix these sounds together to create virtually any placement or level of depth desired. This all but eliminates the need for artificial reverb, drastically cutting down on the amount of time you spend getting your ambience settings just right. Every major adjustable feature can be controlled from a single interface, including reverb, mic positions, filtering, and section volume. If you’re looking for warmth and the ability to easily manipulate nearly any aspect of the instruments’ performances to your heart’s content, Symphonic Orchestra gives you every tool you need in one place.
The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA eclipses all others with the highest level of fidelity and realism. Get that big "Hollywood Sound" film/tv/games directors and producers seek "out of the box", no other orchestral collection comes close or is as easy to use!
EASTWEST/QUANTUM LEAP Symphonic Orchestra has already come out on top in a recent roundup of orchestral collections for its level of warmth and detail. Now with the incorporation of PLAY, users of the upgraded EASTWEST/QUANTUM LEAP Symphonic Orchestra will experience the benefits of the new sample engine immediately. With the typical orchestral composition encompassing a large amount of instruments, EASTWEST‘s Opus software will streamline the process by allowing many more instruments to be loaded at one time than with previous systems.
Beyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. In the past, this meant adding reverb and effects, further digitizing and degrading the overall quality of your music. EASTWEST/QUANTUM LEAP accomplish this through separately recording the natural hall ambience after the instrument has stopped playing until the sound has actually ceased. The software triggers this "release trail" at the end of every note and adjusts the dynamics so that the samples blend seamlessly, truly placing the listener in the hall with the orchestra.
Each instrument and orchestral section is chromatically sampled at three different mic positions (close, stage and hall) allowing you to mix together instantly within the included Opus Engine any combination for the ultimate in real-time tone and ambience control.
Strings - Expressive, buttery and incredibly smooth, the strings shine when you need to capture delicacy and inner strength. They’re more than potent enough when you need to add some heat to your productions, but they’re at their best when they have room to breathe and you gently ride the expression (CC11).
String Instruments Include:
Brass - Dynamic, bright, and bold, you can use the brass section to pump up the strongest moments with trumpet and trombone marcato, crescendos, and fortepianos. For softer, more lyrical moments, the French horns will become your best friend. And when you’re looking to create either whimsy or absolute terror, the Wagner tubas will lay all the groundwork you need.
Brass Instruments Include:
No section of the orchestra has such a diverse set of tone colors as the woodwinds, and they’re all subtle enough that they blend extremely well with the string section (they can also double the brass, but in a live setting, the brass section often overpowers the woodwinds). They’re best suited to woodwind ensemble passages and thickening up key moments in the strings and brass.
Woodwind Instruments Include:
All the odds and ends you can ask for in drums, metals, woods, cymbals, and gongs. From bombastic bass drums and huge timpani rolls to detailed auxiliary percussion like crotales, chimes and steel plates, you can cover virtually all your orchestral percussion with this one section.
Percussion Instruments Include:
Below are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.
MINIMUM SYSTEM
|
RECOMMENDED SYSTEM
|
The chart below outlines the MacOS and Windows 64-bit operating systems and sequencers that are officially supported and fully tested with the latest version of Opus. Please note that while most Sequencers / DAWs are VST 2, VST 3, AU and AAX plug-in format compatible, only those listed in the chart below are officially supported.
Product | Version | MacOS (10.13+) | Windows 10 |
---|---|---|---|
EW Play 6 Stand-Alone | 6.0+ | YES | YES |
EW Opus Stand-Alone | 1.0+ | YES | YES |
Ableton Live | 10.0+ | YES | YES |
Apple Logic Pro | 10.0+ | YES | - |
Apple Garageband | 10.3+ | YES | - |
Avid Pro Tools | 2018.1+ | YES | YES |
Bitwig Studio | 3.0+ | YES | YES |
Cockos Reaper | 6.0+ | YES | YES |
Image-Line FL Studio | 20+ | YES | YES |
Motu Digital Performer | 9.0+ | YES | YES |
Steinberg Cubase(1) | 9.0+ | YES | YES |
Steinberg Nuendo(1) | 8.0+ | YES | YES |
Presonus Studio One | 4.0+ | YES | YES |
VSL Vienna Ensemble Pro | 6.0+ | YES | YES |
Notation Software(2) | Version | ||
---|---|---|---|
Avid Sibelius | 2018.1+ | YES | YES |
MakeMusic Finale | 25.0+ | YES | YES |
Steinberg Dorico | 3.0+ | YES | YES |
© Copyright 2021 The Electronic Miusic Box All Rights Reserved.