The iO2 EXPRESS is a compact, audio-recording interface for home studios and portable recording setups. This two-channel USB device for Mac and PC-based systems enables you to record at up to 24-bit resolution for input into virtually all DAW, recording, and performance software.
This compact recording interface is small enough to comfortably fit into your mobile recording rig, laptop bag, or backpack, yet contains high-quality components and circuitry suitable for the studio.
FLEXIBLE RECORDING AND PLAYBACK
Discrete-design preamplifiers and true 48-volt phantom power ensure that you capture microphones’ complete signal. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets recorded – and played back on your monitoring system. It’s class compliant, so you can use the plug-and-play iO2 EXPRESS with virtually any computer.
The iO2 EXPRESS is USB bus powered so you won’t need to carry a bulky power supply, and its performance is optimized for minimal laptop battery drain so you’ll be able to track long sessions and gigs remotely.
COMPLETE iO
The iO2 EXPRESS has two input channels. Each channel has an XLR microphone input, a 1/4” TRS insert for external effects units, and a 1/4” TS jack that works with line-level sources and can accommodate direct connection of guitars.
The iO2 EXPRESS sends and receives two audio channels on a single USB cable for simple, universal interface. You can monitor your sessions on any studio monitoring or other loudspeaker system via dual 1/4” balanced outputs. For remote tracking and alternative playback, the iO2 EXPRESS has a 1/4” TRS headphone output.
The iO2 EXPRESS features traditional MIDI In and Out jacks for for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.
LEVEL MANAGEMENT
Each channel has a gain trim control, and there’s a master level control for optimal gain staging. When monitoring on headphones, you’ll appreciate the dedicated volume control.
You can also visually monitor levels and operation using the tricolor, stereo metering tree and lighted status indicators.
COMPLETE THE PACKAGE
The iO2 EXPRESS comes complete with a copy of Steinberg Cubase LE digtal audio workstation (DAW) software. Cubase is one of the most popular DAWs in the world thanks to its intuitive approach to composing, recording, editing and mixing.
In addition to the included software, the iO2 EXPRESS is compatible with virtually all audio and MIDI software.
Specs:
SYSTEM REQUIREMENTS
Mac: OS X 10.6, 10.7, 10.8
Windows: XP, Vista, 7, or 8
USB port
FREQUENCY RESPONSE
MIC/LINE IN to USB OUT: ±0.1dB
MIC/LINE IN to MAIN OUT (through ADC/DAC) ±0.35dB
SIGNAL-TO-NOISE RATIO (SNR)
MIC/LINE IN (balanced) to INSERT OUT: 110dB A-weighted, input impedance at XLR or 1/4" jack = 600 Ohms
GUITAR IN (unbalanced) to INSERT OUT: 99dB A-weighted, input impedance at 1/4" jack = 600 Ohms
MIC/LINE IN (balanced) to USB OUT: 99dB A-weighted, input impedance at MIC or LINE jack = 600 Ohms
GUITAR IN (unbalanced) to USB OUT: 94dB A-weighted, input impedance at 1/4" jack = 600 Ohms
MIC/LINE IN (balanced) to MAIN OUT (through ADC/DAC): 97dB A-weighted, input impedance at MIC or LINE jack = 600 Ohms
MIC/LINE IN (balanced) to MAIN OUT (through direct monitor): 95dB A-weighted, input impedance at MIC or LINE jack = 600 Ohms
TOTAL HARMONIC DISTORTION + NOISE (THD+N)
MIC/LINE IN (balanced) to INSERT OUT: <0.001% Input Gain = minimum, 1KHz input signal, INSERT OUT = 5.7dBV
GUITAR IN (unbalanced) to INSERT OUT: 0.034% Input Gain = minimum, 1KHz input signal, INSERT OUT = 5.3dBV
MIC/LINE IN (balanced) to USB OUT: 0.003% Input Gain = minimum, 1KHz input signal, USB OUT = -0.3dBFS
GUITAR IN (unbalanced) to USB OUT: 0.034% Input Gain = minimum, 1KHz input signal, USB OUT = -0.7dBFS
MIC/LINE IN (balanced) to MAIN OUT (through ADC/DAC): 0.005% Input Gain = minimum, 1KHz input signal, MAIN OUT = 5.6dBV
MIC/LINE IN (balanced) to MAIN OUT (through direct monitor): 0.006% Input Gain = minimum, 1KHz input signal, MAIN OUT = 5.6dBV
In accordance with California labeling requirements:
This compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection.
Features
Eight-channel mixer with mic, line, and guitar-level inputs
16-bit, 44.1/48 kHz stereo USB output for easy recording and playback with your Mac or PC
XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power
Works with iPad via Apple™ USB Adaptor (sold seperately)
1/4'' line-level inputs for instruments and high-impedance guitar input for direct-connecting guitars
Powerful EQ: three-band with sweepable parametric mids on channels 1 and 2, three-band on 3 and 4, two-band on 5 to 8
Built-in DSP effects with footswitch bypass control and Aux buss for external processing
Multicolour LED metering for visual level feedback
Main and headphone outputs with independent level controls
Class-compliant, plug-and-play USB for Mac and PC interface without installing drivers
MultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer/songwriters looking to get a clean, "hot" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.
MultiMix 8 USB FX includes an internal effects processor to quickly and easily add new colors to your mix. Reverb, Delay or Phaser can be dialed up simply by adjusting the pre or post fader knobs located within each channel strip. MultiMix 8 USB FX also contains Aux Out and stereo Returns, as well as, Insert jacks on channels one and two to allow for audio to be processed by external effects engines. MultiMix 8 USB FX gives you an impressive amount of routing options in such a compact size.
Like the other mixers in Alesis’ MultiMix USB series, including the MultiMix 4 USB and MultiMix 6 USB, the MultiMix 8 USB FX contains a complete USB recording interface. Musicians and engineers can plug the MultiMix 8 USB FX’s class-compliant USB connection into their Mac or PC without installing any software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 8 USB FX enables bidirectional stereo signal, so musicians can record the stereo Main output into their computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. A number of key design improvements are included on the MultiMix 8 USB FX. Enlarged knob-to-knob spacing improves ergonomics and in-use efficiency. The newly designed mixer introduces a sleek new appearance for the MultiMix series and incorporates new, removable end caps, which can be helpful for squeezing the MultiMix 8 USB FX into smaller spaces in tightly packed setups. In addition to its improved signal-to-noise ratio specifications, the new mixer consumes 36% less power than its predecessor for reliability and energy efficiency.
Apogee BOOM 2x2 Interface Mac PC iOS with Built-in Hardware DSP FX
BOOM is made for passionate creators who pursue their creativity and quality without compromise. Whether you're a musician, podcaster, video producer, or live streamer, BOOM will inspire you to take your projects to the next level, with legendary studio-quality sound by Apogee.
With BOOM, you can record, monitor and mix through class-leading mic preamps and pristine digital conversion, fine tune input sources using BOOM's built-in hardware DSP FX, and take your studio anywhere your story takes you. All you have to do is connect directly to your Mac, iPad Pro or Windows laptop, and let your ideas flow.
Apogee Studio-Quality Sound
Best-in-class sound quality with 35 years of multi-award winning Apogee Analog and digital engineering.
BOOM's conversion stages employ high-end analog-to-digital and digital-to-analog components, not low-end codecs.
Pure digital connection for up to 24-bit / 192 kHz recording.
All inputs accept a professional-spec maximum input level of +18 dBu, ensuring pristine audio signal even with the loudest sources.
Mic preamps offer a class-leading 62 dB of gain, for capturing delicate sources with clarity.
Providing an audiophile experience, BOOM's zero-ohm headphone output is able to drive even high-impedance hi-fi headphones with power, clarity, and a perfectly balanced frequency response.
Connecting Your Studio
Connect microphones, guitars, keyboards, line-level audio devices to the front-panel IN1 XLR-1/4" combo jack. (when using condenser mics, be sure to engage 48V phantom power).
Connect guitars, synthesizers, and line-level audio devices to the IN2 1/4" jack.
On the BOOM back panel, connect your studio monitors to the left and right 1/4" SP (speaker) outputs.
Connect headphones to the 1/4" HP (headphone) output.
Front-panel meters enable you to visualize the current input- or output-level setting.
Apogee Control 2 Software
The included Apogee Control 2 software provides access to all settings including System setup, direct-monitor mixing, hardware DSP, and monitor controller functionality.
Go with the Best Workflow
Musicians, Songwriters, Engineers
From recording guitars, to vocals, to synthesizers, BOOM captures every nuance of your performance, while you record with zero effects latency.
Whether you’re recording basic tracks or adding the final touches on your mix, the Symphony ECS Channel Strip (built-in DSP) offers simple but comprehensive vintage-modeled 3-band EQ, Clearmountain-tuned compression with automatic make-up gain, and saturation for enhancing your tracks with minimum fuss and maximum results.
Podcasters
Whether you are recording your first podcast episode in your bedroom or traveling to capture your show, BOOM's mic preamp has enough gain to drive professional content-creation microphones including the popular Shure SM7B broadcast mic.
Livestreamers
Use the onboard Mixer and Loopback mode to set up the ideal livestreaming production. You can listen to your game, Spotify playlist, and chat notifications all at the same time and at the perfect level.
The Road-Ready Sidekick
BOOM's compact and rugged design make it the perfect sidekick for capturing content anywhere. Built with a steel casing and rubber pads along the base, BOOM is sure to withstand the rigors of the road.
Record Right Away with Ableton Live Lite
Bundled with BOOM is the Ableton Live Lite DAW, which offers a fresh and easy way to write, record, produce and perform your own music. It includes essential workflows, instruments, and effects for creating new sounds, recording ideas, performing onstage, and much more.
Features at a Glance
2x2 USB audio interface with USB Type-C port
Totally portable and bus powered
Compatible with macOS, iPad Pro, Windows, and iPhone (with optional adapter)
Up to 24-bit / 192kHz recording
Built-in hardware DSP—Symphony ECS Channel Strip plug-in tuned by legendary mixer Bob Clearmountain
The Most Popular Portable Audio Interface for Mac and iPad
Apogee Duet 2x2 Interface for Mac, PC and iOs
Apogee Duet sets the industry standard for portable professional audio recording on Mac, PCs with Windows 10 and iPad. Made for the musician, producer and engineer that wants the ultimate sound quality and elegant simplicity, Duet features legendary Apogee AD/DA conversion, 2 world-class microphone preamps, USB MIDI I/O and ESS Sabre32 DAC technology.
With Duet’s 2 combo inputs you can connect microphones, guitars, keyboards or line level devices such as external mic preamps or a mixing board. Duet also includes 4 analog outputs – 2 1/4” balanced outputs for connection to speakers or outboard equipment and a separate, independently controlled 1/4” stereo headphone output.
Apogee Duet Features:
Direct digital connection to iPad and iOS devices (iPhone, iPad and iPod touch. Lightning and 30-pin cable sold separately).
Software control of hardware parameters including input selection and low latency monitoring.
Works with any Core Audio compatible app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton; Any Core Audio compatible app on Mac
USB 2.0 Mac and iOS audio interface
2 analog inputs:
Combination Line (balanced +20dBu max)
Mic/Instrument (+20dBu/+14dBu max)
2 Microphone preamps with up to 75dB of gain
Selectable 48v phantom power, Soft Limit and phase invert
4 analog outputs:
2 Balanced line outputs, +20 dBu maximum output level
1 Independent 1/4” stereo headphone output
MIDI connection (Core MIDI compatible; USB-A type connector)
A/D and D/A conversion at 24-bit/192kHz
Controller knob selects function, sets input and output level
Top panel high resolution OLED display
Two assignable top panel touch pads to control:
Mute speakers, headphones or all outputs
Dim speakers, headphones or all outputs
Sum to mono speakers, headphones or all outputs
Assign headphones to outputs 1-2, 3-4 or low latency mixer
Clear Meters
Apogee’s Maestro (Mac & iOS) app for advanced control
Legendary Apogee sound quality
Designed in California – Made in the U.S.A.
First professional stereo audio interface for iPad, iPad Pro, iPhone & iPod Touch
Works with any Core Audio compatible app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton; Any Core Audio compatible app on Mac
USB 2.0 Mac and iOS audio interface
2 analog inputs:
Combination Line (balanced +20dBu max)
Mic/Instrument (+20dBu/+14dBu max)
2 Microphone preamps with up to 75dB of gain
Selectable 48v phantom power, Soft Limit and phase invert
4 analog outputs:
2 Balanced line outputs, +20 dBu maximum output level
1 Independent 1/4” stereo headphone output
MIDI connection (Core MIDI compatible; USB-A type connector)
A/D and D/A conversion at 24-bit/192kHz
Controller knob selects function, sets input and output level
Top panel high resolution OLED display
Two assignable top panel touch pads to control:
Mute speakers, headphones or all outputs
Dim speakers, headphones or all outputs
Sum to mono speakers, headphones or all outputs
Assign headphones to outputs 1-2, 3-4 or low latency mixer
Clear Meters
Apogee’s Maestro (Mac & iOS) app for advanced control
Legendary Apogee sound quality
Designed in California – Made in the U.S.A.
System Requirements
Mac OS:
Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.5 or greater
Connection and power: Any available USB port on a Mac
(USB bus powered; DC power optional)
iOS:
iOS version: 6 or greater
Connection: 30-pin or Lightning connector (sold separately)
The Most Popular Portable Audio Interface for Mac and iPad
In 2007, the original Apogee Duet shattered expectations of what a home studio interface could be. Personal, professional and portable, Duet revolutionized indie recording and empowered artists and producers with legendary Apogee converters and preamps, and effortless ease of use. Duet 3 brings next-generation Apogee performance and features to a beautiful new design. With built-in hardware DSP, Duet 3 runs the Symphony ECS Channel Strip for zero-latency recording with FX. Tuned by Bob Clearmountain, the ECS Channel Strip includes presets custom crafted by the legendary mixer so you can dial in a pro recording sound instantly. Ideal for music creation, voice-over, streaming and gaming, use Duet 3 with your Mac, Windows or iPad Pro workstation via USB Type C connector. *Symphony ECS Channel Strip sold separately.
It features two world-class microphone preamps with phantom power and plenty of gain to ensure robust amplification even for low-output ribbons and classic dynamics such as the Shure SM7B. It can also accept line-level signals or direct connections from instruments such as electric guitar and bass. With two balanced analog 1/4" TRS line/monitor outputs and a stereo 3.5mm headphone output, the Duet 3 can feed a set of monitors and your favorite headphones at the same time. The main and headphone outputs are independently addressable, giving the flexibility to route separate mixes to an artist in the studio, a performer onstage, or a house PA system.
Creative Control
Compact, portable design and intuitive user interface make the unit a perfect studio control center for a Mac computer, a PC sporting Windows 10, or an iOS device
Single large controller knob for easy access to level adjustments
Complete Connections
Connect two microphones, instruments, keyboards, or line inputs
Monitor and mix in stereo through speakers and headphones
Onboard 3.5mm headphone port with 0-ohm output
Breakout cable provides two balanced mic/line inputs, two unbalanced 1/4" Hi-Z inputs, and two balanced 1/4" outputs
Includes USB Type-C and USB Type-C to USB Type-A cables for easy hookup to a variety of host devices
Custom docking station available separately
High-Grade Conversion and Preamps
World-class Apogee conversion and mic preamps
Phantom power and up to 65 dB of gain
Suitable for all dynamic, condenser, and ribbon microphones
Converters designed to deliver unadulterated recordings and a stellar listening experience
Built-In Hardware DSP
Internal hardware DSP for powering Apogee plug-ins without burdening your CPU
Optional Symphony ECS Channel Strip plug-in brings a vintage-modeled 3-band EQ, Bob-Clearmountain-tuned compressor, and analog saturation from subtle gain to warm crush
Eliminates monitoring latency when recording
USB Type-C Interface
USB high-speed connectivity
Compatible with macOS, iOS (via USB Type-C or separately available Apple Camera Connection Kit), and Windows 10
Bus powered via USB Type-C connection
Secondary USB Type-C port for optional external power supply
Solid Build Quality
Designed in California
Built in the USA
Low-profile industrial design
Sturdy construction with aluminum base and Gorilla Glass top and knob cover
Backlit encoder is bearing assisted for smooth operation
Includes foam-lined nylon hard case for travel
ogee Electronics DUET 3 Specs
Form Factor
Mobile
Display
2 x Multi-Segment LED Meter
Channels of I/O
Analog:
2 Inputs / 4 Outputs
Max Sample Rate/Resolution
192 kHz / 24-Bit
Number of Mic Preamps
2
Input Level Adjustment
1 x Knob
Expansion Slots
None
Pad
None
Gain/Trim Range
Up to 65 dB
High-Pass Filter
None
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x XLR 3-Pin Balanced Mic/Line Input (on Included Breakout Cable) 2 x 1/4" TS Unbalanced Hi-Z Input (on Included Breakout Cable) 2 x 1/4" TRS Balanced Line Output (on Included Breakout Cable) 1 x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Phantom Power
48 V
Digital Audio I/O
None
Host Connection / USB
1 x USB Type-C
USB (Non-Host)
1 x USB Type-C (Power Input)
Sync I/O
None
Network I/O
None
MIDI I/O
None
Other I/O
1 x Proprietary/Apogee Breakout Cable In/Out
Wireless Connectivity
None
Performance
Impedance
Headphone Outputs:
0 Ohms
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
None
Bit Depths
24-Bit
Latency
Zero-Latency Direct Monitoring
Sync Sources
Internal
Memory Card Slot
None
Compatibility
OS Compatibility
macOS 10.15
Windows 10
iOS
Included Software
None
Compatible Software (Not Included)
Any Core Audio (Mac) Compliant Software
Included Plug-Ins
None
Supported Drivers/API & Plug-Ins
Proprietary
Required Hardware
Available USB Port or USB Type-C Port
Internet Connection
Required for Registration, Software/Driver Download
Power
Power Requirements
AC/DC Power Adapter (Not Included) or USB Bus Power
Duet set the standard for making music and recording on the go with its small footprint and flexible breakout cable. But when working in your studio, the best way to use Duet 3 is with the all-new Duet Dock. The Dock positions Duet at the ideal angle for quick adjustments and meter and function visibility. The rear panel connectors on Duet Dock make it easier to organize and connect your cables to Duet too.
Features:
Connects directly to Apogee Due Two XLR mic/line locking inputs
Apogee One 3rd Generation for iPad iPhone and Macs
The Apogee ONE is a 2 IN x 2 OUT USB Audio Interface/Microphone for iPad & Mac
The all new Apogee ONE is the first studio quality microphone and USB audio interface for iPad and Mac. ONE is designed for easily creating professional and amazing sounding recordings on your iPod touch, iPhone, iPad or Mac. Using Apogee’s premium AD/DA conversion, ONE produces pristine music, podcast, and voice-over recordings while also delivering audiophile quality sound to your headphones.
The all new 3rd Generation ONE for iPad and Mac features special circuitry designed to deliver professional performance for iPad use and low latency USB 2.0 performance for Mac.
Apogee ONE is a music creation Swiss Army knife. Connect a microphone, guitar or use ONE’s exceptional built-in omnidirectional microphone to easily capture your music without compromise. ONE even lets you record with a microphone (built-in or external) and guitar simultaneously. Using Apogee’s industry-leading AD/DA conversion and mic preamp technology, ONE produces pristine music, podcast, and voice-over recordings while also delivering studio quality sound to your headphones for precision mixing or hi-fi listening. With an intuitive controller knob and seamless compatibility with Mac OS X, ONE is easy for anyone to use and works great with GarageBand, Logic Pro X, Pro Tools, Ableton or any Core Audio compatible application.
Apogee ONE for Mac users have access to special offers on their choice of any world-class audio plugins from Waves. Simply purchase ONE for Mac from an authorized dealer and register to receive a discount code good for 25% off a single plugin or 35% off any Waves bundle plus an additional $100 voucher that can be used towards your next Waves plugin purchase. These offers can even be applied to any special deals from Waves, giving you the ability to save up to thousands of dollars.
Legendary Sound Quality
Why Apogee is the best choice
for your studio
Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades.
Sound Quality - The Apogee Advantage
A difference you will hear
ONE makes the legendary quality of Apogee's mic preamps, AD/DA converters and clocking available in a portable form factor and at a great price. With components carefully selected in critical listening tests and a highly efficient circuit design, ONE was built by Apogee engineers to make a difference you can hear.
Pristine, next generation AD/DA converters
ONE's AD/DA converters are designed to deliver the purest recordings and best listening experience possible. ONE's efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.
Smooth, detailed world-class mic preamps
ONE features two microphone preamps with seamless click-free transitions as the gain increases and decreases throughout the incredible gain range of 0 to 63 dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. ONE's mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.
ONE is a microphone
ONE features a built-in studio quality condensor microphone that makes it easy to quickly capture song ideas, vocals, podcasts and interviews. With the included mic clip you can position ONE perfectly on your microphone stand to capture any sound.
ONE is an audio interface
ONE's breakout cable lets you connect a microphone to the XLR input and an electric guitar, bass or acoustic guitar with pickup to the 1/4" instrument input. With up to two simultaneous channels of recording (instrument + built-in or external mic) and Apogee's premium A/D conversion and mic preamp technology, you can make professional recordings anywhere with ONE.
ONE is a headphone amp and DAC
ONE's stereo output delivers audiophile quality sound from iPhone, iPad or Mac to your headphones or speakers. With ONE's premium D/A conversion you will hear every subtle detail of your music like never before, allowing you to create better mixes and enjoy your iTunes library even more.
Music Creation on iPad
iPad puts you in touch with your creativity
Interacting with iPad to make music is like playing an instrument. In fact, some apps like Apple's GarageBand turn your iPad into a guitar or virtual instrument. Whether you are moving faders on a mixer, adjusting software parameters, or editing a waveform, iPad's multi-touch interface is a more hands on environment and superior to mouse clicks or track pad swipes.
Setting up your studio has never been easier
iPad makes everything easier with a simplified user interface and plug and play connectivity for accessories like Apogee audio interfaces. You'll be amazed by how simple it is to set up your studio.
There's a music app for everything
There are hundreds of music apps for iOS and iPad. With multi-track recording DAWs like GarageBand and Auria, synths and drum machines like Animoog and DM1, utilities and guitar effects like Audiobus and JamUp Pro, the music creation offering for iPad is vast and varied. And most apps are more affordable than their Mac based counterparts.
Share your music
Sharing functionality is built-in to most apps, making it easier then ever to move files and collaborate on different devices including iPad to Mac.
Specs:
Construction
Die cast Aluminum body
Molded rubber base
Analog Inputs
Up to 2 Simultaneous Inputs
1 Input Options:
Built-in microphone
Instrument IN on 1/4"
External microphone - XLR IN on breakout cable
2 Input Options:
Instrument + Built-in microphone
Instrument + External microphone
48v Phantom power on microphone input
Analog Outputs
1/8" Stereo OUTPUT for headphones or powered speakers
Level meters
Mac connection
USB 2.0 High-speed
iOS device connection
USB/Lightning connector
AD/DA conversion
24 bit, up to 96kHz sample rate
Compatibility
Mac, iPod touch, iPhone, iPad
Apogee Maestro control software
Mac, iPod touch, iPhone, iPad
Built-in microphone
Condenser/Omnidirectional
Sound quality
Third generation
Power
Mac: bus powered, DC optional
iOS: DC or 2, AA battery power required
System Requirements
Mac OS:
Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.5 or greater
Connection and power: Any available USB port on a Mac
USB bus powered
Compatible Software:
Any Mac Core Audio compatible application
Recommended apps: Logic Pro, GarageBand, MainStage, Final Cut, Pro Tools, Ableton Live, Digital Performer, Studio One, Cubase, and Nuendo
Apogee One for Macs 2x2 3rd Generation USB Interface
The Apogee ONE is a 2 IN x 2 OUT USB Audio Interface/Microphone for iPad & Mac
The all new 3rd generation Apogee ONE is The studio quality microphone and USB audio interface for iPad and Mac. ONE is designed for easily creating professional and amazing sounding recordings on your iPod touch, iPhone, iPad or Mac. Using Apogee’s premium AD/DA conversion, ONE produces pristine music, podcast, and voice-over recordings while also delivering audiophile quality sound to your headphones.
The all new 3rd Generation ONE for iPad and Mac features special circuitry designed to deliver professional performance for iPad use and low latency USB 2.0 performance for Mac.
Apogee ONE is a music creation Swiss Army knife. Connect a microphone, guitar or use ONE’s exceptional built-in omnidirectional microphone to easily capture your music without compromise. ONE even lets you record with a microphone (built-in or external) and guitar simultaneously. Using Apogee’s industry-leading AD/DA conversion and mic preamp technology, ONE produces pristine music, podcast, and voice-over recordings while also delivering studio quality sound to your headphones for precision mixing or hi-fi listening. With an intuitive controller knob and seamless compatibility with Mac OS X, ONE is easy for anyone to use and works great with GarageBand, Logic Pro X, Pro Tools, Ableton or any Core Audio compatible application.
Apogee ONE for Mac users have access to special offers on their choice of any world-class audio plugins from Waves. Simply purchase ONE for Mac from an authorized dealer and register to receive a discount code good for 25% off a single plugin or 35% off any Waves bundle plus an additional $100 voucher that can be used towards your next Waves plugin purchase. These offers can even be applied to any special deals from Waves, giving you the ability to save up to thousands of dollars.
Legendary Sound Quality
Why Apogee is the best choice
for your studio
Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades.
Sound Quality - The Apogee Advantage
A difference you will hear
ONE makes the legendary quality of Apogee's mic preamps, AD/DA converters and clocking available in a portable form factor and at a great price. With components carefully selected in critical listening tests and a highly efficient circuit design, ONE was built by Apogee engineers to make a difference you can hear.
Pristine, next generation AD/DA converters
ONE's AD/DA converters are designed to deliver the purest recordings and best listening experience possible. ONE's efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.
Smooth, detailed world-class mic preamps
ONE features two microphone preamps with seamless click-free transitions as the gain increases and decreases throughout the incredible gain range of 0 to 63 dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. ONE's mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.
ONE is a microphone
ONE features a built-in studio quality condensor microphone that makes it easy to quickly capture song ideas, vocals, podcasts and interviews. With the included mic clip you can position ONE perfectly on your microphone stand to capture any sound.
ONE is an audio interface
ONE's breakout cable lets you connect a microphone to the XLR input and an electric guitar, bass or acoustic guitar with pickup to the 1/4" instrument input. With up to two simultaneous channels of recording (instrument + built-in or external mic) and Apogee's premium A/D conversion and mic preamp technology, you can make professional recordings anywhere with ONE.
ONE is a headphone amp and DAC
ONE's stereo output delivers audiophile quality sound from iPhone, iPad or Mac to your headphones or speakers. With ONE's premium D/A conversion you will hear every subtle detail of your music like never before, allowing you to create better mixes and enjoy your iTunes library even more.
Music Creation on iPad
iPad puts you in touch with your creativity
Interacting with iPad to make music is like playing an instrument. In fact, some apps like Apple's GarageBand turn your iPad into a guitar or virtual instrument. Whether you are moving faders on a mixer, adjusting software parameters, or editing a waveform, iPad's multi-touch interface is a more hands on environment and superior to mouse clicks or track pad swipes.
Setting up your studio has never been easier
iPad makes everything easier with a simplified user interface and plug and play connectivity for accessories like Apogee audio interfaces. You'll be amazed by how simple it is to set up your studio.
There's a music app for everything
There are hundreds of music apps for iOS and iPad. With multi-track recording DAWs like GarageBand and Auria, synths and drum machines like Animoog and DM1, utilities and guitar effects like Audiobus and JamUp Pro, the music creation offering for iPad is vast and varied. And most apps are more affordable than their Mac based counterparts.
Share your music
Sharing functionality is built-in to most apps, making it easier then ever to move files and collaborate on different devices including iPad to Mac.
Features:
2 IN x 2 OUT Audio interface with built-in microphone
USB 2.0 connection for Mac with 24-bit/96kHz AD/DA conversion
Works with iOS – iPhone and iPad connection kit sold separately
Low latency and seamless compatibility Mac OS X
2 Analog Inputs:
Built-in omnidirectional condenser microphone
XLR microphone and 1/4” instrument connector on breakout cable
2 simultaneous inputs (instrument + built-in or external mic)
Mic preamp with up to 62dB of gain
2 Analog Outputs:
1 1/8” stereo output for headphones or powered speakers
Direct monitoring, complete input/output control with Apogee’s Maestro software
Compatible with GarageBand, Logic Pro X or any Core Audio Application
Includes exclusive offers on Waves plugins (available upon registration)
Die cast aluminum chassis
Legendary Apogee sound quality
Designed in California – Built in the U.S.A.
System Requirements
Mac OS:
Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.5 or greater
Connection and power: Any available USB port on a Mac
USB bus powered
Compatible Software:
Any Mac Core Audio compatible application
Recommended apps: Logic Pro, GarageBand, MainStage, Final Cut, Pro Tools, Ableton Live, Digital Performer, Studio One, Cubase, and Nuendo
Symphony Desktop for Mac and Windows packs the legendary sound quality of Apogee's rack-mount Symphony I/O Mk II into an elegant and inspiring 10x14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry's most respected AD/DA converters and mic preamps.
By combining superior performance, with new features like mic preamp emulation, the Apogee Channel FX plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.
With emulations of vintage British and American mic preamps, DSP/native Apogee FX plug-ins, and multiple zero-latency plug-in workflows, the Symphony Desktop puts you in complete control of your tone. Thanks to its color touchscreen and large control knob, the Symphony Desktop provides easy operation and comprehensive visual feedback.
Record mic-, line-, or instrument-level signals through the variable-impedance, high-gain preamps and use the monitor outputs and assignable headphone jacks for listening to the main mix or an alternate source. Expand your setup by connecting external digital equipment to the optical TOSLINK ports, which support 8-channel ADAT or 2-channel S/PDIF protocols.
General Features
Sound quality of rackmount Symphony I/O Mk II in a compact desktop format
Easy operation via color touchscreen and large control knob
Simultaneous Channels of Audio: 10 in and 14 out
A/D and D/A resolution up to 24-bit / 192 kHz
Built-In DSP: FPGA processing of Apogee FX Rack plug-ins
Print, Monitor, and DualPath Link: Flexible, zero-latency plug-in workflows
Apogee Alloy mic preamp emulation including British Solid State and 50's American Tube
Two independent ultralow impedance headphone outputs with individual routing and dual-sum ESS DACs
Software control via Symphony Desktop Control application
Compatible with macOS and Windows computers running Quad Core i7 or later processors
Works with iPad Pro running iOS 13
Flexible I/O
Two stepped-gain mic preamps with up to 75 dB of gain and variable impedance
XLR-1/4" combo mic/line inputs
1/4" Hi-Z input with variable impedance
1/4" monitor outputs
1/4" and 3.5mm assignable headphone outputs
Optical TOSLINK ports for ADAT or S/PDIF digital I/O
USB Type-C and USB Type-A ports
Included Apogee FX Plug-Ins
Symphony ECS Channel Strip: EQ, compressor, and saturation tuned by Bob Clearmountain (includes native and hardware DSP versions)
Symphony Reverb (includes native version)
Pultec EQP-1A, Pultec MEQ-5, and Mod EQ-6 equalizers (hardware DSP versions)
Opto 3-A and Mod Comp compressors (hardware DSP versions)
Included Mic Preamp Emulations
British Solid State: Class-A console sound inspired by the Marinair round can input transformer and discrete transistor design of the Class-A Neve 1066 mic preamp
American Tube: lush, vintage-style tone inspired by a 1950s Ampex 601 preamp that was restored and modded for lower noise and greater dynamic range
Flexible Plug-In Workflows
Symphony ECS gives you the full range of Apogee workflow options. For zero latency tracking, you can print through it as you record or set up a DualPath Link for monitoring and print later when you mix. Or simply use Symphony ECS as a native plug-in in your DAW, no Apogee hardware required.
Specs
Form Factor
Tabletop
Display
Touchscreen
Channels of I/O
Analog:
2 Input / 6 Output at 192 kHz Digital:
8 Input / 8 Output at 48 kHz
Max Sample Rate/Resolution
192 kHz / 24-Bit
Number of Mic Preamps
2
Input Level Adjustment
1 x Knob
Expansion Slots
None
Pad
None
Gain/Trim Range
Mic Inputs:
Up to +75 dB
High-Pass Filter
None
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1 x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
1 x TOSLINK Optical ADAT / S/PDIF Input 1 x TOSLINK Optical ADAT / S/PDIF Output
Host Connection / USB
1 x USB Type-C (USB 2.0)
USB (Non-Host)
1 x USB Type-A (Update)
Sync I/O
None
Network I/O
None
MIDI I/O
None
Performance
Frequency Response
A/D Converters:
10 Hz to 20 kHz ±0.2 dB (at 44.1 kHz) D/A Converters:
10 Hz to 20 kHz ±0.05 dB (at 44.1 kHz)
ART USB Dual Pre USB Digital Audio Interface with Dual Micro Pre
The USB Dual Pre from ART is a combination portable preamplifier and computer interface housed in a compact, rugged case. The unit is suitable for a wide variety of applications, including remote field work to desktop/studio recording. The 2 input channels can accept either a microphone or line input and provide up to 48 dB of gain.
Phantom power is available for use with condenser microphones, even when running from the USB bus or any of the other powering options. Those include using an external power supply or an internal 9V battery (both available separately). When running off the battery, operational hours are in excess of 50 hours with phantom power off.
A stereo mini headphone jack is provided for monitoring and the rear level and monitor mix controls allow for latency-free recording. The monitor mix is also routed to the main outputs. The USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record.
Portable USB interface with dual microphone preamps
Low-noise, fully balanced combo XLR-1/4" inputs
Preamps provide up to 48 dB of gain and feature independent gain controls
Built-in, low-noise phantom power supply
Signal present and clip LED indicators
Latency free monitoring with mix and level controls
Includes Audacity recording and production software
3-way powering options via the USB bus, an optional external power supply or 9V battery
ART USB Dual Pre Specs
Key Specs
Channels of I/O
2 Input / 2 Output
Maximum Sampling Rate
48 kHz / 16-Bit
Number of Microphone Inputs
2 Preamps
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced/Unbalanced Input 2 x 1/4" TRS Balanced Output 1 x 1/8" / 3.5 mm TRS Headphone Output
Host Connection
USB-B
OS Compatibility
macOS 9.1
macOS
Windows 2000
Windows XP
Windows Vista *As of November, 2021: Check with manufacturer for the most up-to-date compatibility
Power Requirements
AC/DC Power Adapter (Not Included), Battery, USB Bus Power
Channels of I/O
2 Input / 2 Output
Maximum Sampling Rate
48 kHz / 16-Bit
Number of Microphone Inputs
2 Preamps
Input Level Adjustment
2 x Button
Expansion Slots
No
Signal Processing
Pad
No
Gain/Trim Range
+48 dB
High-Pass Filter
No
Solo/Mute
No
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced/Unbalanced Input 2 x 1/4" TRS Balanced Output 1 x 1/8" / 3.5 mm TRS Headphone Output
Phantom Power
48 V, Selectable On/Off
Digital Audio I/O
No
Host Connection
USB-B
Host Connection Protocol
USB 1.0
MIDI I/O
No
Performance
Frequency Response
20 Hz to 20 kHz +0/-1 dB
Maximum Input Level
+6 dBu
Maximum Output Level
+10 dBu (Balanced)
+4 dBu (Unbalanced)
Impedance
> 300 Kilohms
4 Kilohms
SNR
> 90 dB (at 0 dBu)
THD
1% (1 kHz)
CMRR
> 60 dB
Digital Audio
Sample Rates
44.1 / 48 kHz
Bit Depths
16-Bit
Compatibility
OS Compatibility
macOS 9.1
macOS
Windows 2000
Windows XP
Windows Vista *As of November, 2021: Check with manufacturer for the most up-to-date compatibility
Included Software
No
Required Hardware
Available USB 1.1 Port
Power
Power Requirements
AC/DC Power Adapter (Not Included), Battery, USB Bus Power
AC/DC Power Adapter
7.5 to 12 V (Not Included)
Battery Type
1 x 9V
Physical
Dimensions
4.7 x 4.6 x 1.8" / 119 x 117 x 44.5 mm
Weight
1.3 lb / 590.0 g
Packaging Info
Package Weight
1.445 lb
Box Dimensions (LxWxH)
9.8 x 6.2 x 3.7"
UPC: 804040201904
In accordance with California labeling requirements:
The Audient iD14 High Performance USB Audio Interface was designed with musicians in mind to simplify the recording process while providing the artist with two of the company's renown Class-A console-grade microphone preamplifiers. Housed in a desktop style chassis, it delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl.
Overview
2x Class-A Audient Console Mic Preamplifiers
High Performance Burr Brown AD/DA Converters
1x Discrete JFET Instrument Input
Main Speaker Output
Independent Class-AB Headphone Output
Full Monitor Control Functionality (software controlled)
ADAT Input for Expandability
Low Latency DSP Mixer
iD ScrollControl Mode
All-Metal Enclosure
USB2.0 Bus Powered
24-bit/96 khz
Microphone Preamps
Use a class-A microphone design developed by legend David Dearden and optimized over 18 years of refinement
I/O
Offers you two channels of mic pres as well as a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly
Converter Technology
Provides you with high performance AD-DA converters from Burr Brown
Software Mixer
Tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music
Console Style Monitor Controller
Features built-in console style monitor control functions - Mono, polarity, dim, cut, speaker switching, talkback & cue mix monitoring
Expansion
Allows for expansion via the optical input connector, supporting both ADAT or S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP880
Control
Gives you control of your software with the unit's ScrollControl. With a touch of a button, the unit's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app, and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control
When not using the virtual scroll wheel, the iD button can be assigned to control the unit's monitoring features, including DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button
Durability
Features all-metal construction, hand finished aluminum knobs and high grade component selection, that will stand up to countless late nights in the studio and days on the road
Specs:
Interface
Channels of I/O
10 Inputs / 4 Outputs at 48 kHz
Max Sample Rate/Resolution
96 kHz / 24-Bit
Connectivity
Host Connection
USB Type-B (USB 2.0)
Analog I/O
None
Phantom Power
+48 V ± 4 V
Digital I/O
1 x TOSLINK / ADAT, S/MUX, S/PDIF Input
MIDI I/O
None
Performance
Frequency Response
A/D Converters:
10 Hz to fs/2 ±0.5 dB D/A Converters:
10 Hz to fs/2 ±0.1 dB Headphone Outputs:
10 Hz to fs/2 ±1 dB Mic/Line Inputs:
20 Hz to 22 kHz ±0.1 dB (Min Gain)
20 Hz to 22 kHz ±1 dB (Min Gain) Line Inputs:
20 Hz to 22 kHz ±0.1 dB Mic/Line Inputs:
20 Hz to 22 kHz ±0.1 dB (Min Gain)
20 Hz to 22 kHz ±1 dB (Min Gain)
Gain Range
Hi-Z Inputs:
0 to 66 dB Line Inputs:
-10 to 56 dB Mic Inputs:
0 to 66 dB
Max Input Level
Mic Inputs:
+12 dBu (at 0 dBFS) Line Inputs:
+9 dBu
Max Output Level
Headphone Outputs:
+12 dBu
Dynamic Range
A/D Converters:
113 dB
116 dBA D/A Converters:
114 dB
117 dBA Outputs:
111 dBA
iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing two Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.
The iD22 has a pair of the same Class-A mic preamps found in Audient's world-class consoles, ensuring gold-star treatment for your dynamic or phantom-powered condenser microphones. A harmonically rich JFET 1/4" instrument input is also provided, so you can plug your guitar or bass directly into the interface and get the character of valve amplifiers. Each analog input channel offers switches for 48V phantom power, a -10 dB pad, polarity reverse, and a high-pass filter.
Outfitted with 24-bit / 96 kHz Burr-Brown AD/DA converters, the iD22 delivers premium accuracy while remaining natural and musical, devoid of problems caused by distortion and unstable clocking. The inclusion of a TOSLINK optical input port enables expansion for more recording channels via an ADAT- or S/PDIF-equipped external mic preamp or A/D converter. Use the TOSLINK optical output to feed tracks to a digital mixing console, a multichannel headphone distribution system, or a high-end D/A converter.
With stereo 1/4" main and alt monitor outputs, an independent Class-AB headphone output, and comprehensive console-style monitor control, the iD22 interface lets you listen to your content in high quality, smoothly adjust your levels, and access dim, cut, mono sum, and more. Plus, there's the revolutionary ScrollControl, a function that can be used to control anything over which your mouse pointer hovers.
DAW software, virtual instruments, samples, cabinet simulation, and more are included to get you started on your path toward achieving polished productions. The iD22 connects to your Mac/Windows host computer via USB and it includes a 12 VDC power supply to provide reliable power for its premium circuitry.
Two Class-A Microphone Preamps
The iD22 incorporates a Class-A microphone design developed by legend David Dearden and optimized over 20 years of refinement. It features an 8-transistor discrete design that delivers low noise, low distortion, and high common mode rejection at all gain levels. The all-analog circuitry runs on ±15V (30V rails) and provides high headroom and class-leading drive capability.
Analog I/O
The analog I/O includes two Neutrik XLR-1/4" combo mic/line inputs and a harmonically rich JFET DI input, which is designed to replicate the input stage of a classic valve amplifier—plug your guitar, bass, keyboard, or drum machine straight in and start recording instantly.
With two pairs of balanced 1/4" stereo speaker outputs and an independent Class-AB 1/4" headphone output, you can enjoy clear and convenient monitoring through your favorite headphones as well as main and secondary active monitors.
Balanced Inserts
Two fully balanced insert points enable you to integrate your outboard gear prior to conversion, letting you quickly insert your favorite compressors or vintage EQs. The insert return also gives you direct access to the A/D converters, providing the cleanest signal path possible and making it great for print-backs.
8-Channel Digital I/O Expansion
The iD22's TOSLINK optical input can accept ADAT or S/PDIF digital signals, allowing up to eight additional inputs over a single digital cable. Expand your recording setup with an ADAT-equipped 8-channel mic pre such as the ASP880 (available separately).
The iD22 features a TOSLINK optical output for sending two channels of S/PDIF or up to eight channels of ADAT to an external mixer, a multichannel D/A converter, or a headphone distribution system.
Pad, Polarity, and High-Pass Filter Switches
In addition to switchable phantom power, each analog input channel of the iD22 has switches for a -10 dB pad (for increasing headroom), polarity reverse (vital when recording multiple mics on the same source), and a 12 dB/octave high-pass filter at 100 Hz (helpful for removing rumble).
ScrollControl
With a touch of a button, the iD22's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD22's mixer app, and even scroll through your iTunes library. Wherever your mouse pointer hovers, the iD knob can scroll to control.
When not using the virtual scroll wheel, the iD button can be assigned to control the unit's monitoring features such as dim, polarity reverse, mono sum, talkback, and more.
Console-Style Monitor Controller
Take advantage of the onboard console-style monitor control functions including mono sum, polarity, dim, cut, talkback, and cue-mix monitoring; all the pro-level features you'd normally only find in far more expensive interfaces.
Software Mixer
Whether you're creating low-latency cue mixes or utilizing the flexible monitor control, the iD22 tightly integrates the hardware and software to make the recording process easy.
Built-In Talkback
New dedicated talkback technology enables you to utilize any audio source connected to your computer (e.g. your computer's built-in mic or a USB microphone) as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are.
Rugged Durability
Thanks to all-metal construction, hand-finished aluminum knobs, and high-grade component selection, the iD22 can stand up to countless late nights in the studio and days on the road.
Bundled Software
Compatible with all major audio software and plug-ins, the iD22 comes bundled with a collection of professional software, giving you everything you need to start recording.
Steinberg Cubase LE and Cubasis LE 2: Turn your Mac/Windows computer or iPad into an easy-to-use music studio with all the basic tools for recording, editing, and mixing, for everything from the initial musical idea to the final track.
Steinberg Retrologue 2: This virtual instrument emulates the warmth and fatness of classic analog synthesizers, producing a wealth of sounds that will inspire you time and again.
Waldorf Edition 2 LE: Software emulations of three classic Waldorf products, including the legendary synth PPG Wave 2, drum module Attack, and filter D-pole.
Two Notes Torpedo Wall of Sound: A speaker and miking simulation plug-in with eight carefully selected cab emulations, including emulations of MesaBoogie, Fender, and Ampeg.
GForce M-Tron Pro LE: An industry-standard emulation of the classic Mellotron tape playback keyboard.
The Sample Boutique from Loopmasters: Over 2GB of drum loops, synth loops, vocal loops, and more.
Produce Like a Pro: Three free online courses full of valuable insight and techniques.
Subitopiano: Get 20 minutes of time (at no extra cost) recording your MIDI tracks on a real grand piano through a specifically designed and fully automated studio, all over the web.
Specs
Form Factor
Tabletop
Display
2 x Multi-Segment LED Meter
Channels of I/O
Analog:
2 Inputs / 6 Outputs at 96 kHz Digital:
8 Inputs / 8 Outputs at 48 kHz
Max Sample Rate/Resolution
96 kHz / 24-Bit
Number of Mic Preamps
2
Input Level Adjustment
2 x Knob
Expansion Slots
None
Pad
-10 dB (Switchable per Channel)
Gain/Trim Range
Hi-Z Inputs:
-16 to +54 dB Line Inputs:
-20 to +40 dB Mic Inputs:
-10 to +60 dB
High-Pass Filter
100 Hz, 12 dB/Octave
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input 4 x 1/4" TRS Balanced Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output 2 x 1/4" TRS Balanced Insert Send 2 x 1/4" TRS Balanced Insert Return
Phantom Power
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs)
Phantom Power Current
10 mA per Channel
Digital Audio I/O
1 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 1 x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support)
Host Connection / USB
1 x USB Type-B (USB 2.0)
USB (Non-Host)
None
Sync I/O
None
Network I/O
None
MIDI I/O
None
Wireless Connectivity
None
Performance
Frequency Response
A/D Converters:
10 Hz to fs/2 ±0.5 dB D/A Converters:
5 Hz to fs/2 ±0.5 dB Headphone Outputs:
5 Hz to fs/2 ±0.5 dB Mic, Line Inputs:
10 Hz to 100 kHz ±0.5 dB Hi-Z Inputs:
10 Hz to 50 kHz ±0.5 dB
Max Input Level
Mic Inputs:
+22 dBu
+32 dBu (with Pad) Line Inputs:
+16 dBu
+22 dBu (with Pad)
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