TrackPlug 5

• 10 bands of professional, 64-bit EQ
• EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
• Brickwall lowpass/highpass filter section
• Third-octave spectrum analysis display
• Dual multi-mode compressors and a gate
• Clean, vintage, peak, and RMS dynamics modes
• Sidechain EQ support on each dynamics section
• External sidechain support (RTAS, AU and MAS)
• Adjustable lookahead delays
• Peak limiter
• Comprehensive metering
• Master preset manager and preset manager per section
• Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
• Latency compensation
• Fully automatable
• Up to 192K support
• Mono or stereo

MasterVerb 5

• Early reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong
• Two late reverb algorithms - Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)
• 3-band EQs for early and late frequency response adjustment
• Early/late and wet/dry controls for adjusting mix
• Triggered envelope control for special effects such as gated and reverse reverb
• Graphical "character" control allows you to quickly adjust the size and decay time of the space
• Time response plot showing delays, early reflections, late reverb, and envelope
• 3-D frequency response plot of reverb decay
• Over 60 presets
• No latency
• Fully automatable
• Up to 192 kHz support

FinalPlug 5 Peak Limiter / Maximizer

• Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
• Auto release control for greater sonic clarity
• Bit depth truncation from 4 to 24 bits
• TPDF dithering
• Comprehensive noise shaping options, choose between 12 noise shapes
• Presets for CD and DVD-audio mastering and track compression
• Latency compensation via compatible hosts
• Up to 192 kHz sampling rate
• Mono or stereo

MultiDynamics 5 Multiband Dynamics

• Up to 6 independent bands
• Proprietary crossover filter network eliminates amplitude distortion between bands
• 6 dB/oct, 18 dB/oct and 30 dB/oct crossovers
• Full featured compressor or expander/gate per band
• Dynamics controls per band: Lo Gain, Thresh, Hi Gain, Ratio, Attack, Release, Knee
• Per band and All band control editing
• Clean (for transparent sound) and vintage (for analog colorization and warmth) dynamics modes
• Per band Bypass, Solo and Mute controls
• Comprehensive visualization of input levels and dynamic EQ response
• Adjustable lookahead
• No latency if lookahead is off
• Latency compensation via compatible hosts
• Up to 192 kHz sampling rate
• Mono or stereo

Panorama 5

• Position and move sound in three dimensions
• Cartesian or polar coordinates
• Uses Head-Related Transfer Functions (HRTFs) to reproduce binaural sound localization cues
• Integrated reverberation and distance cues
• Separate sections for early reflection modeling and late reverberation
• Control dimensions and surface material of all six surfaces of the room
• Early reflections are spatialized using HRTFs
• Doppler pitch effect
• Processing for playback over loudspeakers or headphones
• Crosstalk canceling based on real head models
• Ships with 10 human and 1 dummy-head HRTF set
• Can load user-provided HRTFs
• Full automation support for creating moving sounds
• Up to 192 kHz sampling rate
• Mono or stereo inputs (always stereo outputs)

System Requirements