Looking for the perfect sound for your vocals? We can help you find it.
This all-in-one Recording Ensemble comes with the robust MXL 550 vocal condenser mic, delivering outstanding performance for both vocals and instruments, and the MXL 551 instrument microphone providing the dynamic range needed for acoustic guitars, drums, high-hat cymbals, pianos, percussion, stringed instruments, and more. A microphone pair that can cover all recording needs.
• Perfect to use together—one for vocals, one for instruments
• FET preamp with balanced output and low noise
• Ideal for quality-oriented but budget-mindful musicians
Type - Pressure gradient condenser microphone
Frequency response - 30 Hz – 20 kHz
Polar pattern - Cardioid
Sensitivity - 15mV/Pa
Impedance - 200 ohms
S/N Ratio - 80 dB (Ref. 1Pa A-weighted)
Equivalent Noise - 20 dB (A-weighted IEC 268-4)
Max SPL for 0.5% TH - 130dB
Power requirment - 48V Phantom Power (+/- 4V)
Current Consumption - <3.0mA
Size and weight
47mm x 170mm / 1.85 in. x 6.69 in.
362g / .8 lbs
Metal finish Red gloss, chrome accents
|
UPC: 801813134421
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
This multi-pattern condenser microphone package offers recording flexibility and increased performance in an all-in-one recording bundle. Includes the 770X mic, a heavy-duty shock mount with an integrated pop-filter, a twenty-foot balanced XLR cable, and a microfiber cleaning cloth.
The 770X includes the essentials for almost any recording application. From drum room mics (in omni) to an intimate vocal performance (with the included shockmount/ pop filter) the 770X one of our most versatile solutions. Your mic locker will thank you.
Condenser microphone
32mm capsule with Gold-sputtered, 6 micron diaphragm
20 Hz – 20 kHz
Cardioid / Figure 8/ Omni
-35 dB re 1 V/Pa
200 ohms
0 dB, -10 dB
6 dB/Octave @ 135 Hz
16 dB (A-weighted IEC 651)
78 dB (Ref. 1 Pa A-Weighted)
130 dB/140 dB (0 dB, -10 dB pad)
48V phantom power (+/- 4V)
60mm x 185mm/2.36 in. x 7.28 in.
500 g / 1.1 lbs
Black with Black Grill
Shock mount with integrated pop-filter I balanced 20’ XLR cable
UPC: 801813183474
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
The MXL CR89 is a large diaphragm condenser microphone wrapped in sharply contrasted black and chrome. The sound is every bit as bold as the body; the CR89 can handle subtle acoustic guitar tones and loud vocals with the same sonic integrity. The CR89 has low noise circuitry and a very low proximity effect, making it ideal for up-close recording. At home on instruments and vocals, the CR89's body design minimizes body resonance while the tuned grill cavity reduces standing waves and harmonic distortion.
Features:
Type:
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Condenser pressure gradient mic with large 32mm capsule |
Diaphragm:
|
Gold-sputtered, 6 micron diaphragm |
Frequency Response:
|
20 Hz—20kHz |
Polar pattern:
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Cardioid |
Sensitivity
|
-30 dB re 1 V/Pat |
Impedance:
|
150 ohms |
Max output:
|
1K load: + 13 dBu |
Max SPL for 0.5% THD:
|
138 dB SPL |
S/N Ratio:
|
80 dB (Ref. 1 Pa A-weighted) |
Equivalent Noise Level:
|
14 dB (A-weighted IEC 651) |
Dynamic Range:
|
124 dB |
Power Requirements:
|
Phantom power 48V ± 4V |
Weight:
|
1.85lbs |
Size
|
64mm x 185mm |
Metal Finish:
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Black and Black chrome |
UPC 801813164046
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$249.95Add a ribbon-mic to your home studio with the MXL R144 ribbon microphone that's affordably priced. Thanks to its high SPL capability, Figure-8 polar pattern, and rich midrange and rolled-off top end, the R144 can precisely capture guitars, strings, horns, vocals, and more. Plus your R144 comes with a shock mount, carrying case, and cleaning cloth.
The MXL R144 is what it is because of a 1.8-micron aluminum ribbon, which makes recordings sound warm in the mid frequencies and smooth across the entire audio spectrum. Known for their awesome midrange and a rolled-off top end, ribbon microphones like the R144 add tons of warmth and character to recordings.
Its Figure-8 polar pattern rejects sounds from the sides of the mic, picking up only sounds from the front and rear. It's a no-brainer for capturing vocalists, acoustic instruments, electric guitars, strings, and other instruments, with clarity and realism.
Set up MXL's R144 ribbon mic just so, alongside your favorite preamp, and you'll have just want you need to record everything that comes your way.
The Electronic Music Box is an authorized dealer of MXL products
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$119.95The Black Neumann EA 4 Elastic Suspension Shockmount has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. It is compatible with the Neumann TLM 102 and Sennheiser MK4 microphones.
UPC: 615104086425
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
The nickel Neumann EA 4 Elastic Suspension Shockmount has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. It is compatible with the Neumann TLM 102 and Sennheiser MK4 microphones.
UPC: 615104086418
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
The Neumann KM 184 MT Microphone in matte black is a small-diaphragm cardioid condenser microphone with premium Neumann sound that's both open and musical. It is perfect for solo instruments, ensemble, and spot miking.
The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high-output gain with a very low noise floor and no coloration to the output signal.
The KM 184 is powered via +48V phantom power. Its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 184's cardioid polar pattern provides a targeted pickup area and handles sound-pressure levels up to 138 dB, allowing fairly close miking of instruments.
Cardioid Polar Pattern
The cardioid polar pattern effectively isolates signal source.
KM 100-Based Output Stage
The KM 184 has the same output stage electronics as the KM 100. Transformerless circuitry and quiet balanced output design ensure a clean, high-gain output signal without any coloration. The KM 184 is powered via +48V phantom power, and its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 184 can handle sound-pressure levels up to 138 dB, allowing fairly close miking of instruments.
Operating Principle | Pressure Gradient |
Transducer | Condenser |
Polar Pattern | Cardioid |
Frequency Range | 20 Hz to 20 kHz |
Signal to Noise Ratio | 72 dB CCIR 81 dB A-Weighted |
Equivalent Noise Level | 22 dB CCIR 13 dB A-Weighted |
Maximum SPL | 138 dB SPL 0.5% |
Impedance | 50 ohms |
Load Impedance | 1 kOhms |
Sensitivity | 15 mV/PA @ 1 kHz into 1 kOhms |
Power Requirements | 48 V+/- 4 V |
Output Connectors | 3-pin XLR |
Operating Current Consumption | 3.2 mA |
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
The Black Neumann EA 4 Elastic Suspension Shockmount has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. It is compatible with the Neumann TLM 102 and Sennheiser MK4 microphones
Neumann TLM-102 Large-Diaphragm Studio Condenser Microphone is a large diaphragm condenser microphone with a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
The capsule is designed for vocals and speech. However with its high SPL rating, it can easily handle percussion, drums, amplifiers, and other very loud sound sources. The microphone is equally capable when recording lower volume sounds due to its very fast transient response.
A slight boost above 6 kHz provides great vocal presence, while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording.
TLM 102 Performance | |
---|---|
Operating Principle | Pressure Gradient |
Transducer | Condenser |
Polar Pattern | Cardioid |
Frequency Range | 20 Hz to 20 kHz |
Signal to Noise Ratio | 73 dB CCIR 82 dB A-Weighted |
Equivalent Noise Level | 21 dB CCIR 12 dB A-Weighted |
Maximum SPL | 144 dB SPL |
THD | 0.5% |
Impedance | 50 Ohms |
Load Impedance | 1000 Ohms |
Sensitivity | 11 mV/Pa at 1 kHz into 1 kOhms |
Physical Characteristics | |
---|---|
Output Connectors | 1 x 3-Pin XLR |
Operating Current Consumption | 3.5 µA |
Operating Voltage | 48 V ± 4 V |
Length | 4.57" / 116 mm |
Diameter | 2.05" / 52 mm |
Weight | 0.46 lb / 210 g |
Shipping info | |
---|---|
Package Weight | 2.15 lb |
Box Dimensions (LxWxH) | 11.2 x 7.1 x 4.3" |
UPC: 615104086579
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$799.00Neumann TLM-102 Large-Diaphragm Studio Condenser Microphone is a large diaphragm condenser microphone with a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
The capsule is designed for vocals and speech. However with its high SPL rating, it can easily handle percussion, drums, amplifiers, and other very loud sound sources. The microphone is equally capable when recording lower volume sounds due to its very fast transient response.
A slight boost above 6 kHz provides great vocal presence, while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording.
TLM 102 Performance | |
---|---|
Operating Principle | Pressure Gradient |
Transducer | Condenser |
Polar Pattern | Cardioid |
Frequency Range | 20 Hz to 20 kHz |
Signal to Noise Ratio | 73 dB CCIR 82 dB A-Weighted |
Equivalent Noise Level | 21 dB CCIR 12 dB A-Weighted |
Maximum SPL | 144 dB SPL |
THD | 0.5% |
Impedance | 50 Ohms |
Load Impedance | 1000 Ohms |
Sensitivity | 11 mV/Pa at 1 kHz into 1 kOhms |
Physical Characteristics | |
---|---|
Output Connectors | 1 x 3-Pin XLR |
Operating Current Consumption | 3.5 µA |
Operating Voltage | 48 V ± 4 V |
Length | 4.57" / 116 mm |
Diameter | 2.05" / 52 mm |
Weight | 0.46 lb / 210 g |
Shipping info | |
---|---|
Package Weight | 2.15 lb |
Box Dimensions (LxWxH) | 11.2 x 7.1 x 4.3" |
UPC: 615104086272
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$699.00Neumann TLM-102 Large-Diaphragm Studio Condenser Microphone is a large diaphragm condenser microphone with a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
The capsule is designed for vocals and speech. However with its high SPL rating, it can easily handle percussion, drums, amplifiers, and other very loud sound sources. The microphone is equally capable when recording lower volume sounds due to its very fast transient response.
A slight boost above 6 kHz provides great vocal presence, while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording.
TLM 102 Performance | |
---|---|
Operating Principle | Pressure Gradient |
Transducer | Condenser |
Polar Pattern | Cardioid |
Frequency Range | 20 Hz to 20 kHz |
Signal to Noise Ratio | 73 dB CCIR 82 dB A-Weighted |
Equivalent Noise Level | 21 dB CCIR 12 dB A-Weighted |
Maximum SPL | 144 dB SPL |
THD | 0.5% |
Impedance | 50 Ohms |
Load Impedance | 1000 Ohms |
Sensitivity | 11 mV/Pa at 1 kHz into 1 kOhms |
Physical Characteristics | |
---|---|
Output Connectors | 1 x 3-Pin XLR |
Operating Current Consumption | 3.5 µA |
Operating Voltage | 48 V ± 4 V |
Length | 4.57" / 116 mm |
Diameter | 2.05" / 52 mm |
Weight | 0.46 lb / 210 g |
Shipping info | |
---|---|
Package Weight | 2.15 lb |
Box Dimensions (LxWxH) | 11.2 x 7.1 x 4.3" |
UPC: 615104086265
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$699.00The nickel Neumann EA 4 Elastic Suspension Shockmount has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. It is compatible with the Neumann TLM 102 and Sennheiser MK4 microphones
Neumann TLM-102 Large-Diaphragm Studio Condenser Microphone is a large diaphragm condenser microphone with a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
The capsule is designed for vocals and speech. However with its high SPL rating, it can easily handle percussion, drums, amplifiers, and other very loud sound sources. The microphone is equally capable when recording lower volume sounds due to its very fast transient response.
A slight boost above 6 kHz provides great vocal presence, while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording.
TLM 102 Performance | |
---|---|
Operating Principle | Pressure Gradient |
Transducer | Condenser |
Polar Pattern | Cardioid |
Frequency Range | 20 Hz to 20 kHz |
Signal to Noise Ratio | 73 dB CCIR 82 dB A-Weighted |
Equivalent Noise Level | 21 dB CCIR 12 dB A-Weighted |
Maximum SPL | 144 dB SPL |
THD | 0.5% |
Impedance | 50 Ohms |
Load Impedance | 1000 Ohms |
Sensitivity | 11 mV/Pa at 1 kHz into 1 kOhms |
Physical Characteristics | |
---|---|
Output Connectors | 1 x 3-Pin XLR |
Operating Current Consumption | 3.5 µA |
Operating Voltage | 48 V ± 4 V |
Length | 4.57" / 116 mm |
Diameter | 2.05" / 52 mm |
Weight | 0.46 lb / 210 g |
Shipping info | |
---|---|
Package Weight | 2.15 lb |
Box Dimensions (LxWxH) | 11.2 x 7.1 x 4.3" |
UPC: 615104086562
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$799.00The Neumann U 87 Ai Condenser Microphone in nickel finish is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The U 87 Ai is best known as a The Vocal Mic but it is a main microphone for orchestra recordings and as a spot microphone for single instruments, and speech.
The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.
The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.
A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.
An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).
Operating Principle |
Pressure Gradient |
Transducer | Condenser |
Polar Pattern | Cardioid, Figure 8, Omnidirectional |
Frequency Range | 20 Hz to 20 kHz |
Signal to Noise Ratio | 71: dB CCIR 69: dB CCIR 68: dB CCIR 82: dB A-Weighted 80: dB A-Weighted 79: dB A-Weighted |
Equivalent Noise Level | 23 dB CCIR 25 dB CCIR 26 dB CCIR 12 dB A-Weighted 14 dB A-Weighted 15 dB A-Weighted |
Maximum SPL | 117 dB SPL 0.5% 127 dB SPL 0.5% with 10 dB Pad Engaged |
Impedance | 200 ohms |
Load Impedance | 1 kOhms |
Sensitivity | 28 mV/PA @ 1 kHz into 1 kOhms 22 mV/PA @ 1 kHz into 1 kOhms 20 mV/PA @ 1 kHz into 1 kOhms |
Power Requirements | 48 V+/- 4 V |
Pad | Yes, 10 dB |
Output Connectors | 3-Pin XLR |
Operating Current Consumption | 0.8µA |
UPC 615104070226.
In accordance with California labeling requirements:
WARNING: Cancer & Reproductive Harm - www.P65Warnings.ca.gov
$3,600.00