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Mathew Lane TiCo Mac PC Compressr eLicense
$89.00 $29.00Save: 67% off
Mathew Lane StereoDelta 2 Mac PC Spartial Processor eLicense
$59.00 $19.50Save: 67% off
New Products [more]
Warm Audio WA-14 Large-Diaphragm Transformer-Balanced Condenser
$399.00 $349.00Save: 13% off
Warm Audio WA-8000 Large-Diaphragm Tube Condenser Microphone
$1,199.00 $899.00Save: 25% off
sE Electronics sE X1 Studio Bundle
sE X1 Studio Bundle
sE Electronics is celebrating the launch of the new RF-X Reflexion Filter with the co-ordinated introduction of the sE Electronics X1 Studio Bundle which provides customers with arguably the best value for money high-quality home recording solution available on the market.
The bundle ships as a single box and includes the RF-X itself, the highly popular sE X1 large diaphragm cardioid condenser microphone, the latest shock mount and pop filter kit and a 3 metre microphone cable.
The sE Electronics RF-X is the latest high - performance acoustic filter joining sE’s highly-acclaimed line of successful and industry standard Reflexion Filter products. Using the same US patented design technology as the RF-Pro the new RF-X has been concieved to answer the needs of the discerning recording artist working on a budget. With a new lightweight body and re-designed lightweight clamp assembly the RF-X is simplicity itself, providing unbeatable performance and ease-of-use.
Bundle Includes:
- sE Electronics X1 large-diaphragm cardioid condenser microphone
- sE Electronics RF-X Reflexion Filter
- Shock mount
- Pop filter
- 3-meter XLR microphone cable
A versatile mic for vocals and more
Whether you're recording lead vocals, acoustic guitar, strings, or percussion, the sE X1 outperforms others in its price class. One of the fastest growing mics in the sE range, it's perfect for recording acoustic instruments and ensembles and is suitable for both male and female vocals. The sE X1 is a hand-built capsule with a 10dB pad and a low cut bass filter, finished with acoustically damping black paint and black rubber. sE Electronics believes that you shouldn't have to compromise on quality, even at the entry level of the condenser mic market.
An affordable, high-performance reflection filter
The sE Electronics RF-X is a high-performance acoustic filter joining sE's highly-acclaimed line of successful and industry-standard Reflexion Filter products. Using the same US patented design technology as the RF-Pro, the RF-X has been conceived to answer the needs of the discerning recording artist working on a budget. With a lightweight body and re-designed lightweight clamp assembly, the RF-X is simplicity itself, providing unbeatable performance and ease-of-use.
sE X1 Mic Specs:
- Frequency Response: 20Hz-20KHz
- Sensitivity: -32 dBV/Pa (25.1mV/Pa)
- Polar Pattern: Cardioid
- Impedance: = 200 Ohms
- Equivalent Noise Level: 16dB(A weighted)
- Max SPL for 0.5% THD@1000Hz: 125dB
- Power Requirement: Phantom power 48V
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
sE Electronics sE2200a II C Cardioid Condenser Microphone
A Great-sounding Condenser Mic for any budget!
The sE Electronics sE2200a II C cardioid condenser microphone updates the original sE2200a with a smooth black rubberized finish and handy shock mount. Beyond that, the sE2200a II C gives you the same stunning quality and up-front sound that made the original version such a huge hit. This is an incredibly versatile condenser microphone, equally at home in front of a guitar cabinet as it is over a drum kit. And if you're looking for that first truly special vocal mic, an sE Electronics sE2200a II C condenser microphone is an excellent choice.
sE Electronics sE2200a II C Cardioid Condenser Microphone:
- Tried-and-true cardioid polar patter provides up-front sound
- Low-noise operation meets high-headroom SPL handling
- Extra onboard options give you even more flexibility
Tried-and-true cardioid polar patter provides up-front sound
Featuring a custom, hand-crafted 1" gold-sputtered diaphragm, sE Electronics' sE2200a II C condenser microphone provides you with the tonal stability of a fixed cardioid polar pattern. When you close mic with your sE2200a II C, this polar pattern does a great job blocking out the rest of the room, giving your sound a bold, front-and-center quality.
Low-noise operation meets high-headroom SPL handling
When it comes to capturing dynamic content, not all studio-style condenser mics are made equal. In fact, the same mic that sounds great on your amp stack may be a bit too noisy to use on acoustic guitar, and your favorite vocal mic may not be able to handle the SPLs required by drum overheads. Not so with sE Electronics' sE2200a II C condenser microphone. That's because sE Electronics built the sE2200a II C to be able to withstand epic decibel levels, while maintaining a super-low noise floor - just what you need to capture highly dynamic sounds.
Extra onboard options give you even more flexibility
Talk about a studio workhorse mic - the sE Electronics sE2200a II C was built to handle just about any sound you can imagine. Not only is it naturally able to keep up with extremely dynamic sound sources, such as vocals and brass instruments, but it gives you both a highpass filter and a 10dB pad to further shape its response. Whether you need to cut out low-end rumble or back off the gain to capture a screaming amp stack, the sE Electronics sE2200a II C gives you the sonic flexibility you need.
sE Electronics sE2200a II C Cardioid Condenser Microphone Features:
- An amazing cardioid condenser microphone that's perfect for anything from vocals to drum overheads
- An updated version of sE Electronics' award winning sE2200a cardioid condenser microphone
- Hand-crafted 1" gold-sputtered condenser capsule provides smooth and consistent cardioid polar pattern
- Highpass filter and 10dB pad give you advanced sound-shaping options onboard
- Extremely low noise and high SPL handling provides you with an extended dynamic range
- Finished in a custom black rubber paint, which looks cool and dampens chassis resonance
- Shockmount included
Get amazing up-front sound with an sE Electronics sE2200a II C large-diaphragm cardioid condenser microphone!
| Specification | Detail |
| Microphone Type | Condenser |
| Polar Pattern(s) | Cardiod |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 125dB |
| Output Impedance | <200 ohms |
| Self Noise | 17 dBA SPL (A - weighted per IEC651) |
| Diaphragm Size | 1" |
| Low Cut Filter | Yes |
| Pads | 10dB |
| Length | 8.46" |
| Width | 2" |
| Depth | 2" |
| Manufacturer Part Number | sE2200a II C |
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$249.00
sE Electronics sE4 Stereo Pair Small Diaphragm Mics
sE4 Stereo Pair Small Diaphragm Mics Accept Interchangeable Capsules
The sE4 pair replaces the sE3 pair. The mic is a remodelled sE3, designed to sound and perform exactly the same, and with very similar styling, but with one key new feature. The chassis has been re-engineered to accept 2 additional interchangeable capsules, a Hypercardioid and an Omni.
Please note The sE4 mic comes with the Cardioid capsule as standard. The Hypercardioid and Omni capsule set, is available as an additional purchase, for both single and matched stereo pair sE4 mics.
The sE4 has been renamed, despite its similarity to the existing sE3, to avoid confusion, since the new capsules will NOT fit on the current sE3 model. Both single and matched pairs of mic and capsule sets are available, and the packaging has also been updated with sE's new hi spec black Aluminium, steel reinforced, flight cases. All sE4 packages ship with full suspension shock mounts included.
SPECS:
- Frequency Response: 20Hz-20KHz
- Sensitivity: 12.59mV/Pa - 38 ± 2dB(0dB=1V/Pa 1000Hz)
- Polar Pattern: Cardioid, Hypercardioid, Omni
- Impedance: ≤ 200 Ohms
- Equivalent Noise Level: 14dB(A weighted)
- Max SPL for 0.5% THD@1000Hz: 135dB
- Power Requirement: Phantom power 48V±4V
- Connector: 3-pin
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
sE Electronics Z5600a II Large Diaphragm Stepped 9 Pattern Tube
Z5600a II Large Diaphragm Stepped 9 Pattern Tube Condenser Microphone
The Z5600a II is one of the most versatile mics on today's market. With 9 graded steps through omni, cardioid and figure of eight patterns, 10dB pad and bass cut, the Z5600a II finds uses in a huge number of applications, from mic-ing a live drum kit, to overhead on a choir. Above all though, this excellent mic has won its praise on delivering superb vocal recordings, with natural warmth and incredible detail.
This beautiful mic, comes in a wooden presentation case, cradled in a full aluminium flight case with a large shock-mount and a brand new brushed Aluminium PSU with pattern switching and cables.
Specs:
- Frequency Response: 20Hz-20KHz
- Sensitivity: 14.1mV/Pa - 37 ± 1dB(0dB=1V/Pa 1000Hz)
- Polar Pattern: Cardioid, Omni, Figure 8 and 6 intermediate stages, all selectable on AC power unit.
- Impedance: ≤ 200 Ohms
- Equivalent Noise Level: 12dB(A weighted)
- Max SPL for 0.5% THD@1000Hz: 135dB
- Power Requirement: External Power Supply Unit (PSU) included.
- Connector: 8-pin army connector
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Shure KSM44A Side-Address Condenser Vocal Microphone
Shure KSM44A Side-Address Condenser Vocal Microphone
This large-diaphragm, side-address condenser microphone from Shure has multiple polar pattern options, including cardioid, omnidirectional, and figure-8. The KSM44A features an externally biased, dual 1" diaphragm, extensive internal pop filtering and Prethos Advanced Preamplifier Technology for low self-noise.
Features:
- Prethos Advanced Preamplifier Technology provides 4 dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB
- Multiple polar patterns including cardioid, omnidirectional and figure-8 for flexibility in a wide variety of recording applications
- Dual, 1" externally biased, ultra-thin, 2.5 μm, 24K gold-layered, low mass diaphragms provide superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely wide frequency response and no crossover distortion, minimizing harmonic and intermodulation distortions
- Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPL)
- 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
- Integrated three-stage "pop" protection grille reduces plosives and other breath noise
Shure KSM44A specs
| Performance | |
|---|---|
| Operating Principle | Pressure Gradient |
| Transducer | Condenser |
| Diaphragm | 1" / 25.40 mm |
| Polar Pattern | Cardioid, Figure-8, Omnidirectional |
| Pattern Selection | Switched |
| Frequency Range | 20 Hz to 20 kHz |
| Signal to Noise Ratio | Cardioid: 90 dB Omnidirectional: 88 dB Figure 8: 86.5 dB |
| Equivalent Noise Level | Cardioid: 4 dB A-Weighted Omnidirectional: 6 dB A-Weighted Figure 8: 7.5 dB A-Weighted |
| Maximum SPL | Cardioid: 134 dB SPL Omnidirectional: 140 dB SPL Figure 8: 139 dB SPL |
| Pad | -15 dB |
| THD | 1% |
| Impedance | 50 Ohms |
| Sensitivity | Cardioid: 29.8 mV/Pa at 1 kHz Omnidirectional: 14.8 mV/Pa at 1 kHz Figure 8: 16.8 mV/Pa at 1 kHz |
| Low-Cut Filter | 6 dB/Octave @ 115 Hz 18 dB/Octave @ 80 Hz |
| Dynamic Range | Cardioid: 130 dB Omnidirectional: 134 dB Figure 8: 131 dB |
| Physical | |
|---|---|
| Output Connectors | 1 x 3-Pin XLR |
| Operating Current Consumption | 5.8 µA |
| Operating Voltage | 48 V ± 4 V |
| Weight | 17.35 oz / 492 g |
| Shipping Info | |
|---|---|
| Package Weight | 5.4 lb |
| Box Dimensions (LxWxH) | 14.3 x 10.5 x 6.4" |
UPC: 042406186391In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Shure ShureLock Elastic Shock Mount Shure KSM44A
Shure ShureLock Elastic Shock Mount for Shure KSM44A
The ShureLock Elastic Shock Mount is designed to hold the Shure KSM44A microphone and eliminate unwanted noise from being captured in your recordings. The microphone locks securely in the mount using the proprietary ShureLock system and the elastic suspension helps reduce noise from shock and vibration. With its sleek, professional design and its indispensable functionality, this shock mount is a must-have for any studio with a KSM44A.
Features:
- Designed to hold the Shure KSM44A microphone and eliminate unwanted noise
- Proprietary ShureLock system secures the KSM44A in the mount
- Elastic suspension helps reduce noise from shock and vibration
UPC: 042406191241
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Shure SM27 SM Series Multi-Purpose Condenser Microphone
Most every musician has an SM58 or SM57 as their first mic. The time- and road-tested Shure SM line has earned a deserved title as the "industry standard" for live vocals, electric guitar cabs, snare drums, and more. But now that you're recording your own music, you need a bit more detail than your Shure dynamic mic can give you. So what should your next mic be? Easy: a Shure SM27 Multi-Purpose Condenser.
A Truly Multi-Purpose Microphone
Think of the Shure SM27 this way: anything that the SM58 or SM57 doesn't cover, the SM27 does. That includes acoustic guitars, pianos, violins, mandolins, drum overheads, hand percussion, flutes, slide whistles, stomping. . . just about anything, really. Not to mention it'll record some of the smoothest, most detailed studio vocals you can track without spending many times more. The fixed "cardioid" (i.e. "heart-shaped") pickup-pattern on the SM27 makes it perfect for most audio sources, and helps to reject unwanted background noise; the SM27 hears what you want it to hear. Cardioid pickup patterns are also versatile because they change how a mic picks up a source depending on its position relative to that source. In other words, you shape your sound at the microphone -- which is what audio engineering is all about. Adding to the SM27's versatility is an in-line -15db pad. Switch it on and put the mic in front of super-loud sources like a cranked guitar stack. Throw in a three-position low frequency response switch and you've got a mic that never met a source it didn't like.Shure Fidelity with Everyday Affordability
The capsule design of the SM27 is derived from the Shure KSM line of studio microphones, meaning it sounds amazing. The lightweight condenser diaphragm is great for capturing audio transients like the ping of a stick on a cymbal or the click of a pick on a guitar string. At the same time, the SM27 offers an impressively low signal-to-noise ratio, so you've got nothing to cloud your pristine audio.As Rugged As You'd Expect An "SM" To Be
Why has Shure's line of "SM" microphones been around so long? Probably because the mics themselves last nearly forever. Much has been said and written about the near-indestructibility of the SM58 and SM57, and the SM27 benefits from this same design philosophy. Housed in a rugged metal chassis, the SM27's electronics can withstand even the rigors of live performance, and the triple-layer mesh grille protects the capsule from wind, plosives, spittle, and the occasional errant guitar headstock. Bottom line: you won't have to think twice about adding to SM27 to your stage mic arsenal, and your live show will sound all the better for it.If you've been laboring over what your next mic purchase should be, hesitate no longer. The Shure SM27 will track whatever you've got in mind, and even some things you haven't though of yet. All with amazing fidelity.
Features
- Uniform cardioid pattern for superior off axis rejection
- Superior transient response from a low-mass large Mylar® diaphragm
- Flat, neutral frequency response for natural reproduction on stage or in the studio
- 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-end
- Durable metal construction.
- Three separate mesh layers reduces wind and breath noise.
- 15dB pad for performance consistency across a wider range of high SPL sources
Specs:
- Type: Condenser (externally biased)
- Frequency Response:20 to 20,000 Hz
- Polar Pattern: Cardioid
- Impedance: 150 Ohms (140 Ohms actual)
- Sensitivity(at 1 kHz, open circuit voltage): -37 dBV/Pa, 1 Pascal=94 dB SPL
- Maximum SPL (1 kHz at 1% THD
- 1000 Ohm load: 133 dB (147 dB, Pad on)
- 2500 Ohm load: 138 dB (152 dB, Pad on)
- Signal-to-Noise Ratio (referenced at 94 dB SPL at 1 kHz): 84.5 dB, S/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted
- Dynamic Range (at 1 kHz)
- 1000 Ohm load: 123 dB
- 2500 Ohm load: 128 dB
- Common Mode Rejection (20 Hz to 20 kHz): > 50 dB
- Clipping Level (20Hz-20 kHz at 1% THD)
- 1000 Ohm load: 1 dBV
- 2500 Ohm load: 7 dBV, THD of microphone preamplifier when applied input signal is equivalent to cartridge output at specified SPL
- Self Noise (typical, equivalent SPL, A-weighted): 9.5 dB
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
- Weight: Net: 642 g (22.6 oz.)
- Switch: Attenuator: -15 dB
- Low Frequency Response: flat; -6 dB/octave below 115 Hz; -18 dB/octave below 80 Hz
- Connector: Three-pin professional audio (XLR), male
- Power Requirements: 48 Vdc phantom, 5.4 mA
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
Shure SM57-LC Legendary Instrument Microphone
Shure SM57-LC Legendary Instrument Microphone
The Shure SM57-LC Microphone is a unidirectional dynamic microphone and a true professional workhorse used in many applications. It is the professional choice for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57-LC is ideal for both live sound reinforcement & recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise.
Used for decades in the studio, the SM57-LC is the engineer's choice for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57-LC is a consistent choice of professional performers. Its outstanding performance, legendary reliability, and application diversity make this workhorse the choice of performers, producers, and sound engineers all over the world.
Features:
- Professional workhorse for vocals and instruments in live sound reinforcement
- Legendarily bright and clean sound reproduction
- Used at the official podium of the President of the United States
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Dynamic design requires no power
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Extremely durable design, with a pneumatic shock mount system that cuts down handling noise
- (26A13) Padded Bag
- A25D - Stand Adapter
- Limited 2-Year Warranty
The SM57-LC doesn't come with a mic cable so make sure you already have one or order with the mic!
Shure SM57-LC specs
| Transducer | (Moving Coil) Dynamic |
| Polar Pattern | Cardioid |
| Frequency Response | 40 Hz - 15 kHz |
| Maximum Input Sound Level | Not Specified by Manufacturer |
| Power Requirements | None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance | 150 Ohms (300 Ohms Actual) for Connection to Low Impedance Microphone Inputs |
| Output Connectors | XLR-3M Type |
| Dimensions | 6.2 x 1.25" (157 x 32mm) LxD |
| Weight | 10 oz (284g) |
| Shipping Info | |
|---|---|
| Package Weight | 1.35 lb |
| Box Dimensions (LxWxH) | 10.1 x 4.9 x 3.4" |
UPC: 042406051316
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
SOLOMON MiCS LoFReQ Black & White Dynamic Low-Frequency Mic
SOLOMON MiCS LoFReQ Black & White Dynamic Low-Frequency Capture Mic
Using a speaker as a low-frequency capture mic is nothing new. The Beatles used this technique as far back as the recordings of "Paperback Writer" and "Rain".
Go search the internet and you'll find plenty of people dangling a speaker from a make-shift stand, re-wiring a monitor driver, or even hot-wiring a combo amp to try and garner those coveted sub-lows.
Recently, manufacturers and DIYers have taken to wedging a leftover speaker into an repurposed orphan snare or tom drum. Sure, you'll probably get some signal, but it takes more to get the all right pieces in place for the best possible signal at the source, so you get the best possible sound in your ears.
BRING ME SOLOMON.
Enter the SOLOMON MiCS "LoFReQ"... purpose built from the ground up, to get all the coveted chest-rumbling, sub-freq goodness, in a smaller package, at HALF THE WEIGHT of the conventional manufactured sub-mic, and HALF THE PRICE as well. SOLOMON MiCS mount to standard mic stands for limitless placement options, and stand choices... Whether dressed in black, all white or the black AND white trooper, your LoFReQ will either make an impression or just seamless fit whatever aesthetic you choose...
Designed for picking up the most chest-rumbling frequencies of a kick drum (or other instruments packing a low punch), the LoFReQ is a dynamic low-frequency capture mic—or "sub-mic," as it's more commonly known—that's capable of capturing 25 Hz to 3 kHz at half the size of comparable units. It attaches to any standard 5/8" mic thread, and, with its Tolex wrapping and protective aluminum grilles, the LoFReQ looks great.
Get your SOLOMON LoFReQ today, and round out your sound like never before.
Features :
- Customized in-line pad for controlled gain (gain and impedance designed to match Beta 52)
- Smaller than Comparable "Sub-Mics"
- 25 Hz to 3 kHz Frequency Response
- Attaches to standard mic stand (5/8" fine thread)
- Tolex wrapped fiberboard shell
- Aluminum protective grills
- One Year Warranty
Specs:
| Transducer | Dynamic |
| Diaphragm | 6.5" (165.10 mm) |
| Polar Pattern | Figure 8 |
| Frequency Range | 25 Hz to 3 kHz |
| Impedance | Figure 8: 150 ohms |
| Output Connectors | 3-pin XLR |
UPC: 868945000017
The Electronic Music Box is an authorized Solomon Mics dealer.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
SOLOMON MiCS LoFReQ Black Dynamic Low-Frequency Capture Mic
SOLOMON MiCS LoFReQ Black Dynamic Low-Frequency Capture Mic
Using a speaker as a low-frequency capture mic is nothing new. The Beatles used this technique as far back as the recordings of "Paperback Writer" and "Rain".
Go search the internet and you'll find plenty of people dangling a speaker from a make-shift stand, re-wiring a monitor driver, or even hot-wiring a combo amp to try and garner those coveted sub-lows.
Recently, manufacturers and DIYers have taken to wedging a leftover speaker into an repurposed orphan snare or tom drum. Sure, you'll probably get some signal, but it takes more to get the all right pieces in place for the best possible signal at the source, so you get the best possible sound in your ears.
BRING ME SOLOMON.
Enter the SOLOMON MiCS "LoFReQ"... purpose built from the ground up, to get all the coveted chest-rumbling, sub-freq goodness, in a smaller package, at HALF THE WEIGHT of the conventional manufactured sub-mic, and HALF THE PRICE as well. SOLOMON MiCS mount to standard mic stands for limitless placement options, and stand choices... Whether dressed in black, all white or the black AND white trooper, your LoFReQ will either make an impression or just seamless fit whatever aesthetic you choose...
Designed for picking up the most chest-rumbling frequencies of a kick drum (or other instruments packing a low punch), the LoFReQ is a dynamic low-frequency capture mic—or "sub-mic," as it's more commonly known—that's capable of capturing 25 Hz to 3 kHz at half the size of comparable units. It attaches to any standard 5/8" mic thread, and, with its Tolex wrapping and protective aluminum grilles, the LoFReQ looks great.
Get your SOLOMON LoFReQ today, and round out your sound like never before.
Features :
- Customized in-line pad for controlled gain (gain and impedance designed to match Beta 52)
- Smaller than Comparable "Sub-Mics"
- 25 Hz to 3 kHz Frequency Response
- Attaches to standard mic stand (5/8" fine thread)
- Tolex wrapped fiberboard shell
- Aluminum protective grills
- One Year Warranty
Specs:
| Transducer | Dynamic |
| Diaphragm | 6.5" (165.10 mm) |
| Polar Pattern | Figure 8 |
| Frequency Range | 25 Hz to 3 kHz |
| Impedance | Figure 8: 150 ohms |
| Output Connectors | 3-pin XLR |
UPC: 868945000031
The Electronic Music Box is an authorized Solomon Mics dealer.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
SOLOMON MiCS LoFReQ Dura Jones Dynamic Low-Frequency Capture Mic
SOLOMON MiCS LoFReQ Daru Jones Signature Gold Edition Dynamic Low-Frequency Capture Mic
Using a speaker as a low-frequency capture mic is nothing new. The Beatles used this technique as far back as the recordings of "Paperback Writer" and "Rain".
Go search the internet and you'll find plenty of people dangling a speaker from a make-shift stand, re-wiring a monitor driver, or even hot-wiring a combo amp to try and garner those coveted sub-lows.
Recently, manufacturers and DIYers have taken to wedging a leftover speaker into an repurposed orphan snare or tom drum. Sure, you'll probably get some signal, but it takes more to get the all right pieces in place for the best possible signal at the source, so you get the best possible sound in your ears.
BRING ME SOLOMON.
Enter the SOLOMON MiCS "LoFReQ"... purpose built from the ground up, to get all the coveted chest-rumbling, sub-freq goodness, in a smaller package, at HALF THE WEIGHT of the conventional manufactured sub-mic, and HALF THE PRICE as well. SOLOMON MiCS mount to standard mic stands for limitless placement options, and stand choices... Whether dressed in black, all white or the black AND white trooper, your LoFReQ will either make an impression or just seamless fit whatever aesthetic you choose...
Designed for picking up the most chest-rumbling frequencies of a kick drum (or other instruments packing a low punch), the LoFReQ is a dynamic low-frequency capture mic—or "sub-mic," as it's more commonly known—that's capable of capturing 25 Hz to 3 kHz at half the size of comparable units. It attaches to any standard 5/8" mic thread, and, with its Tolex wrapping and protective aluminum grilles, the LoFReQ looks great.
Get your SOLOMON LoFReQ today, and round out your sound like never before.
Features :
- Customized in-line pad for controlled gain (gain and impedance designed to match Beta 52)
- Smaller than Comparable "Sub-Mics"
- 25 Hz to 3 kHz Frequency Response
- Attaches to standard mic stand (5/8" fine thread)
- Tolex wrapped fiberboard shell
- Aluminum protective grills
- One Year Warranty
Specs:
| Transducer | Dynamic |
| Diaphragm | 6.5" (165.10 mm) |
| Polar Pattern | Figure 8 |
| Frequency Range | 25 Hz to 3 kHz |
| Impedance | Figure 8: 150 ohms |
| Output Connectors | 3-pin XLR |
The Electronic Music Box is an authorized Solomon Mics dealer.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
SOLOMON MiCS LoFReQ White Dynamic Low-Frequency Capture Mic
SOLOMON MiCS LoFReQ White Dynamic Low-Frequency Capture Mic
Using a speaker as a low-frequency capture mic is nothing new. The Beatles used this technique as far back as the recordings of "Paperback Writer" and "Rain".
Go search the internet and you'll find plenty of people dangling a speaker from a make-shift stand, re-wiring a monitor driver, or even hot-wiring a combo amp to try and garner those coveted sub-lows.
Recently, manufacturers and DIYers have taken to wedging a leftover speaker into an repurposed orphan snare or tom drum. Sure, you'll probably get some signal, but it takes more to get the all right pieces in place for the best possible signal at the source, so you get the best possible sound in your ears.
BRING ME SOLOMON.
Enter the SOLOMON MiCS "LoFReQ"... purpose built from the ground up, to get all the coveted chest-rumbling, sub-freq goodness, in a smaller package, at HALF THE WEIGHT of the conventional manufactured sub-mic, and HALF THE PRICE as well. SOLOMON MiCS mount to standard mic stands for limitless placement options, and stand choices... Whether dressed in black, all white or the black AND white trooper, your LoFReQ will either make an impression or just seamless fit whatever aesthetic you choose...
Designed for picking up the most chest-rumbling frequencies of a kick drum (or other instruments packing a low punch), the LoFReQ is a dynamic low-frequency capture mic—or "sub-mic," as it's more commonly known—that's capable of capturing 25 Hz to 3 kHz at half the size of comparable units. It attaches to any standard 5/8" mic thread, and, with its Tolex wrapping and protective aluminum grilles, the LoFReQ looks great.
Get your SOLOMON LoFReQ today, and round out your sound like never before.
Features :
- Customized in-line pad for controlled gain (gain and impedance designed to match Beta 52)
- Smaller than Comparable "Sub-Mics"
- 25 Hz to 3 kHz Frequency Response
- Attaches to standard mic stand (5/8" fine thread)
- Tolex wrapped fiberboard shell
- Aluminum protective grills
- One Year Warranty
Specs:
| Transducer | Dynamic |
| Diaphragm | 6.5" (165.10 mm) |
| Polar Pattern | Figure 8 |
| Frequency Range | 25 Hz to 3 kHz |
| Impedance | Figure 8: 150 ohms |
| Output Connectors | 3-pin XLR |
UPC: 868945000000
The Electronic Music Box is an authorized Solomon Mics dealer.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov