• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box

• Rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature
• Improved frequency response over previous version

In order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound CineMag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.

• Large-diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit
• All discrete premium components, including an NOS Fairchild transistor and Wima/Nichicon capacitors
• Custom CineMag USA output transformer
• WA-87-B-50V capsule; reproduction of classic dual backplate (four-wire termination) K87 capsule
• Black body
• Cardioid, omnidirectional, and figure-8 polar patterns
• Switchable -10 dB pad and 80 Hz high-pass filter
• Diaphragm features 6-micron thickness, gold-sputtered membrane, and NOS Mylar (PET film)
• XLR 3-pin output connector
• Runs on 48V phantom power
• Includes shockmount, hard mount, and wood box