English
spanish
The Electronic Music Box
Manufacturers
Categories
- Audio Recording Hardware - (306)
- -Audio Accessories - (30)
- -Audio Interfaces - (124)
- -Control Surfaces - (12)
- -Digital Recorders - (5)
- -Studio Audio Processors - (2)
- -Mobile Hardware - (49)
- -Studio Mic PreAmps - (18)
- -Studio Microphones - (48)
- -Studio Monitor Controllers - (2)
- -Studio Monitors - (16)
- Bargain Basement - (91)
- Computers - (5)
- DJ Hardware and Software - (20)
- EMB Book Shop - (188)
- Guitar - (89)
- Live Sound - (88)
- MIDI Hardware - (73)
- Music Software - (1129)
- Support/Lessons - (6)
- Used Gear - (137)
- Video Creation Hardware Software - (8)
Specials [more]
Temporal Acuity Products Guido Music Learning System for PCs 3.5
Rare New Roland S770 L-709 Percussion Library Open Box
Presonu StudioLive AR8c 8-Channel USB-C Interface/Mixer/Recorder
Presonus StudioLive AR8c 8-Channel USB-C™ Compatible Audio Interface/Analog Mixer/Stereo SD Recorder
With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, livestreams, and music productions. Featuring a pristine analog front end with four high-gain XMAX mic preamps and an 8x4, 24-bit, 96 kHz, USB-C™-compatible USB 2.0 audio interface, the StudioLive AR8c's hybrid design makes it simple to mix and record. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level input sources and consumer devices, Bluetooth® connectivity, a stereo SD recorder, and high-impedance instruments inputs, and you have a broadcasting and recording powerhouse that fulfills the needs of modern musicians and content creators.
The StudioLive AR8c offers recording with or without a computer. Multitrack record and fly in backing tracks with its 24-bit / 96 kHz, USB 2.0 audio interface or record and playback a stereo mix with the integrated SD digital recorder. Additionally, the mixer features a Super Channel, which allows you to connect four stereo analog and digital sources at once, enabling the mixer to be used with high-tech devices including smartphones and tablets for wireless Bluetooth streaming. The StudioLive AR8c ships with a power cord, USB cable, Studio One 3 Artist production software, and Capture recording software.
Channels and Buses
- 8-channel mixer
- 2 mono and 2 stereo channels, each with:
- Level knob
- Pan
- Mute
- PFL solo
- 1 stereo Super Channel (Ch. 7/8)
- 1 aux buses with AFL solo
- 1 stereo effects bus
- 1 stereo effects return with:
- Master level control knob
- Dedicated aux send
- Effects bypass footswitch jack
Inputs and Outputs
- 2 instrument inputs
- 8 balanced line inputs
- 4 balanced mic inputs with:
- Class-A microphone preamp
- Global 48V phantom power
- Stereo Super Channel with:
- Stereo RCA inputs
- 1/8-inch stereo input
- Switchable SD/USB stereo playback
- Bluetooth 5.0 input
- L/R XLR main outputs
- 1 balanced TRS aux outputs
- 1 balanced TRS effects output
- L/R Control Room outputs with level control
- Headphone output with level control
Signal Processing
- High-pass filter on channels 1 and 2
- +10 dB button on 3/4 and 5/6
- 3-band semi-parametric EQ (Channels 1-6)
- Stereo effects processor with 16 presets
Recording Options
- 8x4 24-bit / 96 kHz, USB 2.0 (over USB Type-C connection) audio recording interface
- Record every channel plus the Main Mix
- 2x2 SD recorder
- Record main mix
- Supports SD and SDHC formats up to 32 GB
Integrated Software
- Capture recording software
- Includes Studio Magic Plug-in Suite with Maag Audio EQ 2, SPL Attacker, Arturia instruments, and more
- Includes Studio One 3 Artist software (DAW)
Power
- Internal power supply
- Standard IEC power connector
Physical
- Sturdy metal construction
- Level knob
- Optional rackmount kit available
-
PreSonus SLMAR8C Specs
Computer System Requirements Mac
Mac OS X 10.8.5
Intel Core 2 Duo Processor (Intel Core i3 or Faster Recommended)
Windows
Windows 7 x64 SP1 +Platform Update, 8.1 x64, 10 x64
Intel Core 2 Duo or AMD Athlon X2 Processor (Intel Core i3 or AMD Athlon X4 or Faster Recommended)
Mac and Windows Systems
4 GB RAM (8 GB or More Recommended)
30 GB Hard-Drive Space (Studio One)
Internal or External 7200 RPM Storage Drive Highly Recommended
Monitor with 1366x768 Resolution (High-DPI Monitor Recommended)Microphone Preamplifier Type: XLR Female, Class-A
Maximum Input Level (Unity Gain): +22 dBu, ±1.0 dB
Gain Control Range
Mono Channels: 50 dB, ±1 dB (Unity to +50 dB)
Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 40 kHz, +0.5/- 1.5 dB
S/N Ratio to Outputs (+4 dBu): 94 dB
THD+N (min. gain, A-Wtd): < 0.01%
Input Impedance: 1 Kilohms
EIN (+55 dB gain, 150 Ohms input, 20 Hz to 22 kHz, A-Wtd): Common Mode Rejection Ratio (1 kHz, +55 dB gain): 65 dB
Phantom Power: +48V, ±3V, Global
Note: All Channel Inputs Sum Through Mic PreampInstrument Inputs Type: ¼” / 6.35 mm TS female, unbalanced, Hi-Z
Maximum Input Level (min. gain, 1 kHz at 0.5% THD+N): +22 dBu, ±1.0 dB
Gain Control Range: 50 dB, ±1 dB (Unity to +50 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 40 kHz, +0.5/-1.5 dB
Dynamic Range (Min. Gain, A-wtd): >105 dB
Dynamic Range (Mid. Gain, Unwtd): >100 dB
THD+N (1 kHz, -1 dBFS, A-wtd): THD+N (1 kHz, -1 dBFS, Unwtd): Input Impedance: >1 MegohmsLine Inputs Type: ¼” / 6.35 mm TRS Female, Balanced
Maximum Input Level (Min. Gain, 1 kHz at 0.5% THD+N): +22 dBu, ±1.0 dB
Gain Control Range
Mono Channels: 50 dB, ±1 dB (-20 to +30 dB)
Stereo Channel: 50 dB, ±1 dB (-15 to +25 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 10 Hz to 40 kHz, +0.5/-1.5 dB
S/N Ratio to Analog Outputs (+4 dBu): 94 dB
THD+N (1 kHz, -1 dBFS, A-Wtd): Input Impedance (Balanced): 10 KilohmsOutputs Type (Main Outputs): XLR male, Impedance Balanced
Type (Control Room, Monitor, FX Outputs): ¼” / 6.35 mm TRS Female, Balanced
Rated Output Level (Main Outputs): +24 dBu, ±1.0 dB
Rated Outputs Level (Control Room, Monitor, FX Outputs): +18 dBu
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-Wtd): >108 dB
THD+N (Bandwidth 20 Hz to 20 kHz, -1 dBFS, Unwtd): Output Impedance: 100 OhmsHeadphone Output Type: ¼” / 6.35 mm TRS Female, Stereo, Unbalanced
Maximum Output Level: 150 mW/ Channel @ 60 Ohms
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-Wtd): >103 dB
THD+N (Bandwidth 20 Hz to 20 kHz, -1 dBFS, Unwtd):Crosstalk Input to Output (Ref = +4 dBu, 20 Hz to 20 kHz, Unwtd): -85 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, Unwtd): -80 dBuSignal Level LEDs Signal: -50 dBFS (Pre EQ)
Clip: -3.0 dB Before Clip (Pre EQ or Post EQ)Graphic Equalizer Low Cut: 100 Hz, -18 dB/Octave
High Shelving: ±15 dB at 12 kHz
Mid Peaking: ±15 dB at 2.5 kHz
Mid-Band Q: Fixed, 0.55
Low Shelving: ±15 dB at 80 HzDigital Audio Host Interface: USB 2.0
ADC Dynamic Range (Component): 114 dB
ADC Dynamic Range (Measured: A-Wtd, 48 kHz): 105 dB
DAC Dynamic Range (Component): 114 dB
DAC Dynamic Range (Measured: A-Wtd, 48 kHz): 105 dB
Bit Depth: 24-Bit
Internally Supported Sample Rates: 44.1, 48, 88.2, 96 kHz
Jitter: Jitter Attenuation: >60 dB (1 ns In => 1 ps Out)Recorder SD Recorder
Supported Media Format: FAT16 Formatted SD Card, FAT32 Formatted SDHC Card
Recording File Format: Stereo WAV
Playback File Formats: Stereo WAV, MP3
Sampling Rate (WAV): 44.1 kHz
Bit Depth (Recorded WAV): 24-Bit
Media Storage Capacity:
SD Card: 2 GB
SDHC Card: 32 GBDimensions (H x W x D) 3.7 x 12 x 12" / 9.4 x 30.4 x 30.4 cm Weight 7.1 lbs
UPC: 673454008627
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$499.95
QSC TOUCHMIX-8TouchMix Series 8 Ch Compact Digital Mixer
QSC TOUCHMIX-8TouchMix Series 8 Ch Compact Digital Mixer
TouchMix is quite simply the most powerful, compact mixer ever created. It offers the features, capabilities and sound quality of the world's most esteemed large format consoles in a highly compact and portable package that’s small enough to be carry-on luggage. Perfect for solo and duo musicians, small bands and AV production professionals, the TouchMix-8 goes "Beyond Mixing" by offering Wizards, Presets and other beneficial tools that help both seasoned audio professionals and novices alike get great results quickly and easily.
Its 14 mixing channels (8 Mic/Line, 4 Line, Stereo USB) and 6 outputs offer ample signal management ?exibility while advanced features such as class-A microphone preamps, Anti-Feedback and Room Tuning Wizards, real-time analyzer (RTA) and 14-channel direct-to-external-drive recording make it equally competent as both a professional live sound or recording tool.
The touch-and-turn interface of TouchMix allows for tactile control over fader and mixer parameters while also providing a hardware connection to the mixer. Mixer functions and displays are duplicated via iOS® or Android devices over Wi-Fi, providing both portable, wireless connectivity as well as additional control of mixer functionality.
The TouchMix-8 comes complete with USB Wi-Fi adapter and carrying case.
Features:
- Capacitive touchscreen offers a wealth of on-screen information while also providing confident hands-on control
- 120 presets provide real-world live sound settings for commonly-used instruments and microphones (see Presets Listing under Resources / Support)
- Simple and Advanced modes offer either basic or comprehensive controls
- Anti-Feedback and Room Tuning Wizards simplify complex equalization tasks
- Real-time analyzer (RTA) provides instantaneous display of channel tonal balance and room response
- 4 Aux outputs provide ample monitor configuration options
- 14-channel direct-to-hard drive record/playback — capture and recall performances without the need for an external computer
- MP3 playback direct from USB
- On-board multi-language user guide
- Download future upgrades directly from the Internet
“Big Mixer” Features and Specifications
4-band full parametric EQ and variable high-pass filter on all input channels.
Gate and compressor on all input channels
Four premium stereo DSP’s with a full selection of professional digital effects
1/3 octave graphic EQ, notch filters, limiters and delay on main and aux. outputs, DCA’s and mute groups High Quality microphone preamps Channel-selectable phantom power
Multiple monitor mixes including ability to drive in-ears directly
Multitrack direct to disk recording/playback via external USB hard drive (not included.) No computer required.
TouchMix delivers all the processing power and features that a professional live sound engineer could want.
Compact and Complete
Approximately the size and weight of a small laptop computer
Operation via internal color touch-screen and rotary dial, mobile device or both simultaneously
USB Wi-Fi adapter included. No additional network hardware required for remote control
Includes padded carrying case for protection and easy transport
,
New to Version 2.0:
Support for password protected, multi-level security access
Expanded Wi-Fi options (including wired connection to an infrastructure router)
Programability of User Buttons
More options for auxiliary mix pick-off points
Expanded channel presets
Updated iOS app
Personal monitor mix application for both iPhone and iPod Touch
Operator may limit or allow access on a per-device basis
iPhone control of the record/playback transport controls and programmable user buttons
Android support
TouchMix v2.0 software standard on new TouchMix-16 and TouchMix-8 models and available as a free download at QSC.com for existing TouchMix owners.
QSC TM-8 Specs
| Number of Analog Input Channels | 8 |
| Groups | 8 x DCA Group 8 x Mute Group |
| Presets | Yes |
| Display | 6.1" / 156 mm LCD Touchscreen |
| Display Resolution/Color | Main Display: Color |
| Dynamic Processing | Input Channels: Compressor, Gate Buses, Master: Limiter |
| EQ | Input Channels: 4-Band Parametric/Shelving Outputs, Subgroups: Graphic Subgroups: 4-Band Parametric FX Returns, USB: 2-Band Shelving |
| Filters | Input Channels: High-Pass , 24 dB/Octave Low-Pass , 24 dB/Octave FX Returns, USB: High-Pass , 24 dB/Octave Master, Buses: High-Pass Low-Pass 4 x Notch |
| Solo/Mute | Solo-in-Place/AFL per Input Channel |
| Channel Output/Source Monitoring | AFL, PFL |
| Internal Effects | Reverb Echo (Type Unspecified) Delay Chorus 1 x Pitch Correct 50 x Preset (Factory) 50 x Preset (User) |
| Sample Rates | 44.1 / 48 kHz |
| DSP | 32-Bit Floating Point |
| Frequency Response | 20 Hz to 20 kHz ±0.5 dB |
| Max Input Level | Mic Input: +16 dB Line Input: +22 dB |
| Analog Dynamic Range | 105 dB |
| Crosstalk | -80 dB |
| EIN | -128 dBu |
| Noise Floor | -86 dBu |
| SNR | -94 dB |
| Analog Inputs | 4 x Combo XLR-1/4" TRS Input 4 x XLR Input 2 x 1/4" TRS Input (2 Stereo Pairs) |
| Analog Outputs | 2 x XLR Line/Main Output 4 x XLR Aux/Line Output 1 x 1/4" TRS Stereo Monitor Output 1 x 1/4" TRS Headphone Output |
| Phantom Power | +48 V (Selectable on Individual Inputs) |
| Wireless Connectivity | Wi-Fi |
| Max Multitrack Recording | 14 Tracks |
| Media Support | HDD |
| OS Compatibility | iOS |
| AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
| Dimensions | 3.1 x 3.1 x 9.8" / 79 x 333 x 250 mm |
| Weight | 4.3 lb / 1.9 kg |
UPC: 684284061539
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$999.99
Tascam DR-05X Digital Audio Recorder & USB Audio Interface
Tascam DR-05X Stereo Handheld Digital Audio Recorder & USB Audio Interface
The DR-05X is the new standard in stereo hand held recorders with its powerful features, simple interface and excellent sound quality. It is the first choice for recording meetings, music, audio-for-video, dictation, and more.
Features include:
- Stereo omni directional condenser microphones
- Multiple menu languages
- Overwrite function for Punch-In recording with one level of Undo
- Functions as a 2in/ 2out USB Audio Interface for Mac, PC or iOS recording
- Dictation mode designed for human voice recording and transcription
- Reverb effect for vocal and instrument resonance
- Auto recording function that can detect the sound input signal level and automatically start recording
- Proven high sound pressure design for capturing loud sounds of up to 125dB SPL
- Peak reduction function
- Self timer recording function
- Seamless gain control
- Three low cut filter levels (40/80/120Hz)
- Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
- Level align feature that prevents uneven volume levels
- Equalizer setting for adjusting playback sound quality
- Divide/delete functions
- Loop/repeat playback function
- Resume function that retains the last stop position and starts playback from that position when power is turned back ON
- Jump back and play (1 to 10 sec in 1 sec increments, 10 sec, 20 sec, 30 sec)
- QUICK menu button for easy access to various functions
- High-quality 96kHz/24-bit WAV/BWF linear PCM recording and long recordings as MP3 files possible
- microSD/microSDHC/microSDXC (up to 128GB) cards can be used as recording media
- Mark function that can set up to 99 points for a single track Mark information can be utilized by BWF compatible software
- Audio files created on computers can be played (Only in formats compatible with this product)
- Built-in monaural speaker with an output of 0.3
- Pre-recording buffer that can record up to 2 seconds prior to starting recording
- When a predetermined maximum file size is reached, a new file is created to continue recording
- Track increment creates new files at arbitrary locations during recording
- File name format can be set to use a user-defined word or the date
- The first six characters of the file name for recording can be set freely
- Playlist function
- A chromatic tuner is equipped which is helpful for practicing musical instruments
- Stereo mini jack for external stereo microphones/External line input
- Stereo mini line output / Headphone output connector
- 128 x 64 pixel graphic LCD with backlight
- High-speed file transfer to a computer is possible using USB 2.0
- Powered by 2 AA batteries, USB bus power, or optional AC adapter (PS-P520E)
- Tripod attachment screw-hole built in to the unit
Spec description
| Recording Media | microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) |
| File System | FAT16/32, exFAT |
| Recording File Format | |
| WAV / BWF | |
| Sampling Frequency | 44.1k / 48k / 96k Hz |
| Bit-depth | 16 / 24-bit |
| MP3 | |
| Sampling Frequency | 44.1k / 48k Hz |
| Recording Bit-rate | 32k / 64k / 96k / 128k / 192k / 256k / 320k bps |
| Playback Bit-rate | 32k to 320k bps, VBR, ID3TAG Ver. 2.4 |
| Number of Channels | 2-channel (Stereo) / 1-channel (Mono) |
| Playback speed control | 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only |
| Built-in Microphone | Omnidirectional, Stereo |
| MIC/EXT IN | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) |
| Nominal Input Level | -20dBV |
| Maximum Input Level | -4dBV |
| Input Impedance | 18kΩ or more (PLUG IN PWR: OFF) 2kΩ or more (PLUG IN PWR: ON) |
| PHONES/LINE OUT | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced) |
| for LINE connection | |
| Nominal Output Level | -14dBV (10kΩ load) |
| Maximum Output Level | +2dBV (10kΩ load) |
| Output Impedance | 12Ω |
| for Headphones connection | |
| Maximum Output Power | 20mW + 20mW (32Ω load) |
| USB | |
| Connector | USB Micro B-type |
| Format | USB2.0 HIGH SPEED |
| Built-in Speaker | 0.3W, Mono |
| Low-cut Filter | 40 / 80 / 120Hz |
| Chromatic Tuner | C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) |
| Effector | 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) |
| Tripod attachment screw-hole | 1/4" Tripod attachment screw-hole |
| Power | 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) |
| Power Consumption | 1.7 W (Max) |
| Battery Operation Time (Recording) | |
| Alkaline (EVOLTA) | approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Ni-MH (eneloop) | approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Dimensions (W×H×D) | 2.4" × 5.55" × 1.02" / 61 × 141 × 26 mm |
| Weight | 4.1 oz. / 116 g |
Audio Performance
| Frequency Response | |
| Fs 44.1kHz | 20Hz to 20kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 48kHz | 20Hz to 22kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 96kHz | 20Hz to 40kHz, +0/-1.5dB (EXT IN to LINE OUT, JEITA) |
| Total Harmonic Distortion | 0.01% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
| Signal-to-Noise Ratio | 94 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
System Requirements
Windows
Windows 10 (October 2020 Update) New , Windows 10 (May 2020 Update) New , Windows 8.1 , Windows 7
Mac
macOS Catalina , macOS Mojave , macOS High Sierra (10.13) , macOS Sierra (10.12)
iOS
iPadOS 14 New , iOS 14 New , iPadOS , iOS 13 , iOS 12 , iOS 11
UPC: 043774033669
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$119.99
Tascam DR-07X Digital Audio Recorder & USB Audio Interface
Tascam DR-07X Stereo Handheld Digital Audio Recorder & USB Audio Interface
DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
Adjustable microphone for preferred stereo image
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.
What is A-B and X-Y stereo?
For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.
Choose your language
Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese
Extended battery life
dr-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Turning your room into a studio – in a minute.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.
Back up your transcription work: record and play with one unit
Writing down what you hear – Easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
Tools for music practicing
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Never miss the timing
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button
Still safe if it is louder than you thought.
Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you’re safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
No need to go through “take 2” all over again
If you don’t like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the “Overwrite mode” is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.
Nondestructive Overdubbing
The overdubbing function allows for Overdub Recording while playing a previously recorded file. This allows you to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.
192 Hours. This is how long you can record CD-quality sound with one single microSDXC card.
dr-07x supports a microSDXC card, which can record longer with larger data capacity. If you record a stereo file at 44.1kHz/ 16bit CD quality, a128GB card holds 192 hours maximum. In MP3/ 320kbps mode, it can record up to 896 hours.
Features include:
- High-quality unidirectional stereo condenser microphones that can record in both A-B and X-Y positions according to the situation
- Multiple menu languages
- Overwrite function for Punch-In recording with one level of Undo
- Functions as a 2in/ 2out USB Audio Interface for Mac, PC or iOS recording
- Dictation mode designed for human voice recording and transcription
- Reverb effect for vocal and instrument resonance
- Auto recording function that can detect the sound input signal level and automatically start recording
- Proven high sound pressure design for capturing loud sounds of up to 125dB SPL
- Peak reduction function
- Self timer recording function
- Seamless gain control
- Three low cut filter levels (40/80/120Hz)
- Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
- Level align feature that prevents uneven volume levels
- Equalizer setting for adjusting playback sound quality
- Divide/delete functions
- Loop/repeat playback function
- Resume function that retains the last stop position and starts playback from that position when power is turned back ON
- Jump back and play (1 to 10 sec in 1 sec increments, 10 sec, 20 sec, 30 sec)
- QUICK menu button for easy access to various functions
- High-quality 96kHz/24-bit WAV/BWF linear PCM recording and long recordings as MP3 files possible
- microSD/microSDHC/microSDXC (up to 128GB) cards can be used as recording media
- Mark function that can set up to 99 points for a single track Mark information can be utilized by BWF compatible software
- Audio files created on computers can be played (Only in formats compatible with this product)
- Built-in monaural speaker with an output of 0.3
- Pre-recording buffer that can record up to 2 seconds prior to starting recording
- When a predetermined maximum file size is reached, a new file is created to continue recording
- Track increment creates new files at arbitrary locations during recording
- File name format can be set to use a user-defined word or the date
- The first six characters of the file name for recording can be set freely
- Playlist function
- A chromatic tuner is equipped which is helpful for practicing musical instruments
- Stereo mini jack for external stereo microphones/External line input
- Stereo mini line output / Headphone output connector
- 128 x 64 pixel graphic LCD with backlight
- High-speed file transfer to a computer is possible using USB 2.0
- Powered by 2 AA batteries, USB bus power, or optional AC adapter (PS-P520E)
- Tripod attachment screw-hole built in to the unit
Spec description
| Recording Media | microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) |
| File System | FAT16/32, exFAT |
| Recording File Format | |
| WAV / BWF | |
| Sampling Frequency | 44.1k / 48k / 96k Hz |
| Bit-depth | 16 / 24-bit |
| MP3 | |
| Sampling Frequency | 44.1k / 48k Hz |
| Recording Bit-rate | 32k / 64k / 96k / 128k / 192k / 256k / 320k bps |
| Playback Bit-rate | 32k to 320k bps, VBR, ID3TAG Ver. 2.4 |
| Number of Channels | 2-channel (Stereo) / 1-channel (Mono) |
| Playback speed control | 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only |
| Built-in Microphone | Omnidirectional, Stereo |
| MIC/EXT IN | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) |
| Nominal Input Level | -20dBV |
| Maximum Input Level | -4dBV |
| Input Impedance | 18kΩ or more (PLUG IN PWR: OFF) 2kΩ or more (PLUG IN PWR: ON) |
| PHONES/LINE OUT | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced) |
| for LINE connection | |
| Nominal Output Level | -14dBV (10kΩ load) |
| Maximum Output Level | +2dBV (10kΩ load) |
| Output Impedance | 12Ω |
| for Headphones connection | |
| Maximum Output Power | 20mW + 20mW (32Ω load) |
| USB | |
| Connector | USB Micro B-type |
| Format | USB2.0 HIGH SPEED |
| Built-in Speaker | 0.3W, Mono |
| Low-cut Filter | 40 / 80 / 120Hz |
| Chromatic Tuner | C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) |
| Effector | 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) |
| Tripod attachment screw-hole | 1/4" Tripod attachment screw-hole |
| Power | 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) |
| Power Consumption | 1.7 W (Max) |
| Battery Operation Time (Recording) | |
| Alkaline (EVOLTA) | approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Ni-MH (eneloop) | approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) |
| Dimensions (W×H×D) | 2.4" × 5.55" × 1.02" / 61 × 141 × 26 mm |
| Weight | 4.1 oz. / 116 g |
Audio Performance
| Frequency Response | |
| Fs 44.1kHz | 20Hz to 20kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 48kHz | 20Hz to 22kHz, +0/-1dB (EXT IN to LINE OUT, JEITA) |
| Fs 96kHz | 20Hz to 40kHz, +0/-1.5dB (EXT IN to LINE OUT, JEITA) |
| Total Harmonic Distortion | 0.01% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
| Signal-to-Noise Ratio | 94 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) |
System Requirements
Windows
Windows 10 (October 2020 Update), Windows 10 (May 2020 Update) , Windows 8.1 , Windows 7
Mac
macOS Catalina , macOS Mojave , macOS High Sierra (10.13) , macOS Sierra (10.12)
iOS
iPadOS 14, iOS 14, iPadOS , iOS 13 , iOS 12 , iOS 11
UPC: 043774033676
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$149.99
Tascam Model 16 Hybrid Mixer Recorder Interface
Tascam Model 16 Hybrid Mixer Recorder Interface
An all-in-one analog mixer, multi-track digital recorder and audio interface
TASCAM's Model 16 all-in-one mixer brings the flagship Model 24's powerful recording and mixing features and functionality to a new level of compactness and affordability, creating a full-featured small format mixer that combines the warmth of analog with a digital workflow. The Model 16 is the perfect mixing solution for small format live performance, recording and production environments, featuring a multi-track recorder, USB audio interface, effects, comprehensive mixing and routing capabilities, and Bluetooth wireless.
14 Inputs for Complete Flexibility
14 easy-to-access top-panel inputs provide flexible options for microphones or instrument connections, including 10 Mic/14 Line/2 Inst to allow easy access for connecting microphones, instruments or other audio sources for live recording or mixing.
A Bluetooth 5.0 enabled Stereo Input Source Channel also provides stereo RCA and 1/8" Stereo (selectable) jacks for streaming audio device level control.
Pristine Audio Quality
Mic Inputs 1 through 8 deliver pristine audio quality, featuring TASCAM's Ultra-HDDA (High De?nition Discrete Architecture) technology for pure, transparent natural tone with ultra-low noise.
Professional Channel Strip Control Features
A tactile Gain knob tops each channel for precise tweaking of input levels. A push-button Lo-Cut filter and three-position Input Selector (Live/PC/MTR) facilitate quick and precise control of input source signals. A 1-knob inline Compressor is available on inputs 1-8 as is a mid-range sweepable 3-band EQ.
Maximum Audio Routing Possibilities and Monitoring
3 Aux bus (MON1, MON2[pre/post], FX) and PFL Listen round out the Model 16's pro-level signal path routing options. A Sub bus provides an additional stereo lineout source to the master SEND section.
3 AUX Outs let you route the audio signal for stage monitoring, or to external gear such as outboard effects, signal processors or headphone mixes. And the Footswitch control jack provides additional monitoring and control features.
Powerful Internal 16-Track Multi-track Digital Recorder
The Model 16's MTR section features a powerful internal 16-Track Multi-track recorder, capturing 14 Inputs and 2 Main Mix simultaneous tracks of audio to an internal SD card in pristine 24-bit/48 kHz quality. Record anything from live performance to rehearsals, worship events, spoken word and meetings, as well as perform overdubs and punch-in/out quickly and easily.
Recorded tracks can be immediately mixed, mastered or exported to a computer for further editing, formatting and publishing.
High-Quality Internal Audio Interface
An internal 16 input/14 output USB audio interface captures audio at a 24-bit/48 kHz sampling rate for recording or playing back from an external DAW (digital audio workstation). The new generation TASCAM USB driver delivers the minimum size of the audio buffer which can be set to as low as 4 samples, resulting in extremely low latency and the highest level of efficiency when recording audio.
Versatile Input Capability
Using the channel Mode switch, each channel can select the input source as needed. This allows a super flexible input configuration to be selected where some inputs can be live, other inputs can play tracks from the internal MTR, while other inputs can play tracks from a computer via USB, all simultaneously.
16 Editable Multi-Effects
The Model 16's versatile Effects Section offers 16 editable and foot-controllable multi-effects, including reverb, delay, chorus and flange.
4-Band Master EQ
A 4-Band EQ with mid-range sweepable, wide/narrow Q can be dialed in for crafting the perfect mix, assignable to MAIN outs or MON1/2 outs as you like.
With the Model 16, your perfect mix has met its match.
Features include:
• 16-track multi-track recorder (WAV, up to 48kHz/24-bit) to SD, SDHC and SDXC cards (Class 10 or higher required)
• Punch in/out capability (up to 8 tracks simultaneously)
• Built-in USB Audio Interface to send/receive (16-in/14-out) audio data to/from DAW
• 14 inputs (10 Monaural XLR/TRS balanced and 2 Stereo-paired TRS balanced)
• 10 mic Pre-amps utilizing TASCAM Ultra-HDDA Mic Pre-amp technology (CH 1 thru 8)
• Pre-amp Gain Controller with Signal/Over-load Indicator (CH 1 thru 12)
• Input Mode switch (LIVE/USB/MTR) per input channel
• 1-knob compressor (CH 1 thru 8)
• 3-band EQ with a sweep-able mid-range frequency (CH 1 thru 8)
• 100Hz Low-cut Filter (CH 1 thru 12)
• Phantom Power (+48V) for all XLR inputs
• 3 AUX Outputs (MON 1[pre], MON 2[pre/post], FX[post])
• Mute, MAIN/SUB, PLF switches per input channel
• Bluetooth® 5.0 input supporting both AAC and SBC codecs
• LINE Inputs via RCA Pin and 1/8″ Stereo Mini jacks (CH 13/14)
• Hi/Lo shelf, wide and narrow-Q semi-parametric EQs (for Main and SUB outputs)
• 16 TASCAM Effects like reverb, delay, chorus and flange
• MAIN Output via XLR balanced and SUB Output via TRS balanced connectors
• 12-segment LED Output Level Meters
• 1 Stereo Output for Control Room
• 1/4″ Stereo Headphone Output
• REMOTE connector for a Foot Switch (TASCAM RC-1F)
• Self-emitted buttons for key operations such as REC and Play for better status legibility
• Comprehensive simplified menu tree
• Multi Jog-dial for quick menu operation
• 19-inch rack mountable with optional Model 16 rackmount kit
• FAUX wood Side Panels (Removable)
Specs:
| Recording section | |
| Supported Media | SD (512MB to 2GB), SDHC (4GB to 32GB), SDXC (64GB to 512GB), Class 10 or higher required. |
| File System | SD card: FAT16, SDHC card: FAT32, SDXC card: exFAT |
| Recording File Format | WAV(BWF) |
| Playback Format | WAV, BWF |
| Sampling Frequency | 44.1k / 48k Hz |
| Bit Depth | 16 / 24 bit |
| Maximum Recordable ChannelNumber | 16ch (14ch + 2 stereo mix) |
| Audio Inputs | |
| MIC IN | CH1 to 8, 9/10, 11/12 |
| Connector | XLR 3-31 (1: GND, 2: HOT, 3: COLD, Balanced) |
| Maximum Input Level | +10dBu |
| Nominal Input Level | -8dBu |
| Minimum Input Level | -58dBu |
| Gain Adjustable Range | 0 to 50dB |
| Input Impedance | 1.8k ohm |
| Phantom Power supply | +48V |
| LINE IN | CH1 to 8, 9/10, 11/12 |
| Connector | 1/4" (6.3mm) TRS Phone jack (T: HOT, R: COLD, S: GND, Balanced) |
| Maximum Input Level | +22dBu |
| Nominal Input Level | +4dBu |
| Gain Adjustable Range | -10 to +40 dB: CH 1 to 8, +20 to +30 dB: CH 9/10 and 11/12 |
| Input Impedance | 22k ohm |
| INST IN | CH 1 and 2 |
| Connector | 1/4" (6.3mm) TRS Phone jack (T: HOT, R: GND, S: GND, Unbalanced) |
| Maximum Input Level | +22dBu |
| Nominal Input Level | +4dBu |
| Gain Adjustable Range | -10 to +40 dB |
| Input Impedance | 1M ohm |
| INSERT | CH 1 and 2 |
| Connector | 1/4" (6.3mm) TRS Phone jack (T: Send, R: Return, S: GND) |
| Return (Ring) | |
| Maximum Input Level | +18dBu |
| Nominal Input Level | 0dBu |
| Input Impedance | 10k ohm |
| Send (Tip) | |
| Maximum Output Level | +18dBu |
| Nominal Output Level | 0dBu |
| Output Impedance | 100 ohm |
| RCA INPUT | |
| Connector | RCA Pin jack (Unbalanced) |
| Maximum Input Level | +8dBV |
| Nominal Input Level | -10dBV |
| Input Impedance | 10k ohm |
| STEREO INPUT | |
| Connector | 1/8" (3.5mm) Stereo Mini jack (Unbalanced) |
| Maximum Input Level | +8dBV |
| Nominal Input Level | -10dBV |
| Input Impedance | 10k ohm |
| Outouts | |
| MAIN OUTPUT | |
| Connector | XLR 3-32 (1: GND, 2: HOT, 3: COLD, Balanced) |
| Maximum Output Level | +22dBu |
| Nominal Output Level | +4dBu |
| Output Impedance | 100 ohm |
| SUB OUT, MONITOR, FX OUT, CONTROL ROOM OUT | |
| Connector | 1/4" (6.3mm) TRS Phone jack (T: HOT, R: COLD, S: GND, Balanced) |
| Maximum Output Level | +16dBu |
| Nominal Output Level | -2dBu |
| Output Impedance | 100 ohm |
| PHONES OUT | |
| Connector | 1/4" (6.3mm) Stereo Phone jack |
| Output Level | 80mW + 80mW (32 ohm loaded) |
| REMOTE | Compatible with TASCAM RC-1F Foot Switch |
| Connector | 1/4" (6.3mm) TS Phone jack |
| USB Audio | for connection with PC |
| Connector | USB B type 4-pin |
| Format | USB2.0 High-Speed, Mass-storage class/USB Audio Class |
| Sampling Rate | 44.1k / 48k Hz |
| Bit Depth | 16 / 24 bit |
| Maximum INPUT | 16ch |
| Maximum OUTPUT | 16ch |
| Bluetooth® | |
| Version | 5.0 |
| Output Class | Class 2 (Transmission range: approx. 33 ft. / 10 m) * Transmission range may vary, depending on surroundings. |
| Supported Profile | A2DP, AVRCP 1.0 |
| Supported A2DP Codecs | SBC, AAC |
| A2DP Content Protection | SCMS-T |
| Channel EQ | |
| Low-Cut | 100Hz, -18dB / Octave |
| Hi-Shelving | +15dB / -15dB, Cut off frequency = 10kHz |
| Mid | Peaking (MONO): +15dB / -15dB, 100Hz to 8kHz Variable (STEREO): +15dB / -15dB, Center frequency = 600Hz MID Band Q Fix, 0.55 |
| Low-Shelving | +15dB / -15dB, Cut off frequency = 80Hz |
| Master section EQ | |
| Hi-Shelving | +15dB / -15dB, Cut off frequency = 10kHz |
| MID-WIDE | Peaking? +15dB / -15dB, 100Hz to 8kHz Variable, Q: 0.5 FIX |
| MID-NARROW | Peaking +15dB / -15dB, 100Hz to 8kHz Variable, Q: 5 FIX |
| Low-Shelving | +15dB / -15dB, Cut off frequency = 60Hz |
| Internal Effects | |
| Type | 1 SMALL HALL / 2 LARGE HALL / 3 SMALL ROOM / 4 LARGE ROOM / 5PLATE / 6 STUDIO / 7 LIVE / 8 SHORT DELAY/ 9 DELAY / 10 PINGPONG / 11 CHORUS / 12 FLANGER / 13 DELAY + S.HALL / 14 DELAY+ L.HALL / 15 CHORUS + S.HALL / 16 CHORUS + L.HALL |
| Power | AC 100 to 240V, 50/60Hz |
| Power Consumption | 40 W |
| Dimensions | 430(W) × 112.9(H) × 463(D)mm 16.9(W) × 4.45(H) × 18.2(D)inch (including knob height and protrusion) |
| Weight | 7 kg / 15.4 lb |
| Operating Temperature | 5 to 35 ?C / 41 to 95 ?F |
| Include Items | AC Cord, Owner's manual (incl. Warranty card) |
Audio Performance
| Residual Output Noise | -100dBu (MAIN OUT, MAIN fader: MIN) |
| Equivalent Input Noise | -127dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) |
| Total Harmonic Distortion | 0.01% or less (MIC IN to MAIN OUT, Max input level, +10dBu, 1kHz, GAIN min.) 0.004% or less (MIC IN to MAIN OUT, nominal input level, +4dBu, 1kHz, GAIN min.) |
| Frequency Response | 20Hz to 30kHz (+0.5/-1.0dB: Analog) 20Hz to 20kHz (+0.5/-1.0dB: Digital) |
| Crosstalk | -80dB, channels / input and output (1kHz, PAN fully counter clockwise / fully clockwise) |
| Maximum Gain | 74dB (MIC->MAIN OUT) 50dB (MIC->INSERT OUT) 74dB (MIC->SUB OUT) 79dB (MIC-CR OUT) 75dB (MIC->MONITOR OUT) 75dB (MIC->FX OUT) 24dB (USB/SD -> MAIN OUT) (EQ flatten, PAN fully counter clockwise / fully clockwise) |
Supported PC
| Windows | |
| Compatible Computers | Windows-compatible computer with a USB2.0 port |
| CPU | Dual core / 2GHz or faster |
| Memory | 2GB or more |
| Driver | USB Audio Class 2.0, ASIO2.0, WDM (MME) |
| Screen Resolution | 1280 × 800 Dots or more |
| Macintosh | |
| Compatible Computers | Apple Macintosh computer with a USB2.0 port |
| CPU | Dual core / 2GHz or faster |
| Memory | 2GB or more |
| Driver | Core Audio |
| Screen Resolution | 1280 × 800 Dots or more |
Supported OS'
Windows
Windows 10 (May 2019 Update) , Windows 8.1 , Windows 7Mac
macOS Catalina , macOS Mojave , macOS High Sierra (10.13) , macOS Sierra (10.12) , OS X El Capitan (10.11)
UPC 043774034079
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Prices and availability subject to change without notice.
$699.99