The Focusrite 6i6 USB 2.0 Audio Interface from features 6 inputs and 6 outputs, including 2 front-panel microphone preamps on XLR/TRS combo inputs that can also be used as line level and Hi-Z instrument inputs. The 6i6 is compatible with Mac, PC and iPad - requires an Apple Camera Connection Kit, sold separately.
The Scarlett 6i6 is capable of resolutions up to 24-bit/96kHz and features a wide range of connectivity. Its 2 front panel microphone inputs can provide up to 60dB of gain and have switchable Phantom power. The rear panel has 2 additional 1/4" TRS line inputs as well as a stereo S/PDIF input. The 6i6 also provides MIDI input and output jacks.
The Scarlett 6i6 has 4 line outputs on 1/4" TRS jacks, a stereo S/PDIF output, and two independent headphone outputs. It is housed in a rugged and compact unibody metal case to withstand constant use.
The Focusrite Red 2 and Red 3 Plug-In Suite (AAX, Audio Units, VST) delivers accurately modeled plug-ins based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. The plug-ins allow for conveniently exploring the sound of the hardware originals from within Pro Tools (10 and above), along with other audio software. The software is a free download for new and current owners of the Scarlett 6i6.
| System Requirements |
| Mac System Requirements |
OS X 10.7 (Lion), 10.8 (Mountain Lion), 10.9 (Mavericks), 10.10 (Yosemite)
Available USB 2.0 port |
| Windows System Requirements |
Windows 7 (all versions) or Windows 8 (excluding RT)
Available USB 2.0 port |
| Inputs &Outputs |
| Analog Inputs |
2 x XLR/TRS combo jack - Mic/Line/Hi-Z Instrument
2 x 1/4" TRS - Line In |
| Digital Inputs |
1 x RCA coaxial - S/PDIF stereo |
| MIDI Ports |
1 x 5-pin DIN - MIDI input
1 x 5-pin DIN - MIDI output |
| Analog Outputs |
4 x 1/4" TRS - Line Outputs |
| Digital Outputs |
1 x RCA coaxial - S/PDIF stereo output |
| Headphone Outputs |
2 x 1/4" TRS stereo |
| USB Connector |
1 x USB 2.0 type B |
| Performance |
| Dynamic Range |
A/D: 104 dB CCIR-RMS (all inputs)
D/A: 102 dB CCIR-RMS (line outputs) |
| Sample Rates |
44.1, 48, 88.2, 96 kHz |
| Bit Depth |
16-, 24-bit |
| Clock Jitter |
< 250 ps |
| Phantom Power for Mic Inputs |
+48V, switchable |
| Microphone Inputs |
| Frequency Response |
±0.5 dB @ 20 Hz, ±0.1 dB @ 20 kHz; min. gain |
| THD + N |
-96 dB (1 kHz, -1 dBFS, 20 kHz BW) |
| Equivalent Input Noise |
-122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination) |
| Maximum Input Level |
+9 dBu (without pad) |
| Line Inputs |
| Frequency Response |
±0.5 dB @ 20 Hz , ±0.1 dB @ 20 kHz (min. gain) |
| THD + N |
-80 dB (1 kHz, -1 dBFS, 20 kHz BW) |
| Noise |
-105 dBFS CCIR-RMS (min. gain, 50 ohm termination) |
| Maximum Input Level |
> +28 dBu |
| Instrument Inputs |
| Frequency Response |
± 0.3 dB @ 20 Hz, ± 0.1 dB @ 20 kHz (min. gain) |
| Noise |
-103 dBFS CCIR-RMS (measured at min. gain) |
| Maximum Input Level |
+8 dB (without pad) |
| Line Outputs |
| Maximum Output Level |
+11 dBu, balanced (@ 0 dBFS) |
| THD + N |
-100 dB (1 kHz, -1 dBFS, 20 kHz BW) |
| Dimensions & Weight |
| Kensington Security Slot |
Yes |
| Dimensions (W x D x H) |
8.27 x 7.09 x 1.97" (210 x 180 x 50 mm) |
| Weight |
2.6 lb (1.18 kg) |
